Yamaha MU90R El kitabı

IN

PUT

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FCC INFORMATION (U.S.A)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly

approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential

environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions found in the user’s manual, may cause interference harmful to the operation of other

electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product

is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem

by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to

co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA 90620

*

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

NEDERLAND / NETHERLAND

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op

het moment dat u het apparaat ann het einde van de levensduur

afdankt of de volgende Yamaha Service Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

• For the removal of the battery at the moment of the disposal at the

end of the service life please consult your retailer or Yamaha

Service Center as follows:

Yamaha Music Nederland Service Center

Address : Kanaalweg 18-G, 3526 KL UTRECHT

Tel : 030-2828425

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering.

Udskiftning må kun ske med batteri af samme fabrikat og type.

Levér det brugte batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma

batterityp eller en ekvivalent typ som rekommenderas av

apparattillverkaren. Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda

paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin.

Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power sup-

ply or adapter other than one described in the manual, on

the name plate, or specifically recommended by Yamaha.

WARNING: Do not place this product in a position where

anyone could walk on, trip over, or roll anything over

power or connecting cords of any kind. The use of an

extension cord is not recommended! If you must use an

extension cord, the minimum wire size for a 25' cord (or

less ) is 18 AWG. NOTE: The smaller the AWG number,

the larger the current handling capacity. For longer exten-

sion cords, consult a local electrician.

This Product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE: The in-

formation contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right

to change or modify any of the specifications without no-

tice or obligation to update existing units.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of produc-

ing sound levels that could cause permanent hearing loss.

DO NOT operate for long periods of time at a high volume

level or at a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should consult

an audiologist. IMPORTANT: The louder the sound, the

shorter the time period before damage occurs.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied with the

product or as optional accessories. Some of these items are

designed to be dealer assembled or installed. Please make

sure that benches are stable and any optional fixtures

(where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only.

No other uses are recommended.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the manu-

facturer’s warranty, and are therefore the owners responsi-

bility. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes neces-

sary, contact a qualified service representative to perform

the replacement.

This Product may also use “household” type batteries.

Some of these may be rechargeable. Make sure that the

battery being charged is a rechargeable type and that the

charger is intended for the battery being charged.

When installing batteries, do not mix old batteries with

new, or with batteries of a different type. Batteries MUST

be installed correctly. Mismatches or incorrect installation

may result in overheating and battery case rupture.

Warning: Do not attempt to disassemble, or incinerate any

battery. Keep all batteries away from children. Dispose of

used batteries promptly and as regulated by the laws in

your area.

Note: Check with any retailer of household type batteries

in your area for battery disposal information.

Disposal Notice: Should this Product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, Please contact Yamaha directly.

NAME PLATE LOCATION: The name Plate is located

on the top of the product. The model number, serial

number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and

the date of purchase in the spaces provided below and

retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP

PLEASE KEEP THIS MANUAL

ii

WELCOME TO THE MU90R

Welcome to the MU90R

Congratulations and thank you for purchasing the Yamaha MU90R Tone

Generator!

The MU90R is an advanced tone generator providing 779 high-quality

Voices, full General MIDI compatibility — including Yamaha’s new XG-

MIDI (Extended General MIDI) — plus flexible computer interfacing

in a rack-mount unit.

With the convenient built-in host computer interface and MIDI ter-

minals, the MU90R is ideal for any computer music system — from con-

nection to a simple laptop to integration in a complete MIDI studio. With

its large LCD and the intuitive graphic controls on the display, the MU90R

is remarkably easy to use.

The MU90R also features completely independent dual MIDI inputs,

32 Part multi-timbral capacity and full 64-note polyphony for playback

of even the most sophisticated song data. A special Performance mode

gives you flexible four-Voice operation, for live performance applications.

Built-in digital multi-effects give you enormous versatility in “sweeten-

ing” the sound. Plus, the convenient A/D inputs allow you to connect a mi-

crophone, electric guitar or other instrument, and mix those signals with the

MU90R’s Voices. What’s more, the MU90R provides a host of comprehen-

sive, yet easy-to-use editing tools for getting just the sound you need.

iv

TABLE OF CONTENTS

Table of Contents

Welcome to the MU90R .........................................................................................................ii

Unpacking ..............................................................................................................................iii

Table of Contents................................................................................................................... iv

How to Use This Manual ..................................................................................................... vii

Precautions...........................................................................................................................viii

The Controls of the MU90R .................................................................................................. 1

Front Panel .................................................................................................................... 1

Rear Panel ..................................................................................................................... 3

The MU90R — What It Is and What It Can Do ................................................................. 4

What It Is…....................................................................................................................... 4

About General MIDI..................................................................................................... 4

What It Can Do…............................................................................................................. 5

Using With MIDI Keyboard ......................................................................................... 5

Using With a Computer or Sequencer .......................................................................... 5

About the Modes of the MU90R...................................................................................... 6

Play Modes and the Part Controls................................................................................. 6

Utility Mode................................................................................................................ 11

Part Edit Mode ............................................................................................................ 11

GUIDED TOUR

Setting Up Your MU90R ................................................................................................ 14

What You’ll Need.................................................................................................. 14

Making the Connections ....................................................................................... 14

Powering Up and Playing the Demo Song.................................................................... 16

Powering Up ............................................................................................................... 16

Playing the Demo Song .............................................................................................. 17

Playing Your MU90R with a MIDI Keyboard ............................................................. 18

Selecting Voices ............................................................................................................... 19

Changing the Voice Bank............................................................................................ 20

Selecting Voices From Your MIDI Keyboard ............................................................. 21

Changing Some of the Settings — Part Controls ........................................................ 22

Selecting Another Part and Changing its MIDI Channel............................................ 22

Changing the Volume and Pan Settings of a Part ....................................................... 24

Using Mute/Solo.............................................................................................................. 25

Using the A/D Input........................................................................................................ 26

Setting Up the MU90R in Your Music System............................................................. 29

Connecting With a Computer ..................................................................................... 29

Macintosh .............................................................................................................. 29

IBM PC/AT and Clones ........................................................................................ 30

Connecting to Other MIDI Devices............................................................................ 31

Using the MU90R with a MIDI Data Storage Device ................................................. 33

Data Flow Block Diagram.............................................................................................. 34

MIDI/Computer Connecting Cables............................................................................. 35

TABLE OF CONTENTS

v

GUIDED TOUR

REFERENCE

APPENDIX

REFERENCE

Multi Mode...................................................................................................................... 38

Multi Play Mode ......................................................................................................... 39

Play Displays .............................................................................................................. 39

Part Controls ............................................................................................................... 40

Single Part Control...................................................................................................... 41

Selecting Single Part Control ................................................................................ 41

Editing in Single Part ............................................................................................ 41

All Part Control........................................................................................................... 46

Editing in All Part.................................................................................................. 46

Multi Edit Mode.......................................................................................................... 49

Filter ...................................................................................................................... 49

EG (Envelope Generator)...................................................................................... 52

EQ (Equalizer) ...................................................................................................... 57

Vibrato ................................................................................................................... 59

Others .................................................................................................................... 61

Drum Setup Controls............................................................................................. 73

Calling Up the Drum Setup Menu................................................................... 73

Drum Setup Parameters ................................................................................... 75

Performance Mode ......................................................................................................... 80

Performance Play Mode.............................................................................................. 80

Selecting a Performance and its Individual Parts.................................................. 81

Performance Part Control ........................................................................................... 83

Single Part ............................................................................................................. 83

All Part .................................................................................................................. 86

Performance Edit Mode .............................................................................................. 89

Common ................................................................................................................ 89

Part ........................................................................................................................ 93

Filter ...................................................................................................................... 94

EG ......................................................................................................................... 94

EQ ......................................................................................................................... 94

Vibrato ................................................................................................................... 95

Others .................................................................................................................... 95

Copy and Store Operations ......................................................................................... 97

Copy ...................................................................................................................... 97

Store ...................................................................................................................... 98

Recall Function ................................................................................................... 100

Effect Edit Mode........................................................................................................... 101

Reverb (REV) ........................................................................................................... 101

Chorus ....................................................................................................................... 103

Variation.................................................................................................................... 104

Insertion 1, 2 ............................................................................................................. 106

About the Effect Connections — System and Insertion ........................................... 109

Equalizer (EQ) Edit...................................................................................................... 112

Utility Mode .................................................................................................................. 114

System Functions ...................................................................................................... 114

vi

TABLE OF CONTENTS

Dump Out Functions................................................................................................. 119

Saving and Restoring Data via MIDI.................................................................. 119

Saving and Restoring Data via TO HOST .......................................................... 119

Initialize Functions ................................................................................................... 122

Demo Song Play (DEMO) ........................................................................................ 125

Sound Module Mode (MODE) ................................................................................. 126

Show Control Change ............................................................................................... 127

Show Exclusive......................................................................................................... 128

About Cable Messages ........................................................................................ 129

APPENDIX

XG .................................................................................................................................. 132

Chapter 0: Format Overview .................................................................................... 132

Chapter 1: MIDI Specifications ................................................................................ 135

Troubleshooting ............................................................................................................ 147

Error Messages ............................................................................................................. 148

Specifications................................................................................................................. 149

Glossary ......................................................................................................................... 151

Index .............................................................................................................................. 153

HOW TO USE THIS MANUAL

vii

How to Use This Manual

You are probably eager to try out your new MU90R Tone Generator right

away and hear what it can do, rather than have to read through a lot of in-

structions before you can even get a sound out of it.

However, to get the most out of your MU90R, we strongly suggest that

you read the following sections in the order given:

1) Precautions

This gives you important information on how to care for your new

MU90R, how to avoid damaging, and how to ensure long-term, reli-

able operation.

2) The Controls of the MU90R

This section introduces you to the panel controls and connectors.

3) The MU90R — What It Is and What It Can Do

This briefly provides an overview of the functions and features of the

MU90R and offers some important hints on how you can use it effec-

tively.

4) Guided Tour

This very important section gets you started using your new MU90R. It

helps you set up the instrument, play it, and use some of the more im-

portant functions and features. The hands-on experience you gain in

this section will help you navigate through the other sections of the

manual.

5) Setting Up the MU90R in Your Music System;

Using the MU90R with a Computer

These sections (within the Guided Tour) provide all you need to know

to effectively integrate the MU90R into your present computer music

system.

6) Reference

Once you’re familiar with everything above, lightly go over this com-

prehensive guide to all editing functions. You won’t need (or want) to

read everything at once, but it is there for you to refer to when you need

information about a certain feature or function.

7) Appendix

Finally, use the sections in the Appendix as necessary. For example, the

Index will come in handy when you need to quickly find information

on a specific topic. Other sections, such as the Glossary, Trouble-

shooting and Error Messages provide additional useful information.

viii

• Use only the stand/rack specified for the instrument. When attaching the

stand or rack, use the provided screws only. Failure to do so could cause

damage to the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss.

If you experience any hearing loss or ringing in the ears, consult a

physician.

■REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal backup battery which

permits internal data to remain stored even when the power is off. When

the backup battery needs replacing, the message “Battery Low!” will display

in the display. When this happens, immediately back up your data (using

an external device such as the floppy disk-based Yamaha MIDI Data Filer

MDF2), then have qualified Yamaha service personnel replace the backup

battery.

•Do not attempt to replace the backup battery yourself, in order to prevent

the possible serious hazards. Always have qualified Yamaha service

personnel replace the backup battery.

• Never place the backup battery in a location that a child can reach, since

a child might accidentally swallow the battery. If this should happen,

consult a physician immediately.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer

MDF2, in order to help prevent the loss of important data due to a

malfunction or user operating error.

Yamaha cannot be held responsible for damage caused by improper

use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable

parts. If it should appear to be malfunctioning, discontinue use immediately

and have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual

smells or smoke should appear to be caused by it, immediately turn off

the power switch, disconnect the adaptor plug from the outlet, and have

the instrument inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-3B) only. Using the wrong adaptor can

result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which

may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord,

place heavy objects on it, or place it in a position where anyone could

walk on, trip over, or roll anything over it.

• When removing the electric plug from an outlet, always hold the plug

itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-

connector. Doing so can result in lower sound quality, or possibly cause

overheating in the outlet.

• Remove the adaptor plug from the outlet when the instrument is not to be

used for extended periods of time, or during electrical storms.

• Before connecting the instrument to other electronic components, turn off

the power for all components. Before turning the power on or off for all

components, set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during

the day) to prevent the possibility of panel disfiguration or damage to the

internal components.

•Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other

cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint

thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.

Also, do not place vinyl or plastic objects on the instrument, since this

might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and

do not use excessive force on the buttons, switches or connectors.

THE CONTROLS OF THE MU90R

1

The Controls of the MU90R

Front Panel

1 PHONES jack

For connection to a set of stereo headphones (1/4”).

2 VOLUME control

Turning this adjusts the overall volume of the MU90R.

3 A/D INPUT 1, 2 jacks

For connection of a microphone, electric guitar or other electronic instruments

(mono 1/4” plugs).

4 A/D INPUT level control

For control of the level of the A/D inputs.

5 PLAY button

For entering the Play mode and switching among the different Play displays.

(See page 39.)

6 UTIL (UTILITY) button

For entering the Utility mode. (See page 114.)

7 MODE button

For entering the Sound Module mode. (See page 126.)

8 EDIT button

For entering the Edit mode. (See pages 49 and 89.)

9 EFFECT button

For entering the Effect Edit mode. (See page 101.)

10 EQ button

For entering the EQ Edit mode. (See page 112.)

1

2

3

4

58

6

7

10

9

2

THE CONTROLS OF THE MU90R

11 MUTE/SOLO button

Pressing this alternately mutes or solos the selected Part. (See page 25.)

12 ENTER button

For calling up menu items in the display and for executing certain functions

and operations. Double-clicking this (pressing it twice quickly) calls up the

System Exclusive hexadecimal message for the current function and param-

eter value.

13 EXIT button

For leaving various display pages and returning to previous displays. Also for

canceling certain functions and operations.

14 PART -/+ buttons

For selecting different Parts. In the Effect Edit mode, these can be used to

switch among the different effects. Pressing these together enters and exits

from All Part control. (See page 46.)

15 SELECT </> buttons

For selecting the various menu items, parameters and controls on the display.

16 VALUE -/+ buttons

For changing the value of a selected parameter or control.

17 DATA dial

For adjusting/changing values of the selection function or parameter. Rotate

this clockwise to increase the value.

18 POWER switch

Pressing this turns the power on and off.

11

12

13

16

15

14

17

18

THE CONTROLS OF THE MU90R

3

Rear Panel

1 MIDI THRU, MIDI OUT and MIDI IN A/B terminals

For connection to other MIDI devices, such as a MIDI keyboard, tone genera-

tor, sequencer, or to a computer that has a MIDI interface. MIDI IN A and B

are independent MIDI ports, allowing full 32-channel MIDI input. MIDI OUT

is for data dumps to another MIDI device, while MIDI THRU is for “daisy-

chain” connection of additional MU90Rs or other MIDI instruments. (See

page 14 for more information on MIDI connections.)

2 HOST SELECT switch

For selecting the type of host computer. (See page 29.)

3 TO HOST terminal

For connection to a host computer that does not have a MIDI interface. (See

page 31.)

4 DC IN jack

For connection to the PA-3B AC power adaptor.

5 OUTPUT L, R jacks

For connection to a stereo amplifier/speaker system. When using a mono sys-

tem, connect it to the L/MONO jack.

6 INDIV. OUTPUT 1, 2 jacks

For independent output of selected Parts (1/4”). Parts selected for output

through these jacks are not output through the main OUTPUT or PHONES

jacks. (See pages 72 and 79.)

1

2

56

34

4

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

The MU90R — What It Is and What It Can Do

What It Is…

The MU90R is a fulll-featured and easy-to-use tone generator. It features

full General MIDI Level 1 compatibility with 128 General MIDI Voices

and 9 drum kits. It also provides new XG-MIDI (Extended General MIDI)

compatibility, with a total of 586 Voices and 20 drum kits. The MU90R has

64-note polyphony and is 32-Part multi-timbral. In other words, the

MU90R has 32 different Parts, each with its own Voice, so that up to 32

different Voices can be sounded simultaneously. Since the MU90R features

dual MIDI input ports (A and B), 16 Parts can be played from one MIDI

port and the remaining 16 from the other port.

The MU90R also has a TO HOST terminal for easy interfacing with a

computer, allowing you to play the Voices using your favorite music soft-

ware. This is where the advanced multi-timbral capabilities come in, let-

ting you playing sophisticated arrangements using up to 32 different Voices

at the same time.

The MU90R also features a special Performance mode, in which four

Parts are played simultaneously over a single MIDI channel. Connected to a

MIDI keyboard, this effectively gives you four tone generators in one. The

MU90R gives you 100 factory-programmed Preset Performances plus 100

Internal Performance locations for your own original Performances.

About General MIDI

General MIDI is a new addition to the worldwide MIDI standard. MIDI, as

you know, stands for Musical Instrument Digital Interface, and makes it

possible for various electronic musical instruments and other devices to

“communicate” with each other. For example, by connecting a sequencer

to the MU90R’s MIDI IN terminal, you could play back a song on the

sequencer using the Voices of the MU90R.

So, where does General MIDI fit in all of this? One of the most impor-

tant features of General MIDI is in the standardization of Voices. This

means that a song recorded in the General MIDI format can be played back

on any General MIDI compatible tone generator and sound just as the com-

poser intended. For example, if there is an alto sax solo in the song, it will

be played by an alto sax Voice on the General MIDI tone generator (and

not by a tuba or harpsichord!). Since the MU90R is fully compatible with

General MIDI, you can take advantage of the vast wealth of musical mate-

rial recorded in that format.

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

5

What It Can Do…

Here are a few ideas on how you can use the MU90R. The list below is not

comprehensive, but is meant to be a general guide to the possibilities and

provide a starting point or springboard for your own creative ideas and ex-

plorations.

Using With MIDI Keyboard

Use the MU90R as supplementary tone generator with your MIDI key-

board and play the Voices of both instruments in a layer together. Or, use

the convenient Performance mode, and play four Voices on the MU90R at

once. You can split the four Voices across the keyboard, playing each from

a different register. Or you can create sophisticated velocity splits, in which

a different Voice is heard depending on how strongly you play the key-

board. Or use keyboard and velocity splits together for even greater flex-

ibility.

Using With a Computer or Sequencer

Home Studio Setup

The MU90R integrates instantly and easily into any existing setup. If you

have a MIDI keyboard, computer and sequencing software, the MU90R

with its high-quality Voices and multi-timbral capabilities can expand your

home studio system.

Take It With You

If you have a laptop computer (and sequencing software), simply connect

the MU90R, plug in some headphones and you’ve got a complete, high-

powered music making system that’s exceptionally easy to use. Use it for

composing, arranging, practicing or making/playing demos for your band.

Multimedia

Since it’s compatible with General MIDI, the MU90R is a natural for multi-

media applications. Since the computer interface is built-in to the MU90R,

it hooks up instantly and easily to the computer’s serial port or printer port,

without the need for any other equipment.

6

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

About the Modes of the MU90R

The MU90R has two main operating modes: Multi and Performance. In

Multi mode, the MU90R is a 32-Part multi-timbral tone generator; in Per-

formance mode, the MU90R effectively functions as four tone generators

controlled over a single MIDI channel.

Which mode the MU90R is in depends on the selected Sound Module

mode. If XG, TG300B or C/M are selected, the MU90R automatically sets

itself to the Multi mode. When PFM is selected, the MU90R is in the Per-

formance mode.

The bottom right of the display indicates the currently selected Sound Mod-

ule mode.

Selected Sound Module mode.

Play Modes and the Part Controls

Once the operating mode of the MU90R is set (Multi or Performance),

there are two main ways you can use the MU90R: playing and editing. In

the Play modes, you play the Voices; in the various Edit modes, you change

their settings.

Within the Play modes are the Part controls. These let you make basic set-

tings for the Parts. The Single Part controls allow you to make independent

settings for each Part, while the All Part controls allow you to change the over-

all settings of all Parts. (See pages 41 and 46 for more information.)

Sound Module Mode

XG

TG300B

C/M

Performance

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

7

The MU90R has several different Edit modes, each with various menus and

operations:

Part Edit Mode

Filter

LPF Cutoff Frequency

LPF Resonance

HPF Cutoff Frequency

EG

EG Attack Time

EG Decay Time

EG Release Time

Pitch EG Initial Level

Pitch EG Attack Time

Pitch EG Release Level

Pitch EG Release Time

Play Mode

Part 1 … 32 All Part A/D

Receive Channel Device Number Receive Channel

Bank Number Source Variation

Program Number A/D Source

Volume Master Volume Volume

Expression Master Attenuator Expression

Pan Pan

Reverb Send Reverb Return Reverb Send

Chorus Send Chorus Return Chorus Send

Variation Send Variation Return Variation Send

Note Shift Transpose

8

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

EQ

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Vibrato

Vibrato Rate

Vibrato Depth

Vibrato Delay

Others

Detune

Part Mode

Mono/Poly Mode

Portamento Switch

Portamento Time

Element Reserve

Note Limit Low

Note Limit High

Dry Level (VarConnect=SYS)

Velocity Sensitivity Depth

Velocity Sensitivity Offset

Velocity Limit Low

Velocity Limit High

Pitch Bend Control

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

9

Performance Edit Mode

Common

Performance Name

Portamento Switch

Portamento Time

MW LFO Pitch Modulation Depth

MW LFO Filter Modulation Depth

Pitch Bend Control

A/D Part

AC1 Control Change Number

AC1 Filter Control

AC1 Amplitude Control

AC1 LFO Filter Modulation Depth

Part

Filter

LPF Cutoff Frequency

LPF Resonance

HPF Cutoff Frequency

MW LFO Pitch Modulation Depth

AC1 Control Change Number

AC1 Filter Control

AC1 Amplitude Control

Output Select

10

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

EG

EG Attack Time

EG Decay Time

EG Release Time

Pitch EG Initial Level

Pitch EG Attack Time

Pitch EG Release Level

Pitch EG Release Time

EQ

EQ Low Frequency

EQ Low Gain

EQ High Frequency

EQ High Gain

Vibrato

Vibrato Rate

Vibrato Depth

Vibrato Delay

Others

Detune

Mono/Poly Mode

Note Limit Low

Note Limit High

Dry Level (VarConnect=SYS)

Velocity Sensitivity Depth

THE MU90R — WHAT IT IS AND WHAT IT CAN DO

11

Velocity Sensitivity Offset

Velocity Limit Low

Velocity Limit High

Copy

Store

Recall

For more information on each of these modes and their menus, see the re-

spective sections in the Reference section.

Utility Mode

The Utility mode lets you set functions related to the overall operation of

the MU90R, such as Master Tune, display Contrast and reception of cer-

tain MIDI messages that affect the entire instrument. Included also are mis-

cellaneous operations, such as sending bulk data to a data storage device,

initializing of the MU90R settings, and playing the special Demo song.

Part Edit Mode

The Part Edit mode allows you to change certain settings for each indi-

vidual Part, such as those of the Filter, EG (Envelope Generator), and many

other settings. The internal Voices can be sounded during editing, allowing

you to hear the effects of your edits.

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