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M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
2002 Yamaha Corporation
WA11810 308APAP2.3-05D0 Printed in Japan
Before using the P-60, be sure to read PRECAUTIONS on pages 6-7.
Achten Sie darauf, vor Einsatz des P-60 die VORSICHTSMASSNAHMEN
auf Seite 6-7 durchzulesen.
Avant d'utiliser le P-60, lire attentivement la section «PRECAUTIONS
D'USAGE» aux pages 6- 7.
Antes de utilizar el P-60, lea las
PRECAUCIONES que debe tener en
cuenta en las páginas 6- 7.
This document is printed on recycled chlorine free (ECF) paper with soy ink.
Auf Recycling-Umweltpapier mit Sojatinte gedruckt.
Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre
d'huile de soja.
Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.
Owner's Manual
Bedienungsanleitung
Mode d'emploi
Manual de instrucciones
Yamaha Web Site (English only)
http://www.yamahasynth.com
Yamaha Manual Library
http://www2.yamaha.co.jp/manual/english/
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
WARNING:
Do not place this product in a position where anyone
could walk on, trip over ,or roll anything over power or connecting
cords of any kind. The use of an extension cord is not recom-
mended! IF you must use an extension cord, the minimum wire
size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the
AWG number ,the larger the current handling capacity. For longer
extension cords, consult a local electrician.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a cart,
etc., is used, please observe all safety markings and instructions
that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct
at the time of printing. However, Yamaha reserves the right to
change or modify any of the specifications without notice or obliga-
tion to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound lev-
els that could cause permanent hearing loss. DO NOT operate for
long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No
other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and are
therefore the owners responsibility. Please study this manual care-
fully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
type of battery is approximately five years. When replacement
becomes necessary, contact a qualified service representative to
perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended for
the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed correctly.
Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery dis-
posal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on
this plate. You should record the model number, serial number,
and the date of purchase in the spaces provided below and retain
this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP (bottom)
P-60
About this Owner’s Manual
ENGLISH
3
Thank you for purchasing the Yamaha P-60 Electronic Piano! We recommend that you read this manual carefully so that
you can fully take advantage of the advanced and convenient functions of the P-60.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual
This manual consists of three main sections: “Introduction, “Reference” and Appendix.
Introduction (page 2):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the P-60’s various functions.
Appendix (page 29):
This section introduces reference material.
*The illustrations of the controls in this owner’s manual are for instructional purposes only and actual appearance of
the controls may be somewhat different on your instrument.
Trademarks:
•Apple and Macintosh are trademarks of Apple Computer, Inc.
•Windows is a registered trademark of Microsoft® Corporation.
•All other trademarks are the property of their respective holders.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with
respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all
computer software, MIDI files and WAVE data. Any unauthorized use of such programs and contents outside of per-
sonal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE,
DISTRIBUTE OR USE ILLEGAL COPIES.
P-60
Table of Contents
ENGLISH
4
Table of Contents
Introduction
SPECIAL MESSAGE SECTION ...................... 2
About this Owner’s Manual........................ 3
Application Index........................................ 5
PRECAUTIONS............................................. 6
Accessories .................................................. 8
Features....................................................... 9
Before Using the P-60............................... 10
Power supply connections.................................10
Turning the power on........................................10
Adjusting the volume.........................................10
Using the [PHONES/OUTPUT] jack ...............11
Using the [SUSTAIN PEDAL] jack...................11
Using the MIDI connectors...............................11
Music Rest ..........................................................12
Reference
Part Names................................................ 14
Listening to the Demo Songs ................... 15
Listening to 50 Piano Preset Songs .......... 16
Selecting & Playing Voices........................ 18
Selecting Voices..................................................18
Adding Variations to the Sound – Reverb........19
Combining Two Voices (Dual mode)...............20
Transposition .....................................................21
Fine-tuning the Pitch .........................................21
About MIDI ............................................... 22
Connecting a Personal Computer ............ 23
MIDI Functions.......................................... 24
MIDI Transmit/Receive Channel Selection......24
Local Control ON/OFF......................................24
Program Change ON/OFF.................................25
Control Change ON/OFF ..................................25
Troubleshooting ....................................... 26
Options...................................................... 26
Index ......................................................... 27
Appendix
Preset Song List / Liste der voreingestellten
Songs / Liste des morceaux prédéfinis /
Lista de canciones preseleccionadas ...... 30
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de
datos MIDI .............................................. 31
MIDI Implementation Chart ..................... 35
Specifications / Technische Daten /
Caractéristiques techniques /
Especificaciones ...................................... 36
P-60
Application Index
ENGLISH
5
Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices...................................................... “Listening to the Demo Songs” on page 15
Listening to 50 Piano Preset Songs............................................................... “Listening to 50 Piano Preset Songs” on page 16
Playing
Using a supplied foot switch......................................................................... “Using the [SUSTAIN PEDAL] jack” on page 11
Playing an accompaniment that matches pitch............................................................................. “Transposition on page 21
Fine-tuning the pitch of the entire instrument when you play the P-60
along with other instruments or CD music.......................................................................“Fine-tuning the Pitch on page 21
Changing voices
Viewing the list of voices............................................................................................................. “Selecting Voices” on page 18
Simulating a concert hall ....................................................................Adding Variations to the Sound – Reverb” on page 19
Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 20
Connecting the P-60 to other devices
What is MIDI? ....................................................................................................................................About MIDI” on page 22
Connecting the computer...............................................................................“Connecting a Personal Computer” on page 23
P-60
PRECAUTIONS
ENGLISH
6
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
Never insert or remove an electric plug with wet hands.
Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
Do not place the instrument in an unstable position where it might accidentally
fall over.
Before moving the instrument, remove all connected adaptor and other cables.
Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptor
Location
(3)-7
1/2
P-60
PRECAUTIONS
ENGLISH
7
Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long
time, make sure you unplug the AC power adaptor from the wall AC outlet.
Connections
Maintenance
Handling caution
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
(3)-7
2/2
P-60
Accessories
ENGLISH
8
Accessories
Owner’s Manual
This manual contains complete instructions for operating your P-60.
Quick Operation Guide
Sustain Pedal
Music Rest
•Yamaha PA-5D power adaptor
P-60
Features
ENGLISH
9
Features
The Yamaha P-60 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as
Yamahas original
AWM Stereo Sampling
tone-generation technology for rich, musical voices, and a special
Graded
Hammer
keyboard that provides graded key weight and response throughout the keyboard range.
The Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The
E. Piano 1 voice features a single velocity-switched sample and E. Piano 2 voice features two velocity-switched sample.
The P-60 sounds much closer to a true acoustic piano.
DC IN 12V
STANDBY / ON
PHONES/
OUTPUT
SUSTAIN PEDALIN MIDI OUT
POWER
MASTER VOLUME
DEMO VOICE
MIN MAX
ELECTRONIC PIANO P-60
POWER
MASTER VOLUME
DEMO VOICE
C. ORGAN 2VIBEEP 2PIANO 2
PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS
MIN MAX
PRESET SONG
[MASTER VOLUME]
Adjust the volume level using this control (page 10).
[DEMO]
Playback of a demo song and 50 preset songs is available (page 15).
[VOICE]
Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 18).
You can also combine two voices simultaneously (page 20), select various reverb
effects (page 19), etc.
[PHONES/OUTPUT]
A set of standard stereo
headphones can be plugged
in here for private
practice. You can also output
P-60 sound from an audio
system connected here.
(page 11).
MIDI [IN/OUT]
Connect a MIDI device to this
connector to use various MIDI
functions (page 23).
(About MIDI—page 22)
[SUSTAIN PEDAL]
Connect the supplied foot
switch here to switch sustain
effects on and off (page 11).
Connectors (rear panel)
P-60
Before Using the P-60
ENGLISH
10
Before Using the P-60
Power supply connections
1.
Make sure that the
[STANDBY/ON]
switch of the P-60 is set to STANDBY.
2.
Connect the AC adaptor’s DC cable to the
[DC IN 12V]
jack.
3.
Plug the AC adaptor into an AC outlet.
After turning the power OFF, simply reverse the procedure to disconnect the
power.
WARNING
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specifically
recommended by Yamaha) to power your instrument from the AC mains. The
use of other adaptors may result in irreparable damage to both the adaptor
and the P-60.
WARNING
Unplug the AC Power Adaptor when not using the P-60, or during electrical storms.
Turning the power on
After making sure that the P-60’s AC power adaptor is properly plugged into the P-60 itself and plugged into a convenient
AC wall outlet, press the
[STANDBY/ON]
switch located on the rear panel of the P-60.
•The power indicator located on the left of the panel lights up.
When you’re ready to turn off the power, press the
[STANDBY/ON]
switch again.
•The power indicator turns off.
CAUTION
Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level.
When you are not using the P-60 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Adjusting the volume
To adjust the volume, use the
[MASTER VOLUME]
located at the top left of
the panel. Play the keyboard to actually produce sound while you adjust the
volume.
CAUTION
Do not use the P-60 at a high volume level for a long period of time, or your hearing may be damaged.
DC IN 12V
MASTER VOLUME
MIN MAX
The level increases.The level decreases.
TERMINOLOGY
MASTER VOLUME: The volume level of the entire keyboard sound
TIP
You can also adjust the [PHONES/OUTPUT] output level using the [MASTER VOLUME] control.
P-60
Before Using the P-60
ENGLISH
11
Using the [PHONES/OUTPUT] jack
Connect a pair of headphones here.
When a pair of headphones is connected to this jack, the P-60’s internal
speakers will turn off automatically. This is helpful for private practice or
late night playing.
Though the P-60 is equipped with a built-in speaker system, you can also
play it through an external amplifier/speaker system. First, make sure the
P-60 and any external devices are turned off. Then, connect one end of a
stereo audio cable to the LINE IN or AUX IN jack(s) of the other device
and the other end to the rear panel
[PHONES/OUTPUT]
jack on the P-60.
CAUTION
Do not use the P-60 at a high volume level for a long period of time, or
your hearing may be damaged.
CAUTION
Connect the P-60 to external equipment only after turning off power for
all devices.
Failure to observe these cautions may result in electric shock or equipment damage.
To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting
them.
Using the [SUSTAIN PEDAL] jack
This jack is for connecting a supplied foot switch or an optional
foot pedal to the P-60.
When you press the foot switch or the foot pedal, the notes you
play have a longer sustain.
The supplied foot switch is an on/off switch for sustain.
For the optional foot pedal FC3, the further down the pedal is
pressed, the longer the sound will be sustained (can be used like
a half pedal effect).
Using the MIDI connectors
The MIDI IN connector receives MIDI data from an external MIDI device (such as a
MIDI sequencer) which can be used to control the P-60. The MIDI OUT connector
transmits MIDI data generated by the P-60 (e.g. note and velocity data produced by
playing the P-60 keyboard).
More details on MIDI are given in About MIDI” on page 22.
NOTE
Connect or disconnect the foot switch or the foot pedal
when the power is off.
NOTE
Do not turn on the power to the unit while pressing the
foot switch or foot pedal. Otherwise, the switch or
pedal polarity (on/off) will be reversed.
DC IN 12V
STANDBY / ON
PHONES/
OUTPUT
SUSTAIN PEDALIN MIDI OUT
Standard stereo
phone plug
DC IN 12V
STANDBY / ON
PHONES/
OUTPUT
SUSTAIN PEDALIN MIDI OUT
IN MIDI OUT
P-60
Before Using the P-60
ENGLISH
12
Music Rest
You can use the supplied music rest by inserting it in the slot on
the top panel of the P-60.
P-60
13
ENGLISH
Reference
Part Names................................................................ 14
Listening to the Demo Songs................................... 15
Listening to 50 Piano Preset Songs.......................... 16
Selecting & Playing Voices ....................................... 18
Selecting Voices ........................................................... 18
Adding Variations to the Sound – Reverb.................. 19
Combining Two Voices (Dual mode)......................... 20
Tr ansposition............................................................... 21
Fine-tuning the Pitch.................................................. 21
About MIDI.............................................................. 22
Connecting a Personal Computer ........................... 23
MIDI Functions........................................................ 24
MIDI Transmit/Receive Channel Selection ............... 24
Local Control ON/OFF............................................... 24
Program Change ON/OFF ......................................... 25
Control Change ON/OFF ........................................... 25
Troubleshooting ....................................................... 26
Options ..................................................................... 26
Index ......................................................................... 27
This section explains how to make detailed settings for the P-
60’s various functions.
P-60
Part Names
ENGLISH
14
Part Names
DC IN 12V
STANDBY / ON
PHONES/
OUTPUT
SUSTAIN PEDALIN MIDI OUT
ELECTRONIC PIANO P-60
POWER
MASTER VOLUME
DEMO VOICE
C. ORGAN 2VIBEEP 2PIANO 2
PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS
MIN MAX
PRESET SONG
5 7
6
POWER
MASTER VOLUME
DEMO VOICE
MIN MAX
8
9
1 2 3 4
1 [POWER] ....................................... P10
2 [MASTER VOLUME]....................... P11
3 [DEMO] ........................................ P15
4 [VOICE]....................................P18–20
5 [PHONES/OUTPUT] ...................... P11
6 [STANDBY/ON]............................. P10
7 [DC IN 12V].................................. P10
8 MIDI [IN] [OUT]............................ P22
9 [SUSTAIN PEDAL].......................... P11
P-60 Listening to the Demo Songs
ENGLISH
15
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-60’s voices.
1. Turn on the power.
(In case the power is not turned ON) Press the [STANDBY/ON] switch.
When you start playing, adjust the [MASTER VOLUME] control to the most
comfortable listening level.
2. Engage Demo mode.
Press the [DEMO] button to engage Demo mode. The [DEMO] button indicator
will light.
3. Play a Voice demo.
While holding down the [DEMO] button, press one of the C1–A1 keys to select
and start the corresponding demo song. Starting with the selected tune, the
demo songs will play in sequence until stopped.
Demo Song List
Demo songs are original (©2002 Yamaha Corporation) except for the three
songs listed below.
Refer to the voice list on page 18 for voice key assignments.
The demo songs listed below are short re-arranged excerpts from the original
compositions.
Adjusting the Volume
Use the [MASTER VOLUME] control to adjust the volume.
4. Stop the Voice demo.
Press the [DEMO] button to stop playback.
Procedure
NOTE
Refer to the voice list on
page 18 for more information on
the characteristics of each pre-
set voice.
TERMINOLOGY
Mode:
A mode is a condition or status
under which you can execute a
certain function. In Demo mode,
you can play back demo songs.
NOTE
You cannot adjust the tempo of
demo songs.
KeyVoice Name Title Composer
C1 GrandPiano1 Consolation No.3 F. Liszt
E1 Harpsichord1 Gavotte J.S. Bach
F1 Harpsichord2 Invention No.1 J.S. Bach
C1
The lowest key
A1
DEMO
P-60 Listening to 50 Piano Preset Songs
ENGLISH
16
Listening to 50 Piano Preset Songs
The P-60 provides performance data for 50 piano songs. You can simply listen to these songs.
1. Engage Preset Song mode.
Press the [DEMO] button to engage Preset Song mode. The [DEMO] button
indicator will light.
2. Play a preset song.
While holding down the [DEMO] button, press one of the C2–C
6 keys to select
and start the corresponding tune. To play all preset songs in sequence, while
holding down the [DEMO] button, press the D6 key.
For a list of the preset songs, see page 30.
Adjusting the Volume
Use the [MASTER VOLUME] control to adjust the volume.
Adjusting the tempo
See page 17.
3. Stop playback.
Playback will stop automatically when the selected preset song has finished. To
stop the song during playback (or continuous playback), press the [DEMO] but-
ton.
•To continue playing other songs, see procedure 2 above.
Procedure
TERMINOLOGY
Song:
On the P-60, performance data
is called a “Song.This includes
demo songs and piano preset
tunes.
TIP
You can play the keyboard
along with the preset song. You
can change the voice playing on
the keyboard.
TIP
You can adjust the Reverb type
(page 19) that is applied to the
voice you play on the keyboard
and to the preset song play-
back.
NOTE
When you select a different song
(or a different song is selected
during chained playback), an
appropriate reverb type will be
selected accordingly.
NOTE
MIDI reception is not possible in
Piano Song mode. Piano song
data is not transmitted via the
MIDI connectors.
The highest key
DEMO
C2 D6
C 6
P-60 Listening to 50 Piano Preset Songs
ENGLISH
17
Adjusting the tempo
The tempo of the preset song playback can be set from 32 to 280 beats per
minute.
While holding down the [DEMO] button, press a sequence of C0-A0 keys to
specify a three-digit number. Select a number starting from the left-most digit.
For example, to set the tempo “95, press the C0 (0), A0 (9) and F0 (5) keys in
sequence.
To increase the tempo value in steps of one, while holding down the [DEMO]
button, press the B6 key. To decrease the tempo value in steps of one, while
holding down the [DEMO] button, press the A6 key.
To increase the tempo value in steps of ten, while holding down the [DEMO]
button, press the C7 key. To decrease the tempo value in steps of ten, while hold-
ing down the [DEMO] button, press the G
6 key.
To set the default tempo (the song’s original tempo), while holding down the
[DEMO] button, press the A
6 key.
NOTE
The default tempo is automati-
cally selected whenever a new
preset song is selected, and
when a new preset song begins
playback.
DEMO
C0
13 68
975420
A0
The lowest key
NOTE
During preset song playback,
you can set the tempo from 20
to 400 beats per minute,
depending on the song data.
DEMO
G
6A
6
C7(The highest key)
B6
A6
P-60 Selecting & Playing Voices
ENGLISH
18
Selecting & Playing Voices
Selecting Voices
While holding down the [VOICE] button, press one of the C1–A1 keys to select and
start the corresponding voice.
Then, when you start playing, adjust the [MASTER VOLUME] control to the most com-
fortable listening level.
Procedure
TIP
To understand the characteris-
tics of various voices, listen to
demo songs for each voice
(page 15).
TERMINOLOGY
Voice:
On the P-60, a voice means a
“tone” or “tonal color.
NOTE
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 19) for
that particular voice.
Key
Voice Name
(Panel name)
Description
C1 Grand Piano 1
(PIANO1)
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
C
1Grand Piano 2
(PIANO2)
Spacious and clear piano with bright reverb. Good for popular music.
D1 E.Piano 1
(EP1)
An electronic piano sound created by FM synthesis. Good for popu-
lar music.
D
1 E.Piano 2
(EP2)
The sound of an electric piano using hammer-struck metallic “tines.” Soft
tone when played lightly, and an aggressive tone when played hard.
E1 Harpsichord 1
(HARPSI1)
The definitive instrument for baroque music. Since harpsichord uses
plucked strings, there is no touch response.
F1 Harpsichord 2
(HARPSI2)
Mixes the same voice an octave higher for a more brilliant tone.
F
1 Vibraphone
(VIBES)
Vibraphone played with relatively soft mallets. It has a tremolo effect
that is typical for vibraphone.
G1
Church Organ 1
(C. ORGAN1)
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
G
1
Church Organ 2
(C. ORGAN2)
This is the organ’s full coupler sound, often associated with Bach’s
“Toccata and Fugue”.
A1 Strings
(STRINGS)
Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL mode.
C1 D1 E1 F1 G1 A1
C 1
D 1
F 1
G 1
The lowest key
VOICE
P-60 Selecting & Playing Voices
ENGLISH
19
Adding Variations to the Sound – Reverb
This control enables you to select various digital reverb effects that add extra depth and expression
to the sound to create a realistic acoustic ambience.
When you select a reverb, the reverb is automatically turned on.
While holding down the [VOICE] button, press one of the C2–E2 keys to select a reverb
type.
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by pressing one of the C3–G
4 keys while
holding down the [VOICE] button. The depth range is from 0 through 20.
Procedure
KeyReverb Type Description
C2 Room This setting adds a continuous reverb effect to the sound, similar to
the acoustic reverberation you would hear in a room.
C
2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect sim-
ulates the natural reverberation of a small-size concert hall.
D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect
simulates the natural reverberation of a large concert hall.
D
2 Stage Simulates the reverb of a stage environment.
E2 Off No effect is applied.
C2 D2 E2
C 2
D 2
The lowest key
VOICE
TIP
The default reverb type (includ-
ing OFF) and depth settings are
different for each voice.
TIP
depth 0: no effect
depth 20: maximum reverb
depth
C3: depth 0
G 4: depth 20
The lowest key
VOICE
The depth value increases as you press higher keys.
P-60 Selecting & Playing Voices
ENGLISH
20
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you
can simulate a melody duet or combine two similar voices to create a thicker sound.
1. Engage Dual mode.
While holding down the [VOICE] button, press two of the C1–A1 keys at simul-
taneously (or press one key while holding another).
Refer to the voice list on page 18 for available voices.
According to the voice priority shown in the voice list (page 18), the voice
assigned to the lower keyboard will be designated as Voice 1 (the other voice will
be designated as Voice 2).
You can make the following settings only in Dual mode:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-
pendently. Depending on which voices you combine in Dual mode, the combi-
nation may sound better if one of the voices is shifted up or down an octave.
While holding down the [VOICE] button, press one of the C5–F5 keys.
Setting the Balance
You can set one voice as the main voice, and another voice as a softer, mixed voice.
While holding down the [VOICE] button, press one of the F
5–F
6 keys.
A setting of “0” produces an equal balance between the two Dual mode voices.
Settings below “0” increases the volume of Voice 2 in relation to Voice 1, and set-
tings above “0” increases the volume of Voice 1 in relation to Voice 2.
2. Exit Dual mode and return to normal play mode.
While holding down the [VOICE] button, press one of the C1–A1 keys.
Procedure
NOTE
You cannot assign the same
voice to Voice 1 and Voice 2
simultaneously in Dual mode.
TIP
Reverb in Dual Mode
The reverb type assigned to
Voice 1 will take priority over the
other. (If the reverb is set to
OFF, Voice 2 reverb type will be
in effect.) Reverb depth setting
(
page 19
) will be applied only to
Voice 1.
C1 A1
The lowest key
VOICE
C5 F5
The highest key
VOICE
For setting
the octave. (C5–F5)
C5 key: –1 (Voice 1), C
5 key: 0 (Voice 1), D5 key: +1(Voice 1),
D
5 key: –1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2)
F
5
F 6
-5
-6 -4 -2 +1 +3 +6
-3 -1 0 +2 +4 +5
The highest key
VOICE
For setting the balance. (F
5–F
6)
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