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IMPORTANT!
Please record the serial number of this
unit in the space below.
Model:
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK), NO USER-SERVICEABLE
PARTS INSIDE, REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.
•
Explanation of Graphical Symbols
CAUTION
Natural Sound Stereo Receiver
5 Speaker Configuration
70W +70W (8Ω) RMS Output Power, 0.03% THD, 20–20,000 Hz (Front)
70W (8Ω) RMS Output Power, 0.08% THD, 1 kHz (Center)
25W + 25W (8Ω) RMS Output Power, 0.3% THD, 1 kHz (Rear)
Digital Sound Field Processor; 4 Programs for Digital Sound Field Processing
and 2 Programs for Dolby Surround (DOLBY PRO LOGIC and ENHANCED)
Automatic Input Balance Control for Dolby Surround
Test Tone Generator for Easier Speaker Output Balance Adjustment
3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
40-Station Random Preset Tuning
Video Signal Input/Output Capability
SLEEP Timer
Programmable Remote Control Transmitter
RX-V670
Thank you for selecting this YAMAHA stereo receiver.
OWNER’S MANUAL
CONTENTS
Safety Instructions................................2
Supplied Accessories ......................... 4
Profile of This Unit .............................. 5
Speaker Setup for This Unit ............... 6
Connections ........................................ 7
Adjustment Before
Operation .......................................... 10
Operations ........................................ 13
Tuning Operations ............................ 16
Using Digital Sound Field
Processor (DSP) ............................... 18
Setting the SLEEP Timer .................. 22
Remote Control Transmitter ............. 23
Notes about the Remote
Control Transmitter ........................... 26
Troubleshooting ................................ 27
Specifications ................................... 28
Block Diagram .................................. 29
2
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the manufacturer.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and
cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances that
produce heat.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been damaged;
or
B. Objects have fallen, or liquid has been spilled into the unit;
or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits a
marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
SAFETY INSTRUCTIONS
Note to CATV system installer:
This reminder is provided to call the CATV system
installer's attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC – NATIONAL ELECTRICAL CODE
3
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install your unit in a cool, dry, clean place – away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5 Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the volume control to “–
∞
” before starting
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
8 To prevent lightning damage, pull out the power cord
and remove the antenna cable during an electrical
storm.
9 Be sure to read the “Troubleshooting” section on
common operating errors before concluding that your
unit is faulty.
10 Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
FCC INFORMATION
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring or
distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing
damage from loud sounds is often undetectable
until it is too late, YAMAHA and the Electronic
Industries Association’s Consumer Electronics
Group recommend you to avoid prolonged
exposure from excessive volume levels.
We Want You Listening For A Lifetime
4
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
●
Remote Control Transmitter
●
Batteries (size AA, LR6, UM-3)
●
Indoor FM Antenna
●
AM Loop Antenna
●
User Program Sheets
5
PROFILE OF THIS UNIT
You are the proud owner of this Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Rather than tell you about the wonders of digital sound field processing, however, let’s get right down to the business of setting up
the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later
reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
What’s more, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of Dolby Surround
movie theater sound in your own home. Dolby Pro Logic gets
its name from its professional-grade steering logic circuitry,
which provides greater effective channel separation for a much
higher degree of realism than the “passive” Dolby Surround
circuits found in today’s typical home audio/video equipment.
Dolby Pro Logic Surround provides a true center channel, so
that there are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left, right,
and rear. This center channel allows listeners seated in even
less-than-ideal positions to hear the dialog originating from
action on the screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels compared to conventional analog Dolby signal
processing.
In addition, this unit features a built-in automatic input balance
control. This circuit always presents you the best surround
conditions without performing manual adjustments.
“ENHANCED” Dolby Pro Logic Surround
This unit has a second mode of Dolby Pro Logic Surround
processing called “Enhanced Dolby Pro Logic Surround”
processing. Enhanced Dolby Pro Logic Surround processing
recreates the surround effect of a movie theater, effectively
duplicating its multiple surround loudspeaker system,
completely surrounding the listener with the sounds of the
action taking place on the screen.
6
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The speakers to be used with this unit
will be mainly front speakers, rear speakers, and a center speaker. (You can omit the center speaker. Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the output of the main source sound and the effect sound. They will probably be the speakers of
your present stereo speaker system. The rear speakers are used for the output of the effect sound. And the center speaker is
used for the output of the center sound (dialog etc.) encoded with the Dolby Surround. The rear and center speakers do not need
to be equal in power to the front speakers. However, all the speakers should have high enough power handling to accept the
maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and is the one that is
recommended. In this configuration, the center speaker is
necessary as well as the rear speakers. If the digital sound
field program is in DOLBY PRO LOGIC or ENHANCED mode
conversations will be output from the center speaker and the
ambience will be excellent.
●
Set the center mode to the “NORMAL” or “WIDE” position.
(For details, refer to page 11.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program is in the DOLBY PRO LOGIC or
ENHANCED mode, the center sound is output from the left and
the right front speakers. However, the sound effect of other
programs can be the same as that of the 5-speaker
configuration.
●
Be sure to set the center mode to the “PHANTOM” position.
(For details, refer to page 11.)
SPEAKER PLACEMENT
The recommanded speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker. If, however, it is not effective, keep the
speaker away from TV sets.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
7
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
: Refer to “ABOUT THE ACCESSORY TERMINALS” on page 8.
Compact disc player
LD player
OUTPUT
Video cassette
recorder 1
Turntable
Tape deck 1
Monitor TV
Front speakers
To AC outlet
(U.S.A. model)
Video cassette recorder 2
or tape deck 2
Center speaker
Right
Left
Right
Left
Rear speakers
Front speakers A
Right
Left
AUDIO OUT
VIDEO OUT
AUDIO OUT
AUDIO IN
VIDEO OUT
VIDEO IN
OUTPUT
GND
LINE IN
LINE OUT
REMOTE CONTROL
AUDIO OUT
AUDIO IN
VIDEO OUT
VIDEO IN
VIDEO IN
8
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut to be as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and – markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
●
Use speakers with the specified impedance shown on the
rear of this unit.
How to Connect:
Red: positive (+)
Black: negative (–)
➀Press and hold the tab.
➁Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂Release the tab and
secure the wire.
Note for front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
FRONT A or B terminals.
CONNECTING SPEAKERS
ABOUT THE ACCESSORY TERMINALS
AC OUTLETS
(U.S.A., Canada and General models)
.......................................................... 2 SWITCHED OUTLETS
(Australia model).................................. 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 100 watts (80 watts for Canada model).
REMOTE CONTROL (PHONO) connector
If you have a YAMAHA turntable with the terminal for remote
control, connect it to this connector by using the cable provided
with the turntable. This connection allows you to control the
turntable from the provided remote control transmitter.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will
minimize hum, but in some cases better results may be
obtained with the ground wire disconnected.
FRONT OUT terminals
These terminals are for front-channel line output. Leave the
jumper bars connected to FRONT IN terminals when you use
the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars and connect the input
terminals of the external amplifier (MAIN IN or AUX terminals
of a power amplifier or an integrated amplifier) to these
terminals.
FRONT IN terminals
These terminals are for line input to the built-in front-channel
amplifier. Leave the jumper bars connected to FRONT OUT
terminals when you use the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars.
EFFECT OUT (REAR) terminals
These terminals are for rear-channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive rear speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier to these terminals.
If you use the built-in amplifier and the external power amplifier
at the same time, the sound will be output through both
speakers.
9
ANTENNA CONNECTIONS
●
Each antenna should be connected to the designated terminals correctly, referring to the following figure.
●
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good grounding. A good grounding is a
metal stake driven into moist earth.
Notes
●
When connecting the indoor
FM antenna, make sure that
the grooved part of the
connector hole is facing
downward.
●
If you need an outdoor FM antenna to improve FM reception
quality, either a 300-ohm feeder or a coaxial cable may be
used. In locations troubled by electrical interference, a
coaxial cable is preferable.
TAPE 1
CD
AUDIO SIGNAL
GND
REC
FM
ANT
PHONO
TAPE
PB
UNBAL
75Ω
AM
ANT
GND
OUT
➀
➁
➂
Outdoor FM antenna
Indoor FM
antenna
(included)
AM loop
antenna
(included)
75-ohm/300-ohm
antenna adapter
75-ohm
coaxial
cable
300-ohm
feeder
Ground
Outdoor AM antenna
123
Orient so that the best
reception is obtained.
10
1
Set to “
∞
”.
2 Select the front speakers to be used.
* If you use two front speaker systems, press both the A
and B switches.
3
Set to “0”.
4
Set to “0”.
5
Set to “YPC”.
6
Speaker balance adjustment
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
ADJUSTMENT BEFORE OPERATION
VOLUME
0
SPEAKERS
BASS
—
5 +
5
0
TREBLE
—
5 +
5
0
BALANCE
0
L 5
5 R
POWER
61
234
6
5
–dB
11
For detailed information on the remote control transmitter, refer to “REMOTE CONTROL TRANSMITTER” on page 23.
Select the center mode according to your speaker
configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
On the feature of each mode, refer to the “Note” shown
below.
Flashes on and off continuously.
Turn up the volume by using the remote control
transmitter. You will hear a test tone (like pink noise)
from the left front speaker, then the center speaker,
then the right front speaker, and then the rear
speakers, for about two seconds each. The display
illumination changes as shown below.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
In step 8, when you select the center mode, note the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE: Select this mode when you use the center
speaker approximately same sized as the front
speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers.
7
8
9
10
NORMAL
WIDE
PHANTOM
TEST
TEST
97 10
8
7
9
10
Front (L)
Rear
(L and R)
Center
Front (R)
12
Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speaker are the same.
Make the sound output level of the center speaker the
same as that of the front speakers with the CENTER
LEVEL key.
Make the sound output level of the rear speakers the
same as that of the front speakers with the REAR
LEVEL key.
Stops flashing and disappears.
Notes
●
The FRONT EFFECT LEVEL key does not function if the
unit is in the “test” mode. Because the effect sound output
level of the front speakers is used as the basis in speaker
balance adjustment.
●
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using the
VOLUME control (or the MASTER VOLUME keys on the
remote control transmitter).
●
If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
●
In step 12, if the center mode is in the “PHANTOM” position,
the sound output level of the center speaker can not be
adjusted. This is because in this mode, the center sound is
automatically output from the left and right front speakers.
11
12
13
14
BALANCE
0
L 5
5 R
TEST
C
TEST
R
TEST
14
11
14
12
13
Illuminates.
Adjustable.
Illuminates.
Adjustable.
13
OPERATIONS
If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 15) and use the digital
sound field processor. (Refer to page 18.)
To play a source
1
2
3
4
5
6
7
Notes
In step 3, if two or more program sources are selected at the
same time (by using input selectors), be sure to remember the
priority order of the input sources.
Priority order of audio sources: 1) TAPE 1 MON, 2) VCR 1
MON, 3) VCR 2 MON/TAPE 2 MON, and 4) LD/TV, TUNER,
CD or PHONO.
Priority order of video sources: 1) VCR 1 MON, 2) VCR 2
MON/TAPE 2 MON, and 3) LD/TV.
●
If you select LD/TV, TUNER, CD or PHONO, be sure that
TAPE MON and/or VCR MON input selectors have not been
selected.
●
If you select TAPE 1 MON and VCR 1 (or 2) MON input
selectors at the same time, the playback result will be the
video image from the VCR and the sound from the audio
tape.
●
If you select both LD/TV and TAPE MON input selectors at
the same time, the playback result will be the video image
from the LD player and the sound from the audio tape.
●
Once you play the LD player, its video image will not be
interrupted even if other input selectors except VCR MON
input selectors are selected.
●
If you select TAPE 1 MON and VCR 1 (or 2) MON input
selectors, and another input selector at the same time, the
playback result will be the video image from the VCR and
the sound from the audio tape.
— dB
VOLUME
0
Set to “
∞
” .
Select the desired input source.
(For video sources, turn the TV/monitor ON.)
* The indicator corresponding to the
selected input source will illuminate.
Select the front speakers to be used.
* If you use two front speaker systems, press both the A
and B switches.
Play the source. (For detailed information on the
tuning operation, refer to the page 16.)
Adjust to the desired output level.
SPEAKERS
0
VOLUME
23
47
1, 6
Display
PHONES jack
Tuner controls
–dB
–dB
14
Select the source to be recorded.
* To dub from tape to tape, refer to the “Notes” shown
below.
* When selecting LD/TV, TUNER, CD or PHONO, make
sure that the TAPE 1 MON, VCR 1 MON or VCR 2/TAPE
2 MON input selector(s) are not also selected.
Play the source and then turn the VOLUME control
up to confirm the input source.
Set the tape deck or VCR to the recording mode.
To monitor the audio and/or video signals being
recorded, press the input selector button for the audio
or video tape recorder being used to make the
recording.
* A red selector switch indicator takes priority over an
orange indicator.
Notes
●
There are three ways to dub from tape to tape:
1) To record from VCR 2 or tapedeck 2 to VCR 1, press
both the VCR 2 MON/TAPE 2 MON and VCR 1 MON
selector switches (so both the indicators are lighted red).
2) To record from VCR 2 or tapedeck 2 to tapedeck 1, press
both the VCR 2 MON/TAPE 2 MON and TAPE 1 MON
selector switches (so both the indicators are lighted red).
3) To record from VCR 1 to tapedeck 1, press both the VCR
1 MON and TAPE 1 MON selector switches (so both the
indicators are lighted red).
●
DSP, VOLUME, BASS, TREBLE and BALANCE control
settings have no effect on the material being recorded.
To record a source to tape
1
2
3
4
1, 4 2
15
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the front
speakers.
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the front
speakers.
Because one or two speaker systems (as front speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen
to the main sound through headphones. When listening with
headphones privately, set both the SPEAKERS A and B
switches to the OFF position.
Adjusting the BALANCE control
Adjusting the BASS and TREBLE
controls
Selecting the SPEAKER system
BALANCE
0
L 5
5 R
BASS
—
5 +
5
0
TREBLE
—
5 +
5
0
SPEAKERS
PHONES
16
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Display information
➀Displays the band and frequency of the received station.
➁Indicates the signal level of the received station.
➂Illuminates when an FM stereo broadcast with sufficient
signal strength is received.
Select the reception band (FM or AM) while watching
the display.
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
If the station where tuning search stopped is not the
desired one, follow step 3 again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
Select the reception band (FM or AM) while watching
the display.
Tune to the desired station manually.
* To continue tuning search, press and hold the button.
Note
If you tune to a FM station manually, it is received in monaural
mode automatically to increase the signal quality.
AUTOMATIC TUNING MANUAL TUNING
1
2
3
4
11
22
33
FM/AM
AM
AM
or
TUNING MODE
AUTO/MAN’L MONO
TUNING
kHZ
MHz
AM
FM
MEMORY
AUTO
NCERT
HALL
FM/AM
AM
AM
or
“AUTO TUNING”
goes out.
TUNING MODE
AUTO/MAN’L MONO
STEREO
0
MHz
40
60
80
100
FM
3, 4, 33 2, 22
1, 11
1
3
2
17
PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using preset station buttons. With this function, you can
select any desired station simply by pressing the corresponding preset station button. Up to 40 stations (8 stations per page) can
be programmed.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is turned off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than two weeks, the memory may be erased. If
so, it can be re-programmed simply by following the PRESET
TUNING steps.
Tune to the desired station.
(Refer to the previous page for tuning procedures.)
Select the desired page (A – E) of preset station
buttons while watching the display.
Press a preset station button before “MEMORY” goes
off from the display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station
buttons on other pages in the same way by selecting
other pages in step 2.
Select the page of preset station buttons.
Select the desired preset station button.
To program stations To recall a preset station
1
2
3
4
11
22
Notes
●
A new setting can be programmed in place of the former
one.
●
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
A
/
B
/
C
/
D
/
E
PRESET
MHz
FM
MEMORY
PRESET
MHz
FM
MEMORY
PRESET
TUNING
STEREO
0
MHz
40
60
80
100
FM
AUTO
A
/
B
/
C
/
D
/
E
PRESET
MHz
FM
4, 22 2, 11
3
(Preset station buttons)
Shows the displayed station
has been programmed to A1.
18
Description of Each Sound Field Program
PROGRAM FEATURE
This program reproduces sources encoded with the Dolby Surround.
PRO LOGIC
The employment of the digital signal processing system improves crosstalk and transfers the sound source
more smoothly and precisely, compared to the conventional type. A stable movie sound field is recreated.
This program reproduces sources encoded with the Dolby Surround.
ENHANCED
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence.
CONCERT VIDEO
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
MONO MOVIE
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.
ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.
CONCERT HALL
In this program, the center seems even more deeply behind the front speaker pair, creating an expansive,
large hall ambience.
OFF
When any program is not used with the selected source, press this switch.
The sound is output only from the front speakers.
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio
sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 6 programs; 4 programs for digital sound field processing and 2 programs for the Dolby Pro
Logic Surround sound system (DOLBY PRO LOGIC and ENHANCED). You can create an excellent audio sound field by selecting
the suitable program and adding desired adjustments. In addition, when the digital sound field program is in the DOLBY PRO
LOGIC or ENHANCED mode, the built-in automatic input balance control functions. This presents you the best surround condition
without manual adjustment.
PHANTOM
PRESET
TUNING
STEREO
0
kHZ
MHz
40
60
80
100
SLEEP
AM
FM
OFF
DIGITAL SOUND FIELD PROCESSOR
CENTER LEVEL
FRONT EFFECT LEVEL
DELAY TIME
REAR LEVEL
TEST
CENTER
MODE
DOLBY SUR.
CONCERT
HALL
ROCK
CONCERT
MONO
MOVIE
CONCERT
VIDEO
PRO LOGIC
ENHANCED
MEMORY
AUTO
PRO LOGIC
NORMAL
WIDE
ROCK
CONCERT
TEST
ENHANCED
FRC
DELAY
ms
CONCERT
HALL
MONO
MOVIE
CONCERT
MOVIE
Displays your selection on the DSP
or other informations
Used for speaker
balance adjustment.
(for details, refer to
page 10–12.)
Digital sound
field program
selector
Used to adjust the
delay time. (for details,
refer to page 20.)
Used to adjust sound output
level of each speaker. (For
details, refer to page 21.)
Selects
center mode.
(For details,
refer to page
10–12.)
19
Notes on Operation of Sound Field Programs
●
In the CONCERT VIDEO, MONO MOVIE, ROCK CONCERT
and CONCERT HALL modes, no sound is heard from the
center speaker.
●
When a monaural sound source is played in the DOLBY
PRO LOGIC or ENHANCED mode, no sound is heard from
the front speakers and the rear speakers. Sound is heard
only from the center speaker. However, if the center mode is
in the PHANTOM, the front speakers output the sound of the
center speaker.
●
If you connect an external amplifier to this unit, see if it has
built-in surround sound or ambience circuitry. If it does, then
be sure that the surround or ambience circuitry on that
amplifier is off while you are using the digital sound field
processor’s Dolby Pro Logic Surround decoding function.
●
When this unit is in the Dolby Pro Logic Surround mode, if
the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE controls, the
relationship between the center and rear channels may
produce an unnatural effect.
Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit employs the
Dolby Pro Logic Surround system. This system is similar to
professional Dolby Stereo decoders used in movie theaters.
By employing a four-channel system, the Dolby Pro Logic
Surround system divides the input signals into four levels: the
left and right main channels, the center channel (to characterize
dialog), and the rear surround-sound channels (to characterize
sound effects, background noise and other ambient noise).
Dolby Surround is encoded on the sound track of commercially
available video cassettes and video discs as well. When you
play a source encoded with Dolby Surround on your home video
system, the Dolby Pro Logic Surround mode on this unit
decodes the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always
effective on video sources not encoded with Dolby Surround.
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under one or more of the
following patents: U.S. numbers 3,632,886, 3,746,792, and
3,959,590; Canadian numbers 1,004,603 and 1,037,877.
“Dolby” and the double-D symbol are trademarks of Dolby
Laboratories Licensing Corporation.
20
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of
the source sound and the beginning of the effect sound with
the DELAY TIME control.
The DELAY TIME control is effective with all programs.
By applying more or less delay, sound effects, background
noise, and ambient noise coming at you from the rear speakers
can be enhanced or subdued for extra effect.
1. PRO LOGIC: from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
2. ENHANCED: from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
3. CONCERT VIDEO: from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
4. MONO MOVIE: from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
5. ROCK CONCERT: from 1 to 100 milliseconds
(Preset value: 15 milliseconds)
6. CONCERT HALL: from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
By continuously pressing “+” or “–” on the DELAY TIME
control, the value changes continuously.
However, the value stops changing momentarily at the preset
point.
Note
Adding too much delay will cause an unnatural effect with
some sources. Experiment with the DELAY TIME control to
create the effect that you find most suitable.
Follow step 1–6 shown in “OPERATIONS” on page
13.
Select the desired program that is suitable for the
source.
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on this page and the next page.)
Note
If you prefer to cancel the selected program, press the OFF
switch. The sound will be the normal 2-channel stereo without
surround sound effect.
1
2
3
To play a source with the digital sound field processor
PRO LOGIC
DELAY TIME
DELAY
ms
2
3
Adjustable
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Yamaha RX-V670 Kullanım kılavuzu
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