Yamaha P-60 El kitabı

Marka: Yamaha

Model: P-60

Kategori: Müzik Enstrümanları

Tip: El kitabı

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2002 Yamaha Corporation

WA11810 308APAP2.3-05D0 Printed in Japan

Before using the P-60, be sure to read “PRECAUTIONS„ on pages 6-7.

Achten Sie darauf, vor Einsatz des P-60 die “VORSICHTSMASSNAHMEN„

auf Seite 6-7 durchzulesen.

Avant d'utiliser le P-60, lire attentivement la section «PRECAUTIONS

D'USAGE» aux pages 6- 7.

Antes de utilizar el P-60, lea las

“PRECAUCIONES„ que debe tener en

cuenta en las páginas 6- 7.

This document is printed on recycled chlorine free (ECF) paper with soy ink.

Auf Recycling-Umweltpapier mit Sojatinte gedruckt.

Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre

d'huile de soja.

Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

Yamaha Web Site (English only)

http://www.yamahasynth.com

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply or

adapter other than one described in the manual, on the name

plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone

could walk on, trip over ,or roll anything over power or connecting

cords of any kind. The use of an extension cord is not recom-

mended! IF you must use an extension cord, the minimum wire

size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by Yamaha. If a cart,

etc., is used, please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right to

change or modify any of the speciﬁcations without notice or obliga-

tion to update existing units.

This product, either alone or in combination with an ampliﬁer and

headphones or speaker/s, may be capable of producing sound lev-

els that could cause permanent hearing loss. DO NOT operate for

long periods of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Some Yamaha products may have benches and / or accessory

mounting ﬁxtures that are either supplied with the product or as

optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No

other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study this manual care-

fully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products

and the production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which

(if applicable) is soldered in place. The average life span of this

type of battery is approximately ﬁve years. When replacement

becomes necessary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is intended for

the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed correctly.

Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly

and as regulated by the laws in your area. Note: Check with any

retailer of household type batteries in your area for battery dis-

posal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some

reason its useful life is considered to be at an end, please observe

all local, state, and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on

this plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and retain

this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

P-60

About this Owner’s Manual

ENGLISH

Thank you for purchasing the Yamaha P-60 Electronic Piano! We recommend that you read this manual carefully so that

you can fully take advantage of the advanced and convenient functions of the P-60.

We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual

This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”

Introduction (page 2):

Please read this section ﬁrst.

Reference (page 13):

This section explains how to make detailed settings for the P-60’s various functions.

Appendix (page 29):

This section introduces reference material.

*The illustrations of the controls in this owner’s manual are for instructional purposes only and actual appearance of

the controls may be somewhat different on your instrument.

Trademarks:

•Apple and Macintosh are trademarks of Apple Computer, Inc.

•Windows is a registered trademark of Microsoft® Corporation.

•All other trademarks are the property of their respective holders.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with

respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all

computer software, MIDI ﬁles and WAVE data. Any unauthorized use of such programs and contents outside of per-

sonal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE,

DISTRIBUTE OR USE ILLEGAL COPIES.

P-60

Table of Contents

ENGLISH

Table of Contents

Introduction

SPECIAL MESSAGE SECTION ...................... 2

About this Owner’s Manual........................ 3

Application Index........................................ 5

PRECAUTIONS............................................. 6

Accessories .................................................. 8

Features....................................................... 9

Before Using the P-60............................... 10

Power supply connections.................................10

Turning the power on........................................10

Adjusting the volume.........................................10

Using the [PHONES/OUTPUT] jack ...............11

Using the [SUSTAIN PEDAL] jack...................11

Using the MIDI connectors...............................11

Music Rest ..........................................................12

Reference

Part Names................................................ 14

Listening to the Demo Songs ................... 15

Listening to 50 Piano Preset Songs .......... 16

Selecting & Playing Voices........................ 18

Selecting Voices..................................................18

Adding Variations to the Sound – Reverb........19

Combining Two Voices (Dual mode)...............20

Transposition .....................................................21

Fine-tuning the Pitch .........................................21

About MIDI ............................................... 22

Connecting a Personal Computer ............ 23

MIDI Functions.......................................... 24

MIDI Transmit/Receive Channel Selection......24

Local Control ON/OFF......................................24

Program Change ON/OFF.................................25

Control Change ON/OFF ..................................25

Troubleshooting ....................................... 26

Options...................................................... 26

Index ......................................................... 27

Appendix

Preset Song List / Liste der voreingestellten

Songs / Liste des morceaux prédéfinis /

Lista de canciones preseleccionadas ...... 30

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de

datos MIDI .............................................. 31

MIDI Implementation Chart ..................... 35

Specifications / Technische Daten /

Caractéristiques techniques /

Especificaciones ...................................... 36

P-60

Application Index

ENGLISH

Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices...................................................... “Listening to the Demo Songs” on page 15

Listening to 50 Piano Preset Songs............................................................... “Listening to 50 Piano Preset Songs” on page 16

Playing

Using a supplied foot switch......................................................................... “Using the [SUSTAIN PEDAL] jack” on page 11

Playing an accompaniment that matches pitch............................................................................. “Transposition” on page 21

Fine-tuning the pitch of the entire instrument when you play the P-60

along with other instruments or CD music.......................................................................“Fine-tuning the Pitch” on page 21

Changing voices

Viewing the list of voices............................................................................................................. “Selecting Voices” on page 18

Simulating a concert hall ....................................................................“Adding Variations to the Sound – Reverb” on page 19

Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 20

Connecting the P-60 to other devices

What is MIDI? ....................................................................................................................................“About MIDI” on page 22

Connecting the computer...............................................................................“Connecting a Personal Computer” on page 23

P-60

PRECAUTIONS

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

(3)-7

1/2

P-60

PRECAUTIONS

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long

time, make sure you unplug the AC power adaptor from the wall AC outlet.

Connections

Maintenance

Handling caution

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

(3)-7

2/2

P-60

Accessories

ENGLISH

Accessories

• Owner’s Manual

This manual contains complete instructions for operating your P-60.

• Quick Operation Guide

• Sustain Pedal

• Music Rest

•Yamaha PA-5D power adaptor

P-60

Features

ENGLISH

Features

The Yamaha P-60 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as

Yamaha’s original “

AWM Stereo Sampling

” tone-generation technology for rich, musical voices, and a special “

Graded

Hammer

” keyboard that provides graded key weight and response throughout the keyboard range.

The Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The

E. Piano 1 voice features a single velocity-switched sample and E. Piano 2 voice features two velocity-switched sample.

The P-60 sounds much closer to a true acoustic piano.

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

POWER

MASTER VOLUME

DEMO VOICE

MIN MAX

ELECTRONIC PIANO P-60

POWER

MASTER VOLUME

DEMO VOICE

C. ORGAN 2VIBEEP 2PIANO 2

PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS

MIN MAX

PRESET SONG

[MASTER VOLUME]

Adjust the volume level using this control (page 10).

[DEMO]

Playback of a demo song and 50 preset songs is available (page 15).

[VOICE]

Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 18).

You can also combine two voices simultaneously (page 20), select various reverb

effects (page 19), etc.

[PHONES/OUTPUT]

A set of standard stereo

headphones can be plugged

in here for private

practice. You can also output

P-60 sound from an audio

system connected here.

(page 11).

MIDI [IN/OUT]

Connect a MIDI device to this

connector to use various MIDI

functions (page 23).

(About MIDI—page 22)

[SUSTAIN PEDAL]

Connect the supplied foot

switch here to switch sustain

effects on and off (page 11).

Connectors (rear panel)

P-60

Before Using the P-60

ENGLISH

Before Using the P-60

Power supply connections

Make sure that the

[STANDBY/ON]

switch of the P-60 is set to STANDBY.

Connect the AC adaptor’s DC cable to the

[DC IN 12V]

jack.

Plug the AC adaptor into an AC outlet.

After turning the power OFF, simply reverse the procedure to disconnect the

power.

WARNING

Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor speciﬁcally

recommended by Yamaha) to power your instrument from the AC mains. The

use of other adaptors may result in irreparable damage to both the adaptor

and the P-60.

WARNING

Unplug the AC Power Adaptor when not using the P-60, or during electrical storms.

Turning the power on

After making sure that the P-60’s AC power adaptor is properly plugged into the P-60 itself and plugged into a convenient

AC wall outlet, press the

[STANDBY/ON]

switch located on the rear panel of the P-60.

•The power indicator located on the left of the panel lights up.

When you’re ready to turn off the power, press the

[STANDBY/ON]

switch again.

•The power indicator turns off.

CAUTION

Even when the switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level.

When you are not using the P-60 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Adjusting the volume

To adjust the volume, use the

[MASTER VOLUME]

located at the top left of

the panel. Play the keyboard to actually produce sound while you adjust the

volume.

CAUTION

Do not use the P-60 at a high volume level for a long period of time, or your hearing may be damaged.

DC IN 12V

MASTER VOLUME

MIN MAX

The level increases.The level decreases.

TERMINOLOGY

MASTER VOLUME: The volume level of the entire keyboard sound

TIP

You can also adjust the [PHONES/OUTPUT] output level using the [MASTER VOLUME] control.

P-60

Before Using the P-60

ENGLISH

Using the [PHONES/OUTPUT] jack

Connect a pair of headphones here.

When a pair of headphones is connected to this jack, the P-60’s internal

speakers will turn off automatically. This is helpful for private practice or

late night playing.

Though the P-60 is equipped with a built-in speaker system, you can also

play it through an external ampliﬁer/speaker system. First, make sure the

P-60 and any external devices are turned off. Then, connect one end of a

stereo audio cable to the LINE IN or AUX IN jack(s) of the other device

and the other end to the rear panel

[PHONES/OUTPUT]

jack on the P-60.

CAUTION

Do not use the P-60 at a high volume level for a long period of time, or

your hearing may be damaged.

CAUTION

Connect the P-60 to external equipment only after turning off power for

all devices.

Failure to observe these cautions may result in electric shock or equipment damage.

To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting

them.

Using the [SUSTAIN PEDAL] jack

This jack is for connecting a supplied foot switch or an optional

foot pedal to the P-60.

When you press the foot switch or the foot pedal, the notes you

play have a longer sustain.

The supplied foot switch is an on/off switch for sustain.

For the optional foot pedal FC3, the further down the pedal is

pressed, the longer the sound will be sustained (can be used like

a half pedal effect).

Using the MIDI connectors

The MIDI IN connector receives MIDI data from an external MIDI device (such as a

MIDI sequencer) which can be used to control the P-60. The MIDI OUT connector

transmits MIDI data generated by the P-60 (e.g. note and velocity data produced by

playing the P-60 keyboard).

More details on MIDI are given in “About MIDI” on page 22.

NOTE

Connect or disconnect the foot switch or the foot pedal

when the power is off.

NOTE

Do not turn on the power to the unit while pressing the

foot switch or foot pedal. Otherwise, the switch or

pedal polarity (on/off) will be reversed.

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

Standard stereo

phone plug

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

IN MIDI OUT

P-60

Before Using the P-60

ENGLISH

Music Rest

You can use the supplied music rest by inserting it in the slot on

the top panel of the P-60.

P-60

ENGLISH

Reference

Part Names................................................................ 14

Listening to the Demo Songs................................... 15

Listening to 50 Piano Preset Songs.......................... 16

Selecting & Playing Voices ....................................... 18

Selecting Voices ........................................................... 18

Adding Variations to the Sound – Reverb.................. 19

Combining Two Voices (Dual mode)......................... 20

Tr ansposition............................................................... 21

Fine-tuning the Pitch.................................................. 21

About MIDI.............................................................. 22

Connecting a Personal Computer ........................... 23

MIDI Functions........................................................ 24

MIDI Transmit/Receive Channel Selection ............... 24

Local Control ON/OFF............................................... 24

Program Change ON/OFF ......................................... 25

Control Change ON/OFF ........................................... 25

Troubleshooting ....................................................... 26

Options ..................................................................... 26

Index ......................................................................... 27

This section explains how to make detailed settings for the P-

60’s various functions.

P-60

Part Names

ENGLISH

Part Names

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

ELECTRONIC PIANO P-60

POWER

MASTER VOLUME

DEMO VOICE

C. ORGAN 2VIBEEP 2PIANO 2

PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS

MIN MAX

PRESET SONG

5 7

POWER

MASTER VOLUME

DEMO VOICE

MIN MAX

1 2 3 4

1 [POWER] ....................................... P10

2 [MASTER VOLUME]....................... P11

3 [DEMO] ........................................ P15

4 [VOICE]....................................P18–20

5 [PHONES/OUTPUT] ...................... P11

6 [STANDBY/ON]............................. P10

7 [DC IN 12V].................................. P10

8 MIDI [IN] [OUT]............................ P22

9 [SUSTAIN PEDAL].......................... P11

P-60 Listening to the Demo Songs

ENGLISH

Listening to the Demo Songs

Demo songs are provided that effectively demonstrate each of the P-60’s voices.

1. Turn on the power.

(In case the power is not turned ON) Press the [STANDBY/ON] switch.

When you start playing, adjust the [MASTER VOLUME] control to the most

comfortable listening level.

2. Engage Demo mode.

Press the [DEMO] button to engage Demo mode. The [DEMO] button indicator

will light.

3. Play a Voice demo.

While holding down the [DEMO] button, press one of the C1–A1 keys to select

and start the corresponding demo song. Starting with the selected tune, the

demo songs will play in sequence until stopped.

Demo Song List

songs listed below.

Refer to the voice list on page 18 for voice key assignments.

The demo songs listed below are short re-arranged excerpts from the original

compositions.

Adjusting the Volume

Use the [MASTER VOLUME] control to adjust the volume.

4. Stop the Voice demo.

Press the [DEMO] button to stop playback.

Procedure

NOTE

Refer to the voice list on

page 18 for more information on

the characteristics of each pre-

set voice.

TERMINOLOGY

Mode:

A mode is a condition or status

under which you can execute a

certain function. In Demo mode,

you can play back demo songs.

NOTE

You cannot adjust the tempo of

demo songs.

KeyVoice Name Title Composer

C1 GrandPiano1 Consolation No.3 F. Liszt

E1 Harpsichord1 Gavotte J.S. Bach

F1 Harpsichord2 Invention No.1 J.S. Bach

The lowest key

DEMO

P-60 Listening to 50 Piano Preset Songs

ENGLISH

Listening to 50 Piano Preset Songs

The P-60 provides performance data for 50 piano songs. You can simply listen to these songs.

1. Engage Preset Song mode.

Press the [DEMO] button to engage Preset Song mode. The [DEMO] button

indicator will light.

2. Play a preset song.

While holding down the [DEMO] button, press one of the C2–C



6 keys to select

and start the corresponding tune. To play all preset songs in sequence, while

holding down the [DEMO] button, press the D6 key.

For a list of the preset songs, see page 30.

Adjusting the Volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjusting the tempo

See page 17.

3. Stop playback.

Playback will stop automatically when the selected preset song has ﬁnished. To

stop the song during playback (or continuous playback), press the [DEMO] but-

ton.

•To continue playing other songs, see procedure 2 above.

Procedure

TERMINOLOGY

Song:

On the P-60, performance data

is called a “Song.” This includes

demo songs and piano preset

tunes.

TIP

You can play the keyboard

along with the preset song. You

can change the voice playing on

the keyboard.

TIP

You can adjust the Reverb type

(page 19) that is applied to the

voice you play on the keyboard

and to the preset song play-

back.

NOTE

When you select a different song

(or a different song is selected

during chained playback), an

appropriate reverb type will be

selected accordingly.

NOTE

MIDI reception is not possible in

Piano Song mode. Piano song

data is not transmitted via the

MIDI connectors.

The highest key

DEMO

C2 D6

C 6



P-60 Listening to 50 Piano Preset Songs

ENGLISH

Adjusting the tempo

The tempo of the preset song playback can be set from 32 to 280 beats per

minute.

While holding down the [DEMO] button, press a sequence of C0-A0 keys to

specify a three-digit number. Select a number starting from the left-most digit.

For example, to set the tempo “95,” press the C0 (0), A0 (9) and F0 (5) keys in

sequence.

To increase the tempo value in steps of one, while holding down the [DEMO]

button, press the B6 key. To decrease the tempo value in steps of one, while

holding down the [DEMO] button, press the A6 key.

To increase the tempo value in steps of ten, while holding down the [DEMO]

button, press the C7 key. To decrease the tempo value in steps of ten, while hold-

ing down the [DEMO] button, press the G



6 key.

To set the default tempo (the song’s original tempo), while holding down the

[DEMO] button, press the A



6 key.

NOTE

The default tempo is automati-

cally selected whenever a new

preset song is selected, and

when a new preset song begins

playback.

DEMO

13 68

975420

The lowest key

NOTE

During preset song playback,

you can set the tempo from 20

to 400 beats per minute,

depending on the song data.

DEMO



C7(The highest key)

P-60 Selecting & Playing Voices

ENGLISH

Selecting & Playing Voices

Selecting Voices

While holding down the [VOICE] button, press one of the C1–A1 keys to select and

start the corresponding voice.

Then, when you start playing, adjust the [MASTER VOLUME] control to the most com-

fortable listening level.

Procedure

TIP

To understand the characteris-

tics of various voices, listen to

demo songs for each voice

(page 15).

TERMINOLOGY

Voice:

On the P-60, a voice means a

“tone” or “tonal color.”

NOTE

Selecting a voice automatically

engages the best-suited reverb

type and depth (page 19) for

that particular voice.

Key

Voice Name

(Panel name)

Description

C1 Grand Piano 1

(PIANO1)

Recorded samples from a full concert grand piano. Perfect for classical

compositions as well as any other style that requires acoustic piano.



1Grand Piano 2

(PIANO2)

Spacious and clear piano with bright reverb. Good for popular music.

D1 E.Piano 1

(EP1)

An electronic piano sound created by FM synthesis. Good for popu-

lar music.



1 E.Piano 2

(EP2)

The sound of an electric piano using hammer-struck metallic “tines.” Soft

tone when played lightly, and an aggressive tone when played hard.

E1 Harpsichord 1

(HARPSI1)

The deﬁnitive instrument for baroque music. Since harpsichord uses

plucked strings, there is no touch response.

F1 Harpsichord 2

(HARPSI2)

Mixes the same voice an octave higher for a more brilliant tone.



1 Vibraphone

(VIBES)

Vibraphone played with relatively soft mallets. It has a tremolo effect

that is typical for vibraphone.

Church Organ 1

(C. ORGAN1)

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for

sacred music from the Baroque period.



Church Organ 2

(C. ORGAN2)

This is the organ’s full coupler sound, often associated with Bach’s

“Toccata and Fugue”.

A1 Strings

(STRINGS)

Spacious and large-scale string ensemble. Try combining this voice

with piano in DUAL mode.

C1 D1 E1 F1 G1 A1

C 1



D 1



F 1



G 1



The lowest key

VOICE

P-60 Selecting & Playing Voices

ENGLISH

Adding Variations to the Sound – Reverb

This control enables you to select various digital reverb effects that add extra depth and expression

to the sound to create a realistic acoustic ambience.

When you select a reverb, the reverb is automatically turned on.

While holding down the [VOICE] button, press one of the C2–E2 keys to select a reverb

type.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by pressing one of the C3–G



4 keys while

holding down the [VOICE] button. The depth range is from 0 through 20.

Procedure

KeyReverb Type Description

C2 Room This setting adds a continuous reverb effect to the sound, similar to

the acoustic reverberation you would hear in a room.



2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect sim-

ulates the natural reverberation of a small-size concert hall.

D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect

simulates the natural reverberation of a large concert hall.



2 Stage Simulates the reverb of a stage environment.

E2 Off No effect is applied.

C2 D2 E2

C 2



D 2



The lowest key

VOICE

TIP

The default reverb type (includ-

ing OFF) and depth settings are

different for each voice.

TIP

depth 0: no effect

depth 20: maximum reverb

depth

C3: depth 0

G 4: depth 20



The lowest key

VOICE

The depth value increases as you press higher keys.

P-60 Selecting & Playing Voices

ENGLISH

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you

can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode.

While holding down the [VOICE] button, press two of the C1–A1 keys at simul-

taneously (or press one key while holding another).

Refer to the voice list on page 18 for available voices.

According to the voice priority shown in the voice list (page 18), the voice

assigned to the lower keyboard will be designated as Voice 1 (the other voice will

be designated as Voice 2).

You can make the following settings only in Dual mode:

Setting the Octave

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-

pendently. Depending on which voices you combine in Dual mode, the combi-

nation may sound better if one of the voices is shifted up or down an octave.

While holding down the [VOICE] button, press one of the C5–F5 keys.

Setting the Balance

You can set one voice as the main voice, and another voice as a softer, mixed voice.

While holding down the [VOICE] button, press one of the F



5–F



6 keys.

A setting of “0” produces an equal balance between the two Dual mode voices.

Settings below “0” increases the volume of Voice 2 in relation to Voice 1, and set-

tings above “0” increases the volume of Voice 1 in relation to Voice 2.

2. Exit Dual mode and return to normal play mode.

While holding down the [VOICE] button, press one of the C1–A1 keys.

Procedure

NOTE

You cannot assign the same

voice to Voice 1 and Voice 2

simultaneously in Dual mode.

TIP

Reverb in Dual Mode

The reverb type assigned to

Voice 1 will take priority over the

other. (If the reverb is set to

OFF, Voice 2 reverb type will be

in effect.) Reverb depth setting

(

page 19

) will be applied only to

Voice 1.

C1 A1

The lowest key

VOICE

C5 F5

The highest key

VOICE

For setting

the octave. (C5–F5)

C5 key: –1 (Voice 1), C



5 key: 0 (Voice 1), D5 key: +1(Voice 1),



5 key: –1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2)



F 6



-5

-6 -4 -2 +1 +3 +6

-3 -1 0 +2 +4 +5

The highest key

VOICE

For setting the balance. (F



5–F



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