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Owner’s Manual
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power
supply (adapter). DO NOT connect this product to
any power supply or adapter other than one
described in the manual, on the name plate, or
specifically recommended by Yamaha.
WARNING: Do not place this product in a position
where anyone could walk on, trip over ,or roll
anything over power or connecting cords of any kind.
The use of an extension cord is not recommended!
IF you must use an extension cord, the minimum
wire size for a 25' cord (or less ) is 18 AWG. NOTE:
The smaller the AWG number ,the larger the current
handling capacity. For longer extension cords,
consult a local electrician.
This product should be used only with the
components supplied or; a cart, rack, or stand that is
recommended by Yamaha. If a cart, etc., is used,
please observe all safety markings and instructions
that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed
to be correct at the time of printing. However,
Yamaha reserves the right to change or modify any
of the specifications without notice or obligation to
update existing units.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be
capable of producing sound levels that could cause
permanent hearing loss. DO NOT operate for long
periods of time at a high volume level or at a level
that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the
time period before damage occurs.
Some Yamaha products may have benches and / or
accessory mounting fixtures that are either supplied
with the product or as optional accessories. Some of
these items are designed to be dealer assembled or
installed. Please make sure that benches are stable
and any optional fixtures (where applicable) are well
secured BEFORE using.
Benches supplied by Yamaha are designed for
seating only. No other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge
relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the
owners responsibility. Please study this manual
carefully and consult your dealer before requesting
service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both
user safe and environmentally friendly. We sincerely
believe that our products and the production
methods used to produce them, meet these goals. In
keeping with both the letter and the spirit of the law,
we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable
battery which (if applicable) is soldered in place. The
average life span of this type of battery is approxi-
mately five years. When replacement becomes
necessary, contact a qualified service representative
to perform the replacement.
This product may also use “household” type
batteries. Some of these may be rechargeable. Make
sure that the battery being charged is a rechargeable
type and that the charger is intended for the battery
being charged.
When installing batteries, do not mix batteries with
new, or with batteries of a different type. Batteries
MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery
case rupture.
Warning:
Do not attempt to disassemble, or incinerate any
battery. Keep all batteries away from children.
Dispose of used batteries promptly and as regulated
by the laws in your area. Note: Check with any
retailer of household type batteries in your area for
battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair,
or for some reason its useful life is considered to be
at an end, please observe all local, state, and federal
regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc. If your
dealer is unable to assist you, please contact
Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the
product. The model number, serial number, power
requirements, etc., are located on this plate. You
should record the model number, serial number, and
the date of purchase in the spaces provided below
and retain this manual as a permanent record of
your purchase.
Model
Serial No.
Purchase Date
92-BP
PLEASE KEEP THIS MANUAL
1
Do not open the instrument or attempt to disassemble
the internal parts or modify them in any way. The in-
strument contains no user-serviceable parts. If it should
appear to be malfunctioning, discontinue use immedi-
ately and have it inspected by qualified Yamaha ser-
vice personnel.
Do not expose the instrument to rain, use it near water
or in damp or wet conditions, or place containers on it
containing liquids which might spill into any openings.
If the AC adaptor cord or plug becomes frayed or dam-
aged, or if there is a sudden loss of sound during use of
the instrument, or if any unusual smells or smoke should
appear to be caused by it, immediately turn off the
power switch, disconnect the adaptor plug from the
outlet, and have the instrument inspected by qualified
Yamaha service personnel.
Use the specified adaptor (PA-3B or equivalent recom-
mended by Yamaha) only. Using the wrong adaptor
can result in damage to the instrument or overheating.
Before cleaning the instrument, always remove the
electric plug from the outlet. Never insert or remove an
electric plug with wet hands.
• Check the electric plug periodically and remove any
dirt or dust which may have accumulated on it.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or
even death from electrical shock, short-circuiting, damages, fire or other hazards. These
precautions include, but are not limited to, the following:
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
• Always make sure all batteries are inserted in confor-
mity with the +/- polarity markings. Failure to do so
might result in overheating, fire, or battery fluid leak-
age.
• Always replace all batteries at the same time. Do not
use new batteries together with old ones. Also, do not
mix battery types, such as alkaline batteries with man-
ganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since
this can cause overheating, fire, or battery fluid leak-
age.
Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not in-
tended to be charged.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to
you or others, or damage to the instrument or other property. These precautions include, but
are not limited to, the following:
• Do not place the AC adaptor cord near heat sources
such as heaters or radiators, and do not excessively
bend or otherwise damage the cord, place heavy ob-
jects on it, or place it in a position where anyone could
walk on, trip over, or roll anything over it.
• When removing the electric plug from the instrument
or an outlet, always hold the plug itself and not the
cord.
• Do not connect the instrument to an electrical outlet
using a multiple-connector. Doing so can result in lower
sound quality, or possibly cause overheating in the
outlet.
• Unplug the AC power adaptor when not using the in-
strument, or during electrical storms.
(4)
2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to
you or others, or damage to the instrument or other property. These precautions include, but
are not limited to, the following:
• If the instrument is not to be in use for a long time,
remove the batteries from it, in order to prevent pos-
sible fluid leakage from the battery.
• Keep batteries away from children.
• Before connecting the instrument to other electronic
components, turn off the power for all components. Be-
fore turning the power on or off for all components, set
all volume levels to minimum.
Do not expose the instrument to excessive dust or vi-
brations, or extreme cold or heat (such as in direct sun-
light, near a heater, or in a car during the day) to pre-
vent the possibility of panel disfiguration or damage to
the internal components.
• Do not use the instrument near other electrical prod-
ucts such as televisions, radios, or speakers, since this
might cause interference which can affect proper op-
eration of the other products.
• Do not place the instrument in an unstable position
where it might accidentally fall over.
• Before moving the instrument, remove all connected
adaptor and other cables.
• When cleaning the instrument, use a soft, dry cloth.
Do not use paint thinners, solvents, cleaning fluids, or
chemical-impregnated wiping cloths. Also, do not place
vinyl or plastic objects on the instrument, since this
might discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on
the instrument, and do not use excessive force on the
buttons, switches or connectors.
Do not operate the instrument for a long period of time
at a high or uncomfortable volume level, since this can
cause permanent hearing loss. If you experience any
hearing loss or ringing in the ears, consult a physician.
REPLACING THE BACKUP BATTERY
• This instrument contains a non rechargeable internal
backup battery which permits internal data to remain
stored even when the power is off. When the backup
battery needs replacing, the message "Backup Batt.
Low" will display in the LCD panel. When this happens,
immediately back up your data (using an external de-
vice such as the floppy disk-based Yamaha MIDI Data
Filer MDF2), then have qualified Yamaha service per-
sonnel replace the backup battery.
Do not attempt to replace the backup battery your-
self, in order to prevent the possible serious hazards.
Always have qualified Yamaha service personnel re-
place the backup battery.
Never place the backup battery in a location that a child
can reach, since a child might accidentally swallow the
battery. If this should happen, consult a physician im-
mediately.
SAVING USER DATA
Save all data to an external device such as the Yamaha
MIDI Data Filer MDF2, in order to help prevent the loss
of important data due to a malfunction or user operat-
ing error.
Yamaha cannot be held responsible for damage caused by
improper use or modifications to the instrument, or data that
is lost or destroyed.
Always turn the power off when the instrument is not in
use.
Make sure to discard used batteries according to local
regulations.
(4)
3
Contents
1: The QY70 — An Overview ............. 5
Sequencer Functions....................... 6
Accompaniment Sequencing .......... 7
Voices & Effects .............................. 8
2: Power & Connections .................... 9
Power Supply ........................................ 9
Using Batteries ................................ 9
When to Replace the Batteries ..... 10
Using a Power Adaptor ................. 11
Setting Up ............................................ 12
The Connectors ............................. 12
Audio Connections ........................ 14
MIDI Connections ......................... 15
Connecting to a Personal
Computer ...................................... 16
About the MIDI Driver ................... 19
3: The Controls ................................. 22
4: Play the Demo Songs .................. 31
5: Easy Accompaniment .................. 33
Selecting & Playing the Preset
Patterns ............................................... 33
Changing Chords ........................... 39
Fingered Chord Function ............... 43
Preset Chord Templates ................ 43
Record a Complete Accompaniment ... 44
Realtime Accompaniment
Recording ...................................... 44
Recording Tempo Changes ........... 50
Step Accompaniment Recording... 51
“Pt” — Step Record Pattern
Changes ........................................ 54
“Cd” — Step Record Chord
Changes ........................................ 57
6: The Song Voice Mode .................. 61
The Effect Send Display ...................... 66
Voice Editing ........................................ 68
Drum Edit ...................................... 72
7: Creating A Complete Song ......... 75
Recording the Sequencer Tracks ......... 75
Preparing to Record
— Voice Assignments ................... 75
Realtime Sequencer Track
Recording ...................................... 76
Step Sequencer Track Recording .. 81
8: Playback Control .......................... 88
Play Effects ..........................................94
Groove Quantization ...................... 96
Drum Table Remapping ................. 98
9: The Song Jobs............................ 101
00 : Undo/Redo .................................. 103
01 : Quantize ..................................... 104
02 : Modify Velocity ........................... 107
03 : Modify Gate Time ....................... 109
04 : Crescendo .................................. 111
05 : Transpose ................................... 113
06 : Shift Clock .................................. 114
07 : Chord Sort .................................. 116
08 : Chord Separate ........................... 117
09 : Copy Event ................................. 118
10 : Erase Event ................................ 120
11 : Extract Event .............................. 121
12 : Create Continuous ...................... 123
13 : Thin Out ...................................... 125
14 : Time Stretch ............................... 126
15 : Create Measure .......................... 127
16 : Delete Measure .......................... 128
17 : Copy Track .................................. 129
18 : Mix Track .................................... 130
19 : Clear Track .................................. 131
20 : Expand Backing .......................... 132
21 : Normalize .................................... 133
22 : Copy Song .................................. 134
23 : Clear Song .................................. 135
24 : Song Name ................................. 136
T h e Q Y 7 0 — A n O v e r v i e w
4
10: Creating Original Accompaniment
Patterns ..................................... 137
The Preset Phrases ........................... 137
Combining Phrases In the Pattern
Mode ................................................. 139
Recording Original Phrases ............... 144
Realtime Phrase Recording ......... 144
Step Phrase Recording ................ 150
Pattern Voice mode ........................... 151
The Effect Send Display .................... 152
Voice Editing ...................................... 154
Play Effects ........................................ 155
11: The Pattern Jobs ...................... 157
00 : Undo/Redo .................................. 159
01 : Quantize ..................................... 160
02 : Modify Velocity ........................... 163
03 : Modify Gate Time ....................... 165
04 : Crescendo .................................. 167
05 : Transpose ................................... 169
06 : Shift Clock .................................. 170
07 : Chord Sort .................................. 172
08 : Chord Separate ........................... 173
09 : Copy Event ................................. 174
10 : Erase Event ................................ 176
11 : Extract Event .............................. 177
12 : Create Continuous ...................... 179
13 : Thin Out ...................................... 181
14 : Time Stretch ............................... 182
15 : Copy Phrase ............................... 183
16 : Get Phrase .................................. 184
17: Put Phrase ................................... 185
18 : Copy Track .................................. 186
19 : Mix Track .................................... 187
20 : Clear Track .................................. 188
21 : Copy Pattern ............................... 189
22 : Clear Pattern ............................... 190
23 : Style Name ................................. 191
12: Editing Songs & Patterns ........ 192
Engaging the SONG or PATTERN
Edit Mode .................................... 192
Moving Around ............................ 195
Change Mode Editing .................. 196
Insert Mode Editing ..................... 197
XG View ............................................. 208
View Filter .......................................... 209
Phrase Table (Pattern Edit Only) ........ 210
13: Effects & Effect Editing ............ 212
Accessing & Editing the Effect
Parameters ........................................ 212
Effect Editing ..................................... 216
14: Utility Functions ....................... 218
Accessing the Utility Mode ......... 218
System Parameters ..................... 220
MIDI Parameters ......................... 222
Bulk Dump ................................... 225
Fingered Zone ............................. 227
15: Appendix ................................... 229
Specifications .................................... 229
Troubleshooting ................................. 231
Error Messages ................................. 233
Glossary ............................................. 235
Index .................................................. 242
Contents
The screen displays as illustrated in this owner’s manual are for
instructional purposes, and may appear somewhat different from
the screens which appear on your instrument.
5
1
T h e Q Y 7 0 — A n O v e r v i e w
T h e Q Y 7 0 — A n O v e r v i e w
The QY70 is a sophisticated music production system with a
16-track sequencer, a high-quality tone generator that provides 519
voices and 20 drum kits, and advanced auto-accompaniment capabil-
ity all integrated in a compact, easy-to-handle package. It also features
a built-in micro-keyboard for easy programming without an external
MIDI keyboard.
Sequencer
QY70
Controller
Tone Generator Effects
• 16 sequencer tracks
• 8 accompaniment
tracks
• built-in micro keyboard
• 519 voices
• 20 drum kits
• reverb, delay,
modulation,
distortion, etc
MIDI messages MIDI messages
Audio
signals
LINE OUT/
PHONES
Audio
signals
MIDI
messages
T h e Q Y 7 0 — A n O v e r v i e w
6
Sequencer Functions
The QY70 sequencer has 16 “normal” sequencer tracks to which
you can individually assign any of the internal voices and record either via
the QY70’s own micro keyboard or an external keyboard connected to the
QY70 MIDI IN connector. In the “replace” real-time record mode the QY70
records exactly what you play as you play it; the “overdub” real-time
record mode lets you add new material to a previously recorded track; and
the step record mode allows notes to be entered one at a time. The step
record mode lets you record extremely fast or complex passages that
would be impossible to play in real time. It’s also useful for adding finishing
touches to tracks recorded in real time. There’s also a “multi” real-time
record mode in which all 16 sequencer tracks can be recorded simulta-
neously.
The QY70 provides an extensive range of advanced editing functions
that make modifying and refining your recorded data an easy, efficient
process.
7
1
T h e Q Y 7 0 — A n O v e r v i e w
Accompaniment Sequencing
The QY70 features a unique accompaiment system that makes it
easy to create complete accompaniments for any type of music. Accompa-
niments are produced by specifying a sequence of “patterns” to be played
rather than by recording individual notes or chords. The QY70 provides 128
preset accompaniment “styles”, and memory for up to 64 original user
“styles” that you can record yourself. Each “style” can have 6 variation
“patterns” — intro, main A, main B, fill AB, fill BA, and an ending — that
you can sequence, along with chord changes, to quickly create complete
accompaniment tracks. Chord changes are programmed simply by entering
the name of the chord — Yamaha’s advanced ABC (Auto Bass Chord) auto-
accompaniment system automatically re-harmonizes the patterns accord-
ingly. The QY70’s accompaniment sequencing features mean you can whip
up a complete accompaniment in a fraction of the time it would normally
take, significantly simplifying and speeding up the overall production
process.
STYLE 001
STYLE 128
INTRO MAIN A MAIN B FILL AB FILL BA ENDING
128 preset accompaniment “styles” each with 6 variation “patterns”
T h e Q Y 7 0 — A n O v e r v i e w
8
Voices & Effects
The QY70’s internal tone generator, compatible with XG and GM
format, provides 519 top-quality voices plus 20 complete drum kits with
different drum and percussion instruments assigned to different notes. You
can assign any of these voices to the sequencer tracks and patterns, or
play them from an external keyboard or other MIDI controller via the MIDI
interface, or directly from a personal computer. The QY70 also features a
high-quality internal DSP (Digital Signal Processor) system which provides a
range of reverb, delay, modulation, distortion and other effects in three
individually programmable groups so you can produce a polished sound
without the need for external equipment.
DETAIL
See the List Book for a complete list of the QY70 voices.
The QY70 effects are described on page 212.
GM(General MIDI) System Level 1
“GM System Level 1” is a standard specification that defines
the arrangement of voices in a tone generator and its MIDI
functionality, ensuring that data can be played back with
substantially the same sounds on any GM-compatible tone generator,
regardless of its manufacturer or model.
Tone generators and song data that meet the “GM System Level 1” bear
this GM logo.
XG
“XG” is a tone generator format that expands the voice
arrangement of the “GM System Level 1” specification to
meet the ever-increasing demands of today’s computer
peripheral environment, providing richer expressive power while maintaining
upward compatibility of data. “XG” greatly expands “GM System Level 1”
by defining the ways in which voices are expanded or edited and structure
and type of effects.
When commercially available song data bearing the XG logo is played back
on a tone generator which bears the XG logo, you will enjoy a full musical
experience that includes unlimited expansion voices and effect functions.
9
2
P o w e r & C o n n e c t i o n s
Using Batteries
Six 1.5V AA size (SUM-3 or R6P) or equivalent batteries must first be
installed in the battery compartment. Alkaline batteries are recommended
for longer life.
Never mix battery types, such as alkaline batteries with manga-
nese batteries or batteries from different makers.
P o w e r & C o n n e c t i o n s
Power Supply
Your QY70 will run either from batteries or an optional AC adaptor.
Follow the instructions below according to the power source you intend to
use.
Z Open Battery Compartment Cover
Open the battery compartment cover — located on the
instrument’s bottom panel — by pressing down on the grooved
section of the cover and sliding in the direction of the arrow, as
shown in the illustration.
X Insert Batteries
Insert the six batteries, being careful to follow the polarity
markings on the bottom panel.
10
P o w e r & C o n n e c t i o n s
C Replace Cover
Replace the compartment cover, making sure that it locks
firmly in place.
When to Replace the Batteries
When the batteries run down and are no longer able to operate the
QY70, the sound may become distorted and the following display will
appear:
When this display appears, replace the batteries with a complete set
of six new batteries. NEVER mix old and new batteries!
CAUTION!
To prevent possible damage due to battery leakage, remove the batteries from the
instrument if it is not to be used for an extended period of time.
11
2
P o w e r & C o n n e c t i o n s
CAUTION!
Do not attempt to use an AC adaptor other than the specified unit or an appropriate
replacement provided by your Yamaha dealer to power the QY70. The use of an
incompatible adaptor may cause irreparable damage to the QY70, and might pose a
serious shock hazard!
Unplug the AC power adaptor when not using the instrument, or during electrical
storms.
Using a Power Adaptor
Plug the DC output cable from a Yamaha PA-3B AC Adaptor (avail-
able from your Yamaha dealer) into the DC IN jack on the rear panel, then
plug the adaptor into a convenient wall AC power socket.
DC IN
P o w e r & C o n n e c t i o n s
PA-3B
AC power
socket.
12
P o w e r & C o n n e c t i o n s
Setting Up
What you will connect the QY70 to, and what you will connect to the
QY70, will depend entirely on your individual requirements, and it would be
impossible to cover all possibilities here. A few examples are provided
below to help you get started.
The Connectors
q DC IN Jack
This jack is only used when you are powering the QY70
from an optional AC adaptor instead of batteries. The DC output
cable from an optional Yamaha PA-3B AC Power Adaptor is
plugged in here.
NOTE
The batteries are automatically disconnected when a plug is inserted
into the DC IN jack.
w qr e
r
Rear Panel
Right Side Panel
13
2
P o w e r & C o n n e c t i o n s
w MIDI IN & OUT Connectors
If you plan to use a MIDI keyboard or other instrument to
play and program the QY70, it should be connected to QY70
MIDI IN connector (see “MIDI Connections,” on page 15). The
MIDI OUT connector can be connected to an external tone
generator if you want to drive external voices from the QY70
sequencer, or a MIDI data recorder such as the Yamaha MDF2 if
you want to store your songs and patterns to floppy disk (page
225).
e LINE OUT/PHONES Jack
This miniature stereo phone jack can be used to connect
the output of the QY70 to a stereo sound system, or a pair of
stereo headphones with a miniature stereo phone plug can be
plugged in here for convenient monitoring (see “Audio Connec-
tions,” on page 14). The output level is adjusted via the VOLUME
control on the left side panel.
r TO HOST Connector & HOST SELECT Switch
This jack and selector switch (the switch is on the side
panel) allow direct connection to a personal computer without the
need for a separate MIDI interface. See “Connecting To a Per-
sonal Computer” on page 16 for details.
14
P o w e r & C o n n e c t i o n s
Audio Connections
The simplest way to monitor the QY70 sound is via a pair of stereo
headphones (miniature stereo phone plug type) plugged into the LINE
OUT/PHONES jack. If you want to use an external stereo sound system,
however, use the supplied “Y” cable (miniature stereo phone plug to dual
RCA pin plugs) to connect the LINE OUT/PHONES jack to the inputs of a
stereo sound system. The white RCA pin plug goes to the left-channel
input of your stereo sound system and the red plug goes to the right-
channel input.
LINE OUT /
PHONES
LR
CAUTION!
Make sure that both the QY70 and your sound system are turned OFF when
making connections.
Stereo Sound System
15
2
P o w e r & C o n n e c t i o n s
MIDI Connections
Although the QY70 can be played and programmed from the built-in
micro-keyboard, an external MIDI keyboard connected to the MIDI IN
connector provides the added advantages of standard keyboard size and
key velocity sensivity (if your keyboard has a velocity-sensitive keyboard).
Connect the MIDI OUT connector of the keyboard to the MIDI IN connec-
tor of the QY70, and make sure that the QY70 HOST SELECT switch is set
to MIDI. The connected MIDI keyboard will play the voice assigned to the
currently selected sequencer track. See page 61 for instructions on how to
assign different voices to the sequencer tracks.
External MIDI Keyboard
OUT
——
MIDI
——
IN
MIDI OUT
(HOST SELECT switch
is set to MIDI)
16
P o w e r & C o n n e c t i o n s
Connecting to a Personal Computer
Although the QY70 can be connected to a personal computer via the
MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector
and selector switch allow direct connection to Apple Macintosh, IBM-PC/
AT, or NEC PC-9801/9821 series personal computers for sequencing and
other music applications without the need for a separate MIDI interface.
IMPORTANT!
If the QY70 is to be connected to a computer via the TO HOST connector and a
MIDI controller via the MIDI IN connector, the “echo back”(or “MIDI Thru” etc)
function of the music software or sequencer you are using must be turned “on” so
that the MIDI note data from the controller is returned to the QY70 and any
subsequent devices connected to the QY70 MIDI OUT connector.
TO HOST
QY70
MIDI
OUT
MIDI
IN
MIDI IN
MIDI OUT
MIDI Controller
(MIDI Keyboard etc)
Personal Computer
echo back = ON
Tone Generator
17
2
P o w e r & C o n n e c t i o n s
Connecting to an Apple Macintosh Series Computer
Connect the TO HOST connector of the QY70 to the
modem or printer port on your Macintosh, depending on which
port your MIDI software is using for MIDI data communication,
using a standard Macintosh 8-pin system peripheral cable. Set
the HOST SELECT switch to the “Mac” position.
You may also have to make other MIDI interface settings
on the computer side, depending on the type of software you
use (refer to your software owner’s manual). In any case the
clock speed should be set to 1 MHz.
“Mac” Cable Connections
Connecting to an IBM-PC/AT Series Computer
Connect the TO HOST connector of the QY70 to the RS-
232C port on your IBM computer, using a standard 8-pin MINI
DIN
9-pin D-SUB cross cable. Set the HOST SELECT switch to
the “PC-2” position.
Refer to your software owner’s manual for information on
any settings you might have to make on the computer side.
“PC-2” Cable Connections
8-pin system peripheral cable.
Data transfer rate: 31,250 bps.
8-pin mini DIN
9-pin D-SUB cable. Use a “PC-1” type cable if your
computer uses a 25-pin serial port.
Data transfer rate: 38,400 bps.
2 (HSK i)1
1 (HSK 0)2
5 (RxD-)3
MINI DIN
8-PIN
4 GND4
3 (TxD-)5
8 (RxD+)6
7 (GP i)7
6 (TxD+)8
MINI DIN
8-PIN
Modem or
printer port
TO HOST
connector
8 (CTS)1
7 (RST)2
2 (RxD)3
4 5 (GND)
8
3 (TxD) 5
MINI DIN
8-PIN
D-SUB
9-PIN
RS-232C
port
TO HOST
connector
18
P o w e r & C o n n e c t i o n s
Connecting to an NEC PC-9801/9821 Series Computer
The NEC PC-9801/9821 computers are widely used in
Japan. Connect the TO HOST connector of the QY70 to the RS-
232C port on your NEC computer, using a standard 8-pin MINI
DIN
25-pin D-SUB cross cable. Set the HOST SELECT switch
to the “PC-1” position if you use Windows3.1, and to the “PC-2”
position if you use Windows95.
Refer to your software owner’s manual for information on
any settings you might have to make on the computer side.
“PC-1” Cable Connections
8-pin mini DIN
25-pin D-SUB cable. Use a “PC-2” type cable if your
computer uses a 9-pin serial port.
Data transfer rate: 31,250 bps.
NOTE
If your system doesn’t work properly with the connections and settings
listed above, your software may require different settings. Check your
software operation manual and set the HOST SELECT switch to the
position provides the appropriate data transfer rate.
If you use Windows95 or Windows3.1 in your computer, the appropri-
ate “MIDI driver” needs to be installed. See page 19 for details.
MINI DIN
8-PIN
D-SUB
25-PIN
5 (CTS)1
4 (RTS)2
3 (RxD)3
4 7 (GND)
8
2 (TxD) 5
RS-232C
port
TO HOST
connector
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