Basics SectionQuick GuideReferenceAppendix
OWNER’S MANUAL
This document is printed on chlorine free (ECF) paper with soy ink.
Yamaha Web Site (English only)
www.yamahasynth.com
Yamaha Manual Library (English versions only)
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2002 Yamaha Corporation
V881780 202MWCP2.3-01A0
Printed in Japan
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT
connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recommended by
Yamaha.
WARNING:
Do not place this product in a position where anyone could walk on, trip over
,or roll anything over power or connecting cords of any kind. The use of an
extension cord is not recommended! IF you must use an extension cord, the
minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the
AWG number ,the larger the current handling capacity. For longer extension
cords, consult a local electrician.
This product should be used only with the components supplied or; a cart,
rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please
observe all safety markings and instructions that accompany the accessory
product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time
of printing. However, Yamaha reserves the right to change or modify any of
the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones
or speaker/s, may be capable of producing sound levels that could cause
permanent hearing loss. DO NOT operate for long periods of time at a high
volume level or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accessories.
Some of these items are designed to be dealer assembled or installed. Please
make sure that benches are stable and any optional fixtures (where
applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other uses
are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery
is approximately five years. When replacement becomes necessary, contact a
qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable
type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a
different type. Batteries MUST be installed correctly. Mismatches or incorrect
installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries
away from children. Dispose of used batteries promptly and as regulated by
the laws in your area. Note: Check with any retailer of household type
batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its
useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products that contain lead,
batteries, plastics, etc. If your dealer is unable to assist you, please contact
Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the rear of the product. The model number,
serial number, power requirements, etc., are located on this plate. You should
record the model number, serial number, and the date of purchase in the
spaces provided below and retain this manual as a permanent record of your
purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP (rear)
NEDERLAND / THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur afdankt of
de volgende Yamaha Service Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
• For the removal of the battery at the moment of the disposal at the end of
the service life please consult your retailer or Yamaha Service Center as
follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL UTRECHT
Tel: 030-2828425
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning m*
kun ske med batteri af samme fabrikat og type. Levér det brugte batteri
tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en
ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt
batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävit* käytetty paristo
valmistajan ohjeiden mukaisesti.
(lithium caution)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be
used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users
manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference
will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please
try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
(3)-7 1/2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Only use the voltage specified as correct for the instrument.
The required voltage is printed on the name plate of the
instrument.
• Use the specified adaptor (PA-5C or an equivalent
recommended by Yamaha) only. Using the wrong adaptor
can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or
dust which may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such
as heaters or radiators, and do not excessively bend or
otherwise damage the cord, place heavy objects on it, or
place it in a position where anyone could walk on, trip over,
or roll anything over it.
• Do not open the instrument or attempt to disassemble the
internal parts or modify them in any way. The instrument
contains no user-serviceable parts. If it should appear to be
malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in
damp or wet conditions, or place containers on it
containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
• If the AC adaptor cord or plug becomes frayed or
damaged, or if there is a sudden loss of sound during use
of the instrument, or if any unusual smells or smoke should
appear to be caused by it, immediately turn off the power
switch, disconnect the adaptor plug from the outlet, and
have the instrument inspected by qualified Yamaha service
personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to
the instrument or other property. These precautions include, but are not limited to, the following:
• When removing the electric plug from the instrument or an
outlet, always hold the plug itself and not the cord.
• Unplug the AC power adaptor when not using the
instrument, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a
multiple-connector. Doing so can result in lower sound
quality, or possibly cause overheating in the outlet.
• Do not expose the instrument to excessive dust or
vibrations, or extreme cold or heat (such as in direct
sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the
internal components.
• Do not use the instrument in the vicinity of a TV, radio,
stereo equipment, mobile phone, or other electric devices.
Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it
might accidentally fall over.
• Before moving the instrument, remove all connected
adaptor and other cables.
• Use only the stand specified for the instrument. When
attaching the stand or rack, use the provided screws only.
Failure to do so could cause damage to the internal
components or result in the instrument falling over.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptor Location
(3)-7 2/2
• Before connecting the instrument to other electronic
components, turn off the power for all components. Before
turning the power on or off for all components, set all
volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually
raise the volume controls while playing the instrument to
set the desired listening level.
• When cleaning the instrument, use a soft, dry cloth. Do not
use paint thinners, solvents, cleaning fluids, or chemical-
impregnated wiping cloths.
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into
the gaps on the panel or keyboard. If this happens, turn off
the power immediately and unplug the power cord from the
AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the
instrument, and do not use excessive force on the buttons,
switches or connectors.
• Do not operate the instrument for a long period of time at a
high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss
or ringing in the ears, consult a physician.
• This instrument has a built-in lithium backup battery. When
you unplug the power cord from the AC outlet, the internal data
is retained. However, if the backup battery fully discharges,
this data will be lost. When the backup battery is running
low, the LCD indicates “!BatteryLo.” In this case,
immediately save the data to a Memory Card
(SmartMedia), then have qualified Yamaha service
personnel replace the backup battery.
Saving and backing up your data
• Any edited data (see pages 33 and 40) that is left un-stored
will be lost if you turn off the power to the instrument. Save the
data to the USER memory (see page 50).
• USER memory data (see page 20) is retained when the
power is turned off, as long as the backup battery retains a
charge. However, the data could be lost due to malfunction
or incorrect operation. Save important data to a Memory
Card (SmartMedia).
Backing up the Memory Card (SmartMedia)
•To protect against data loss through media damage, we
recommend that you save your important data onto two
Memory Cards (SmartMedia).
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost
or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
Connections
Maintenance
Handling caution
Backup battery
Saving data
6
Introduction
Thank you for purchasing the Yamaha S08 Music Synthesizer. In order to get the most out of your new S08 and its
sophisticated functions, we suggest you read through this manual thoroughly. Also keep it in a safe, convenient place
so that you can regularly refer to it when necessary.
Package Contents
• PA-5C AC Adaptor * • CD-ROM •Installation Guide
• Owner’s Manual • Data List
* May not be included in your area. Please check with your Yamaha dealer.
About the Included CD-ROM
Application software for your S08 is included on this CD-ROM. The Voice Editor lets you edit the Voices of the S08
with a highly intuitive graphical interface. With the included sequencing software (Windows only), you can easily
create and edit your own original songs on your computer. For details, refer to the separate Installation Guide or the
on-line manual included with the software.
Never attempt to play back the CD-ROM on an audio CD player. Doing so may result in damage to your hearing as well as
to your CD player/audio speakers.
Main Features
•Exceptionally high-quality dynamic Voices — including many sounds from Yamaha’s top-of-the-line S80 Music
Synthesizer (page 16).
• Naturally responsive 88-key Balanced Hammer Effect keyboard, drawing on our extensive experience and
expertise in piano-making.
• Wide variety of pro-quality digital effects (page 46).
• Category Search function for quickly calling up Voices in a desired instrument group (page 31).
•A total of 493 Normal Voices and 29 Drum Voices, all GM2/XG-compatible — in addition to Preset Voices and
User Voices (page 20).
• Memory cards, which let you easily organize and archive the internal data (page 53).
• Sequence Play function, that lets you directly play song files stored to memory cards (page 51).
• Comprehensive, detailed editing features for customizing your Voices (page 40 and 58).
• Convenient USB terminal for direct, easy connection to computer — with just one cable (page 14).
GM System Level 1
“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI
functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone
generator, regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear
this GM logo.
GM System Level 2 (GM2)
“GM System Level 2” is a standard specification that enhances the original “GM System Level 1” and improves song data
compatibility. It provides for increased polyphony, greater voice selection, expanded voice parameters, and integrated effect
processing. Tone generators and song data that meet the “GM System Level 2” specifications bear this GM2 logo.
XG
“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet the
ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining
upward compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which voices are expanded
or edited and the structure and type of effects.
When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you
will enjoy a full musical experience that includes unlimited expansion voices and effect functions.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral devices.
It allows “hot swapping” (connecting peripheral devices while the power to the computer is on).
7
About This Manual
This manual consists of the following sections.
■ Basics Section (page 11)
This section provides a overview of the main functions and features of the S08 and introduces you to the basic
operating conventions.
■ Quick Guide (page 29)
This section explains how to use the basic functions.
■ Reference : Function List (page 58)
The S08 encyclopedia. This section explains all parameters.
■ Appendix (page 72)
This section contains detailed information on the S08 such as MIDI, Display Messages, Troubleshooting and
Specifications.
■ Installation Guide (separate booklet)
Refer to this for instructions on installing the included software programs (on the CD-ROM) to your computer.
■ Data List (separate booklet)
This contains various important lists such as the Voice List, Wave List, Multi List, and MIDI Implementation
Chart.
About the “Page” References in this Manual
PAGE xx ..... Refers to a display “page” in the LCD
page xx........ Refers to an actual page in this manual.
Many of the functions and parameters of the S08 are shown on various display “pages,” each of which is numbered
within each mode and indicated in the display. Searching for a function or parameter is made more convenient and
fast by the use of these page numbers.
To distinguish these display page references from actual pages in the manual, we’ve applied the following convention:
“PAGE” (all capital letters) refers to the display page. Unless indicated otherwise, the PAGE reference is for display
pages within the same mode (as described for other parameters in the same section).
Throughout the manual, parameter names are prefaced by numbers, such as “13-2 Resonance.” This, for example,
indicates that the Resonance parameter is on display PAGE 13 in the selected mode.
When one display page contains two or more related parameters, use the [ ]/[ ] buttons (page 26) to scroll
through the available parameters. These related parameters selected by the [ ]/[ ] buttons are indicated by
hyphenated numbers (e.g., 13-1, 13-2, etc.). In the example above, you can select the Resonance parameter by using
the [ ]/[ ] buttons to move to the second page.
n For a full listing of the parameters and their corresponding display pages, refer to the Function List (page 58) or the
Parameter Table (page 18).
● Copying of the commercially available music sequence data and/or digital audio files is strictry prohibited except
for your personal use.
● The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on your instrument.
● The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of
their respective companies.
8
Application Index
Application Index
This convenient, easy-to-use index is divided to general categories to help you when you want to find information on
a specific topic or function.
■
Listening/Playing
• Listening to Demo songs ................................................................................................................................... Demo Playback (Page 16)
• Playing the voices .......................................................................................................................................................................... (Page 29)
• Calling up Voices in a desired instrument group ........................................................................ Using Voice Category Search (Page 31)
• Playing songs from memory cards................................................................................................................................................ (Page 51)
• Assigning songs to each chain step automatically....................................................................................................................... (Page 52)
• Converting Standard MIDI file from format 1 to format 0..... the separate Installation Guide and the Card Filer Owner’s Manual (PDF)
• Performing live while playing back a Song file ........................................................................................................................... (Page 34)
• Splitting the keyboard — Setting upper and lower ranges for the Voices
- In Multi mode............................................................................................................................................................................. (Page 34)
- In Voice mode ........................................................................................................................................................... Note Limit (Page 59)
• Layering two voices (Parts together) ............................................................................................................................................ (Page 35)
• Changing the keyboard played part in the Multi mode ...............................................................................................Trans Ch (Page 66)
• Selecting the touch sensitivity (Global setting) ......................................................................................................................... (Page 57)
• Changing the volume response to your playing strength - getting high volume from soft playing or soft volume from strong playing
(for each Voice/Multi).......................................................................................................................VelSnsDpt/VelSnsOfs (Pages 58, 64)
■ Using controllers
• Connecting controllers .................................................................................................................................................................. (Page 15)
• Setting the Pitch Bend Range............................................................................................................................... PB Range (Pages 58, 65)
• Using a Foot Controller/Footswitch to control parameters ........................................................................................................ (Page 38)
• Using a Footswitch to start/stop the sequencer........................................................................................................................... (Page 38)
• Using a Footswitch to advance through Voice or Multi programs.............................................................................................. (Page 38)
• Maintaining the controller state/position when you switch between voices ................................................ Controller Reset (Page 67)
• Setting the AC1 (Assignable Controller 1) Controller .........................................................................................................(Pages 37, 38)
• Controlling the effect depth
- MW (Modulation wheel settings) ...................................................................................................................MW VarCtl (Pages 59, 64)
- AC1 (Assignable controller 1 ) settings .......................................................................................................... AC1 VarCts(Pages 59, 64)
■ Copying
• Copying the Voice Variation Effect settings to the Multi mode ............................................................. Copy Variation Effect (Page 49)
• Copying the Controller settings of the Voice mode to the Multi mode............................................................Copy Controller (Page 49)
• Copying Element parameter settings of the Voice being edited to another Element in the same Voice................................... (Page 48)
• Copying Part parameter settings of the Multi being edited to another Part in the same Multi ................................................ (Page 49)
• Backing up your S08 data ..............................................Saving S08 Settings to an External Device/Saving the Settings (Pages 36, 50)
■ Changing the sound
• Editing a Voice ............................................................................................................................................................. Voice Edit (Page 40)
• Effect structure and signal flow........................................................................................................................................Effects (Page 46)
• Editing the effect settings................................................................................................................. Example of Effect Settings (Page 46)
• Adjusting the Voice sustain..........................................................................................................................................AEGRelR (Page 61)
• Getting a brighter sound ....................................................................................................................................................Cutoff (Page 43)
• Getting a more pronounced effect ............................................................................................................................. Resonance (Page 43)
• Simulating monophonic instruments................................................................................................................Mono/Poly (Pages 58, 64)
• Setting the stereo pan position................................................................................................................................. Pan (Pages 59, 62, 63)
• Changing the Element/Part that is sounded according to the velocity................................................................................... VelLmt-L/H
In Voice Mode................................................................................................................................................................................ (Page 59)
In Multi Mode................................................................................................................................................................................ (Page 64)
• Getting a smooth transition in pitch from one note to the next............................................................... Porta Sw/Time (Pages 58, 65)
■ Changing the pitch
• Transposing the sound/Adjusting the pitch (tone generator settings)
- Voice (Element ) settings ............................................................................................................................. Note Shift/Detune(Page 59)
- Multi (Part) settings.................................................................................................................................... Note Shift/Detune (Page 64)
- Multi (Common) settings .........................................................................................................................................Transpose (Page 63)
• Transposing the keyboard.......................................................................................................................................... Kbd Trans (Page 67)
• Adjust the tuning to other instruments ..................................................................................................................MasterTune (Page 66)
• Setting the all notes (keys) to the same pitch ............................................................................................................ PchSclSns (Page 59)
9
Application Index
■ Setting the volume/level
• Adjusting the total volume................................................................................................................................ VOLUME slider (Page 12)
• Adjusting the Multi volume (affects all parts)............................................................................................................. Total Vol (Page 63)
• Adjusting each part’s volume...........................................................................................................................................Volume (Page 64)
• Adjusting the Voice volume (affects all elements)................................................................................................ Total Lvl/Vol (Page 63)
• Adjusting each element’s volume ....................................................................................................................................... Level (Page 59)
• Adjusting each drum key’s volume..................................................................................................................................... Level (Page 62)
■ Setting the sound of a drum voice
• Moving the pan position randomly each time a key is pressed............................................................................................ Pan (Page 62)
• Setting the drum key for independent open and closed hi-hat sounds ................................................................... Alt. Group (Page 62)
• Setting the key release response: Enabling a sound to decay naturally even when a key is released,
or having the sound cut off when key is released.....................................................................................................RxNoteOff (Page 62)
• Disabling the sound for specific instruments in a drum kit..................................................................................... RxNoteOn (Page 62)
■ Selectively disabling sounds
• Keeping certain elements from sounding temporarily during editing........................................................Mute function (Pages 41, 42)
• Disabling the sound of specific elements................................................................................................................. Element Sw (Page 59)
• Keeping certain parts from sounding temporarily.............................................................................................. Mute function (Page 41)
• Disabling the sound of specific parts................................................................................................................................ RcvCh (Page 64)
• Disabling the sound of specific keys (instrument sounds) in a drum kit............................................................... Rx NoteOn (Page 62)
■ Convenient editing functions
• Monitoring an Element for Editing.............................................................................................................................................. (Page 42)
• Creating a completely new Voice/Multi from scratch ................................................................................................................ (Page 48)
• Listening to the difference between the Voice/Multi with your edited settings
and the same Voice/Multi prior to editing ................................................................................................... Compare Function (Page 41)
■ Entering data
• Entering the value directly with the numeric keypad or the keyboard...................................................................................... (Page 28)
• Entering characters (Voice/Multi/File Name Settings)............................................................................................................. (Page 50)
■ Saving data
• Storing the edited Voice/Multi to the S08’s internal (USER) memory...................................................................................... (Page 50)
• Saving S08 settings (Voice/Multi/MIDI/Utility) to an external device such as a computer or Memory Card................ (Pages 36, 54)
■ Connecting the S08 to other devices
• Connecting a computer .......................................................................................................... Connecting a Personal computer (Page 14)
• Setting Local On/Off ...................................................................................................................................... Local On/Off (Pages 15, 67)
• Using the S08 as a multitimbral tone generator .......................................................................................................................... (Page 33)
• Sending the S08 data using the Bulk Dump function .......................................... Saving S08 Settings to an External Device (Page 36)
• Editing Voices using a computer..................................The separate Installation Guide and S08 Voice Editor Owner’s Manual (PDF)
• Using the included sequencing software (Windows only).............The separate Installation Guide and the application’s on-line help
• Setting the S08 to either receive or ignore program changes (Voice/Multi) from an external device..... RxPgmChng/RxBankSel (Page 66)
• Determining whether or not the S08 sends program changes to an external device .......................TxPgmChng/TxBankSel (Page
66
)
• Determining whether or not an external sequencer starts/stops when starting/stopping the S08’s sequencer............SeqCtl (Page
66
)
• Determining whether or not the S08’s sequencer starts/stops when starting/stopping an external sequencer ............SeqCtl (Page
66
)
■ Resetting parameters (Initializing)
• Initializing Voice/Multi parameters.............................................................................................................................. Initialize (Page 48)
• Initializing chain step parameters ................................................................................................................................... InitSeq (Page 52)
• Formatting Memory Card.............................................................................................................................................................. (page 55)
• Resetting the S08 to its default settings....................................................................... Factory Set (Restore Factory Defaults) (Page 23)
■ Quick solutions and reference materials
• Global functions of the Function List .......................................................................................................................................... (Page 58)
• S08 parameter structure and the LCD PAGES ................................................................................................ Parameter Table (Page 18)
• Display Indications........................................................................................................................................................................ (Page 25)
• Memory Structure — indicating where various settings are stored........................................................................................... (Page 20)
• Voice Structure - examining which elements are used in the voices .................... Checking the Voice Structure and Muting (Page 42)
• Parameters that are not effective for drum-voice-assigned parts................................................................................................ (Page 22)
• Explanation of Effect Types ................................................................................................................................... The separate Data List
• Lists of the Voices, Multis, Waves, Original Kits, etc............................................................................................. The separate Data List
• General information on MIDI ................................................................................................................................ About MIDI (Page 72)
• Meaning of the display messages.................................................................................................................... Display Messages (Page 77)
• Troubleshooting............................................................................................................................................................................ (Page 78)
10
Table of Contents
Basics Section .........................11
The Controls & Connectors ............................................. 11
Top Panel .................................................................................. 11
Rear Panel ................................................................................. 11
Before Use .......................................................................... 12
Power Supply ............................................................................ 12
Power-on Procedure .................................................................. 12
Turning on the S08 .................................................................... 12
Connections ....................................................................... 13
Demo Playback .................................................................. 16
Overview of the S08 .......................................................... 16
Controller .................................................................................. 17
Tone Generator ......................................................................... 17
Effects ....................................................................................... 17
Card Drive/Sequencer ...............................................................17
Parameter Table ................................................................ 18
Voices & Multis................................................................. 20
Memory Structure ..................................................................... 20
Overview of Voice/Element/Multi ........................................... 21
Normal Voices & Drum Voices ................................................ 22
Part Mode Setting .....................................................................22
Factory Set (Restore Factory Defaults) ........................... 23
Basic Operations ............................................................... 24
Modes ................................................................................. 24
Mode Table ........................................................................ 24
Selecting a Mode ............................................................... 24
Display Indications ........................................................... 25
Selecting a Screen .............................................................. 26
Entering Data .................................................................... 27
Quick Guide ...........................29
Playing Voices ................................................................... 29
Using Multi Mode ............................................................. 32
Playing in Multi Mode .............................................................. 32
Using the S08 as a Multitimbral Tone Generator (Multi Edit) .33
Layering Two Voices (Parts) Together ..................................... 35
Using Controllers .............................................................. 37
Pitch Bend Wheel & Modulation Wheel .................................. 37
Foot Controller .......................................................................... 38
Foot Switch ............................................................................... 38
Voice Edit ........................................................................... 40
Effects ................................................................................. 46
Effects in Voice Mode .............................................................. 47
Effects in Multi Mode............................................................... 47
Using the Jobs .................................................................... 48
Saving the Settings (Store) ............................................... 50
Playing the Songs .............................................................. 51
Using the Memory Card ................................................... 53
Touch Sensitivity ............................................................... 57
Reference................................58
Voice Edit (Normal) .................................................................. 58
Voice Edit (Drum)..................................................................... 62
Voice Job ................................................................................... 63
Voice Store ................................................................................ 63
Multi Edit................................................................................... 63
Multi Job.................................................................................... 65
Multi Store................................................................................. 66
Sequence Play............................................................................ 66
Sequence Play Job ..................................................................... 66
Utility......................................................................................... 66
Utility Job .................................................................................. 67
Controller................................................................................... 67
Card ........................................................................................... 67
Appendix ...............................72
About MIDI ....................................................................... 72
Display Messages ............................................................... 77
Troubleshooting ................................................................ 78
Specifications ..................................................................... 83
Index ................................................................................... 84
11
Basics SectionQuick GuideReferenceAppendix
The Controls & Connectors
Basics Section
The Controls & Connectors
Top Panel
1 PITCH bend wheel (page 37)
2 MODULATION wheel (page 37)
3 [VOLUME] Slider (page 12)
4 LCD (Liquid Crystal Display)(page 24)
5 Parameter Type List (page 26)
6 MODE buttons (page 24)
7 [PART/ELEMENT/KEY] buttons
7-1 [+]/[–] buttons (page 26)
7-2 [MUTE] button (pages 41, 42)
8 DATA buttons (page 26)
8-1 [DEC/NO] button (page 27)
8-2 [INC/YES] button (page 27)
8-3 [ ]/[ ] buttons (page 26)
8-4 [ ]/[ ] buttons (page 26)
9 [CATEGORY SEARCH/DRUM] button (pages 30, 31)
) [PRESET/(DRUM/PERC)] button (pages 29, 31)
! [USER/(SE)] button (pages 29, 31)
@ [GM2/XG/(OTHER)] button (pages 29, 31)
# Numeric keypad (pages 28, 30)
$ [ENTER/KEYBOARD] button (page 28)
% [EXIT] button (page 27)
^ Data Dial (page 27)
Rear Panel
& USB terminal (page 14)
* Memory Card slot (page 53)
( MIDI IN/OUT/THRU terminals (pages 13)
º FOOT SWITCH jack (pages 15, 38)
¡ FOOT CONTROLLER jack (pages 15, 38)
™ STANDBY/ON switch (page 12)
£ DC IN terminal (page 12)
¢ OUTPUT L/MONO and R jack (page 13)
∞ PHONES jack (page 13)
n Host Select parameter is set in the Utility mode (page13).
MUSIC SYNTHESIZER
EXITENTER
KEYBOARD
—
0
1
2
3
4
56
7
89
PRESET
USER
GM2/XG
DRUM
MUTE
+—
COMMON
INC/YESDEC/NO
DEMO
UTILITY CONTROLLER CARD
EDIT
JOB
STORE
PLAY/STOP
COMPARE
VOICE
MULTI SEQ PLAY
PART/
COMMON
VOICE
MIX
GENERAL
TONE
CONTROLLER
EFFECT
ELEMENT
OSC/MIX
PITCH
FILTER
AMP
LFO
EFFECT
TG
MIDI CHANNEL
MIDI FILTER
SEQ SETUP
MIDI SETUP
EFFECT
CTRL ASSIGN
KEYBOARD
VELOCITY
CTRL SETUP
SAVE
LOAD
RENAME
DELETE
FORMAT
IMPORT
VOLU
M
E
PITC
H
M
ODULATION
PHONES
L/MONO
OUTPUT
R DC IN ON
STANDBY
FOOT
CONTROLLER
FOOT
SWITCH
IN OUT THRU
MIDI
CARD
3.3V
USB
GUITARORGANPIANO
CATEGORY
SEARCH
BASS STRINGS BRASS
REED/PIPE
SYN LEAD
SYN COMP
DRUM/PERC
SE
OTHER
CHROMATIC
PERCUSSION
SYN PAD
UTILITY
CARD
CONTROLLER
CARDUTILITYEDIT
CONTROLLER
PART/E LEMENT/ KEY
MODE
DATA
32145679)#^
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B5 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
8$@!%
DC IN
ON
FOOT
CONTROLLER
FOOT
SWITCH
MIDI
OUT
IN
THRU
USB
CARD
3.3V
STANDBY
PHONES
L/MONO
R
OUTPUT
&* ( º¡™£¢∞
12
Basics Section Quick Guide Reference Appendix
Before Use
Before Use
Power Supply
1 Make sure that the S08’s STANDBY/ON switch is
at the STANDBY (off) position.
2 Connect the PA-5C’s DC plug to the S08’s DC IN
terminal on the instrument’s rear panel.
3 Connect the adaptor’s AC plug to the nearest
electrical outlet.
Do not attempt to use an AC adaptor other than the
Yamaha PA-5C or an equivalent recommended by
Yamaha. The use of an incompatible adaptor may cause
irreparable damage to the S08, and may even pose a
serious shock hazard! ALWAYS UNPLUG THE AC
ADAPTOR FROM THE AC POWER OUTLET WHEN
THE S08 IS NOT IN USE.
Even when the switch is in the “STANDBY” position,
electricity is still flowing to the instrument at a minimum
level. When not using the S08 for an extended period of
time, be sure to unplug the AC power adaptor from the
wall AC outlet.
Power-on Procedure
When you have made all the necessary connections
between your S08 and any other devices (page 13),
make sure that all volume settings are turned down all
the way to zero. Then turn on every device in your
setup in the order of MIDI masters (senders), MIDI
slaves (receivers), then the audio equipment (mixers,
amplifiers, speakers, etc.). This ensures smooth MIDI
operation and prevents speaker damage.
When powering down the setup, first turn down the
volume for each audio device, then switch off each
device in the reverse order (first audio devices, then
MIDI).
When using the S08 as MIDI slave:
Turning on the S08
In order to avoid possible damage to the speakers or other
connected electronic equipment, always switch on the
power of the S08 before switching on the power of the
amplified speakers or mixer and amplifier. Likewise,
always switch off the power of the S08 after switching off
the power of the amplified speakers or mixer and
amplifier.
n Before you switch your S08 on or off, first turn down the
volume of any connected audio equipment.
1 Press the STANDBY/ON switch.
A splash screen (“Welcome to S08”) is displayed
briefly. The Multi or Voice Play Mode screen
appears next.
2 Turn up the amplifier’s volume as necessary.
3 Adjust the S08’s [VOLUME] slider to set an
appropriate volume level.
DC IN
ON
T
LLER
STANDBY
PHONES
L/MONO
R
OUTPUT
DC IN
STANDBY/ON switch
Rear Panel
To electrical
outlet
MIDI master (transmitting device)
Audio equipment (first mixer, then amplifier)
12345678910111213141516LR
POWER
ON!!
S08 as MIDI slave (MIDI receiving device)
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK R ELE ASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
Integrated
Sampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
23
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
MUSIC SYNTHESIZER
DC IN
ON
FOOT
CONTROLLER
FOOT
SWITCH
STANDBY
PHONES
L/MONO
R
OUTPUT
VOLU
M
E
13
Basics SectionQuick GuideReferenceAppendix
Connections
Connections
Before connecting the S08 to other electronic components, turn off the power to all the components. Before turning the power on or
off to all components, set all volume levels to minimum(0). Otherwise, electrical shock or damage to the components may occur.
Connecting to External
Audio Equipment
Since the S08 has no built-in speakers, you need to
monitor its sound output via external audio
equipment. Alternatively, you could use a pair of
headphones. There are several methods of connecting
to external audio equipment, as described in the
following illustrations.
Connecting Stereo Powered Speakers
A pair of powered speakers can accurately produce the
S08’s rich sounds with their own pan and effect
settings. Connect your powered speakers to the
OUTPUT L/MONO and R jacks on the rear panel.
n When using just one powered speaker, connect it to the
OUTPUT L/MONO jack on the rear panel.
Connecting to a Mixer
If you want to integrate the S08 into a larger system
with other instruments and additional audio
processing capabilities, connect it to a mixer, amplifier
and stereo monitor system as shown below.
n Connecting a pair of headphones does not affect audio
output from the OUTPUT (L/MONO and R) jacks. The
audio output at the PHONES jack and the OUTPUT
jacks is exactly the same.
Connecting External MIDI
Equipment
You can connect an external MIDI device using a MIDI
cable (available separately) and control it from the S08.
You can also use an external MIDI keyboard or
sequencer to control the S08’s internal sounds. This
section introduces several different MIDI applications.
n The HOST SELECT (UTILITY PAGE 13) should be set
to “MIDI.” Otherwise, MIDI data will not be transmitted
from the S08’s MIDI OUT connector.
Controlling the S08 from an
External MIDI device
Controlling an External MIDI device
with the S08
S08
Stereo headphones
PHONES
OUTPUT L /MONO OUTPUT R
INPUTINPUT
Powered speaker
(Left)
Powered speaker
(Right)
MUSIC SYNTHESIZER
12345678910111213141516 L R
Mixer
Speaker
Amplifier
L
OUTPUT L
R
OUTPUT L /MONO
R
R
Stereo
headphones
PHONES
S08
MUSIC SYNTHESIZER
MIDI OUT
MIDI IN
External MIDI keyboard
or synthesizer
UTILITY PAGE 13
S08
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
Integrated
Sampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
MUSIC SYNTHESIZER
KEYELEMPAR T
PAG E
HostSelect
MIDI
13
External MIDI keyboard
or synthesizer
MIDI OUT
MIDI IN
S08
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
Integrated
Sampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1 PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPAR T
PAG E
HostSelect
MIDI
13
14
Basics Section Quick Guide Reference Appendix
Connections
Recording and Playback using an
External MIDI Sequencer
Controlling Another MIDI Device via
MIDI THRU
With the above MIDI connections, you can send MIDI
data from the S08’s MIDI OUT terminal, while
sending MIDI data from the external sequencer to an
external MIDI synthesizer via the S08’s MIDI THRU
terminal.
n MIDI THRU simply relays the MIDI messages received
via MIDI IN.
n The MIDI cable should be no greater than 15 meters in
length, and there should be no more than three devices in
a MIDI chain (chained in series via each unit’s MIDI
THRU). To connect more units, use a MIDI Thru Box
for parallel connections. You may encounter errors if the
MIDI cables are too long or if too many devices are
chained together via their MIDI THRU connectors.
Connecting to a Personal
Computer
You can use a connected computer to control the S08
and to transfer S08 data to/from computer via MIDI.
With the included Voice Editor program, for instance,
you can edit the Voices of the S08.
There are two ways to connect your S08 to a computer:
Depending on your particular computer, the
connections may differ. (See below.)
n You may also want to change the Local On/Off setting
(pages 15 and 67), depending on how you are using the
S08 in your MIDI system.
n You will also need the appropriate MIDI application
(sequencer, editor, etc.), compatible with your computer
platform.
1: USB connection
n The data via the MIDI IN terminal is ignored when using
the USB port (Host Select set to “USB”).
n When connecting the S08 to a computer with a USB
cable, make sure that the USB cable is properly connected
before turning on the power.
Be careful not to turn off the power of the S08 if an
application using the USB/MIDI connection is currently
running.
n The USB connection can only be used for transfer of
MIDI data. No audio data can be transferred via USB.
n Once connected via USB, the S08 begins communication
after a short time.
n Keep in mind that when using Windows 2000/XP, some
operating problems on the computer may occur during
startup. If this happens, try turning on the power of the
S08 only after the computer is properly running.
n When connecting the S08 and your computer via USB,
make sure to connect them directly without routing
through a USB hub.
MIDI OUT
MIDI OUT
External
MIDI sequencer
S08
MIDI IN
MIDI IN
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPAR T
PAG E
HostSelect
MIDI
13
MIDI IN
MIDI THRU
MIDI OUT
MIDI IN
External
MIDI sequencer
External
MIDI sequencer
External MIDI synthesizer
MIDI OUT
MIDI IN
S08
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
Integrated
Sampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPAR T
PAG E
HostSelect
MIDI
13
USB connecter
USB cable
Computer
S08
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPAR T
PAG E
HostSelect
USB
13
15
Basics SectionQuick GuideReferenceAppendix
Connections
2:
MIDI connection
Using the computer’s MIDI interface
Using an external MIDI interface
n Please use the appropriate MIDI interface for your
computer.
Local On/Off — When Connected to a
Computer (UTILITY PAGE 12)
When connecting the S08 to a computer, the
keyboard performance data is generally sent to the
computer, and then returned from the computer to
play the tone generator or sound source. If the Local
Switch is set to “on,” a “double” sound may result,
since the tone generator is receiving performance
data from both the keyboard directly and the
computer. Use the setting suggestions below as a
guideline; specific instructions may differ depending
on your computer and the software used.
When MIDI “Echo” is enabled on the software/
computer, set the S08 Local Switch to “off.”
n When transmitting or receiving System Exclusive
data (such as with the Bulk Dump function, pages
36 and 49), use the setting example below, making
sure that MIDI “Echo” on the computer software is
set to “off.”
When MIDI “Echo” is disabled on the software/
computer, set the S08 Local Switch to “on.”
n Although not indicated in the illustration above,
the S08 actually receives and responds to MIDI
data from the computer application (sequencer),
regardless of the Local Sw setting on the S08.
* MIDI “Echo” is a function on sequencers that
takes any data received via the MIDI IN and
“echoes” it (or sends it as is) through the MIDI OUT.
In some software, this function is also called “MIDI
Thru.”
n Refer to the owner’s manual of your particular
software for specific instructions.
Connecting Controllers
The S08 has controller jacks on the rear panel,
including FOOT SWITCH and FOOT CONTROLLER.
You can connect optional controllers such as a
footswitch (the FC4 or FC5) and foot controller (the
FC7) to control tone, volume, pitch and other
parameters.
n Details about how to use these controllers are given on
page 37.
MIDI cable
S08
MIDI
OUT
MIDI
IN
MIDI IN MIDI OUT
Computer with
MIDI interface
NEC
PC-9821
AS
NEC MultiSync
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPART
PAG E
HostSelect
MIDI
13
MIDI interface
MIDI OUT
MIDI IN
MIDI IN MIDI OUT
Serial port
(modem or printer port)
or USB port
Computer
S08
UTILITY PAGE 13
MUSIC SYNTHESIZER
KEYELEMPART
PAG E
HostSelect
MIDI
13
Echo Back On
Local Off
Computer with
Application Software
Tone
Generator
Keyboard
S08 Local Sw=off
IN OUT
USB
OUT
IN
Echo Back On
Local Off
Computer with
Application Software
Tone
Generator
Keyboard
S08 Local Sw=on
OUT
IN
USB
DC IN
ON
FOOT
CONTROLLER
FOOT
SWITCH
STANDBY
PHONES
L/MONO
R
OUTPUT
FOOT SWITCH
FC4 or FC5
FOOT CONTROLLER
FC7
Rear panel
16
Basics Section Quick Guide Reference Appendix
Demo Playback
Demo Playback
The S08 features a variety of demo songs, showcasing its dynamic sound and sophisticated functions.
n Make sure the synthesizer is ready for playback. Details are given in the section “Before Use” on page 12.
1 Press the [MULTI] and [SEQ PLAY] buttons simultaneously to call up the Demo screen and automatically start
playback of the Demo song.
Demo Song Selection
While the Demo song is playing back, you can select the particular Demo song that you wish to hear.
Enter the desired Demo song category from the numeric keypad to call up the song.
For example, you can play the piano song by pressing button 7 (PIANO) in the numeric keypad. If you don’t select a
particular song, an ensemble (OTHER) song will play back automatically.
n When there are several Demo songs contained in one category, you can select from among the available songs by using the
[DEC/NO] and [INC/YES] buttons.
2 The [PLAY/STOP] button lets you pause playback and then start again from the same point in the song.
3 To stop Demo playback, press one of the following buttons: [VOICE], [MULTI], [SEQ PLAY] or [EXIT].
This exits from the Demo mode and automatically returns to the Multi mode, Voice mode, or the mode previously
selected.
n Demo song playback continues indefinitely until stopped.
Overview of the S08
The S08 has a wide variety of advanced and convenient features. This section gives you an overview of these
features. The following diagram shows the various component sections or “blocks” of the S08.
EXITENTER
KEYBOARD
—
0
1
2
3
4
56
7
89
PRESET
USER
GM2/XG
DRUM
MUTE
+—
COMMON
INC/YESDEC/NO
DEMO
UTILITY CONTROLLER CARD
EDIT
JOB
STORE
PLAY/STOP
COMPARE
VOICE
MULTI SEQ PLAY
GUITARORGANPIANO
CATEGORY
SEARCH
BASS STRINGS BRASS
REED/PIPE
SYN LEAD
SYN COMP
DRUM/PERC
SE
OTHER
CHROMATIC
PERCUSSION
SYN PAD
PART/ ELEMENT/ KEY
MODE
DATA
1
3
2
3
+
Select the
category
Controller
Sequencer
keyboard controllers
Effect
Tone Generator
Memory Card
S08
Data
Song
File
Load
Save
Variation
Reverb
Chorus
(Playback)
Demo Playback/Overview of the S08
17
Basics SectionQuick GuideReferenceAppendix
Overview of the S08
Controller
This block consists of the keyboard, Pitch Bend and Modulation wheels and so on (page 37). The keyboard itself
doesn’t generate sounds, but instead sends note, velocity and other information to the S08’s tone generator section
for the notes you play. The controllers also send non-note performance data. Information from the keyboard and
controllers can be transmitted to other external MIDI devices through the MIDI OUT connector.
Tone Generator
This block plays back sounds according to information received from the keyboard and controllers. The following
example illustrates the path taken by the signal from an Element in the Voice Mode.
About the Tone Generator (AWM2) & Waveform (Wave)
The tone generator of the S08 utilizes the sophisticated AWM2 system.
AWM2 (Advanced Wave Memory 2) is a synthesis system based on the use of sampled waveforms, and is used in
many Yamaha synthesizers. For extra realism, each AWM2 Voice uses multiple samples of a real instrument’s
waveform. Furthermore, a wide variety of envelope generator, filter, modulation, and other parameters can be
applied to the basic waveform.
n AWM2 is not just limited to conventional pitched instruments (Normal Voices), but also produces various drum and percussion
instruments (Drum Voices). For details about Normal and Drum Voices, see page 22.
Maximum Polyphony
The maximum polyphony of the S08 is 64 notes. However, the actual note polyphony will vary depending on the
number of Elements in the Voice. To calculate the actual polyphony, divide the total polyphony of 64 by the number
of Elements in the Voice. For instance, if a Voice consists of two Elements, the maximum note polyphony for the
Voice is 32.
Effects
The effects can be used to change or enhance the sound of a Multi or Voice.
These include the effects of the Reverb section (17 types) for adding ambient after-tones to the sound, the Chorus
section (17 types) that add animation and depth, and the Variation section (54 types) which features a wealth of
additional effects.
n For more details about the effects, see page 46.
Card Drive/Sequencer
The Card Drive block lets you save data or load data to/from the Memory Card (page 53).
The sequencer block can be used to play back Standard MIDI Files held on Memory Card (page 51).
Tone Generator
To Effects Units
AMP
(Amplitude)
FILTERPITCH
OSC
(Oscillator)
Outputs the waveform of each Element.
Each Voice consists of up to four Elements.
Changes the tonal quality of each
Element output from the PITCH section.
Controls the pitch of each Element
output from the OSC section.
Controls the output level (amplitude) of
each Element output from the FILTER
section. The signls are then sent at this
level to the Effects Unit.
18
Basics Section Quick Guide Reference Appendix
Parameter Table
Parameter Table
The numbers in each column indicate the display PAGE corresponding to the parameter at left (with the exception of the
column on the far right, which indicates the corresponding manual page). For example, you can see that the Reverb Send
parameter is found on three separate display pages: PAGE 22 of Multi Part Edit, PAGE 11 of Normal Voice Common Edit,
and PAGE 9 of Drum Voice Key Edit.
This table is helpful in locating the corresponding display pages in different modes. This is handy when you want to make
the same or similar settings to the same parameter in a different mode — for example, setting the Reverb Send in the Multi
mode to the same value as Reverb Send in the Voice mode. It’s also handy for cross-checking same parameters for
programming complex sound changes — such as setting the Voice’s Filter Cutoff to a certain value, then going to Cutoff in
the Multi mode and tweaking it further.
Since the owner’s manual page reference is also provided, you can quickly find the corresponding explanation by checking
the currently selected mode and PAGE number on the S08, and referring to this table.
GENERAL Name 1 1 1 58, 62, 63
Total Vol (Total Volume) 2 2 (2) 58, 63
Total Lvl (Level) 2 3 (1) 58, 59, 62
Transpose 363
Rcv Ch (MIDI Receive Channel) 63 64, 66
NoteShift/Detune 7 7 59, 64
Mono/Poly 3 8 58, 64
Part Mode 964
OrgKt (Original Kit) 2 62
EFFECT* RevEF (Reverb Effect Type) 463
(Reverb Parameters) 563
Rev Return (Reverb Return) 663
Reverb Pan 763
ChoEF (Chorus Effect Type) 863
(Chorus Parameters) 963
Cho Return (Chorus Return) 10 63
Chorus Pan 11 63
SndCho→Rev (Send Chorus to Reverb) 13 12 58, 63
VarEF (Variation Effect Type) 14 13 58, 63
(Variation Parameters) 15 14 59, 63
VarConnect (Variation Connection) 15 63
Var Return (Variation Return) 16 63
Var Pan 17 63
Snd Var→Rev (Send Variation to Reverb) 18 64
Snd Var→Cho (Send Variation to Chorus) 19 64
MW VarCtl (MW Variation Effect Control Depth) 16 20 59, 64
AC1VarCtl (AC1 Variation Effect Control Depth) 17 21 59, 64
ReverbSend 11 9 22 58, 62, 65
ChorusSend 12 10 23 59, 62, 65
Var Send (Variation Send) 24 65
V EfBypass (Voice Effect Bypass) 14 67
VOICE (Voice Selection) 164
MIX Volume (2) (3) (1) (2) 2 64
Pan 42 3 59, 62, 63
NtLmt-L/H (Note Limit Low/High) 5 4 59, 64
VelLmt-L/H (Velocity Limit Low/High) 6 5 59, 64
TONE VelSnsDpt/Ofs (Velocity Sensitivity Depth/Offset) 4 10 58, 64
Cutoff/Resonance 13 7 11 60, 62, 64
Attack/Decay/Release Tm (Attack/Decay/Release Time) 12 64
PEG L/Tm (PEG Level/Time) 13 65
Vib Rate/Depth/Delay (Vibrato Rate/Depth/Delay) 14 65
CONTROLLER* Porta Sw/Time (Portamento Switch/Time) 5 15 58, 65
PB Range (Pitch Bend Range) 6 16 58, 65
MW FltCtl (MW Filter Control) 7 17 58, 65
MW PMod (MW LFO Pitch Modulation Depth) 8 18 58, 65
MW FMod (MW LFO Filter Modulation Depth) 8 18 58, 65
MW AMod (MW LFO Amplitude Modulation Depth) 8 18 58, 65
AC1 CC No (AC1 Control Number) 19 8 65, 67
AC1FltCtl (AC1 Filter Control) 9 20 58, 65
AC1 FMod (AC1 LFO Filter Modulation Depth) 10 21 58, 65
AC1 AMod (AC1 LFO Amplitude Modulation Depth) 10 21 58, 65
Voice Edit Multi Edit
UTILITY
CONTROLLER
Owner's
Parameter Type LCD Display (parameter name) Common Element/Key Manual
Normal Drum Normal Drum
Common
Part
Page
19
Basics SectionQuick GuideReferenceAppendix
Parameter Table
n For parameters in different modes having the same name, the available parameter values and settings for that parameter may
differ depending on the mode.
n For details on parameters for the Reverb, Chorus and Variation effects, refer to the separate Data List.
n For information on the SEQ PLAY, CARD and JOB PAGES, refer to the Function List (page 58).
* In the Multi mode, the Voice Common Effect/Controller settings are ignored, and the Multi settings become effective. The Variation
Effect/Controller settings of the Voice mode can be copied to the Multi mode by using the Multi Job function (page 49).
OSC/MIX (Oscillator/Mixer) Element Sw (Element Switch) 1 59
(Wave Number) 2 59
Level (2) (3) 3 1 (2) (2) 59, 62
Alt.Group (Alternate Group) 3 62
Key Assign 4 62
RxNoteOff/On (Receive Note On/Off) 5 62
PITCH NoteShift/Detune 7 7 59, 64
PchSclSns (Pitch Scaling Sensitivity) 8 59
PchSclCN (Pitch Scaling Center Note) 8 59
PEG R (PEG Rate) 9 59
PEG L (PEG Level) 10 59
PEGSclSns (PEG Scaling Sensitivity) 11 60
PEGSclCN (PEG Scaling Center Note) 11 60
PEGRtVel (PEG Rate Velocity) 12 60
PEGLvlVel (PEG Level Velocity) 12 60
PitchCors/Fine (Pitch Coarse/Fine) 6 62
FILTER Cutoff/Resonance 13 7 11 60, 62, 64
CutoffVel (Cutoff Velocity Sensitivity) 14 60
ResoVel (Resonance Velocity Sensitivity) 14 60
FltSclFlag (Filter Scaling Flag) 15 60
Flt BP1~4 (Filter Scaling Break Point 1~4) 16 60
Flt Ofs1~4 (Filter Scaling Offset 1~4) 17 60
FltSclSns (Filter Scaling Sensitivity) 18 60
FltVelCrv (Filter Scaling Velocity Sensitivity) 18 60
FEG R (FEG Rate) 19 60
FEG L (FEG Level) 20 60
FEGSclSens (FEG Scaling Sensitivity) 21 60
FEGAtkVel (FEG Attack Velocity) 22 60
FEGOthVel (FEG Other Velocity) 22 60
AMP (Amplitude) AEG R (AEG Rate) 23 61
AEG L (AEG Level) 24 61
AEGSclSens (AEG Scaling Sensitivity) 25 61
AEGLvlVel (AEG Level Velocity Sensitivity) 26 61
AEGAtkVel (AEG Attack Velocity Sensitivity) 26 61
LvlSclFlag (AEG Level Scaling Flag) 27 61
Lvl BP1~4 (Level Break Point 1~4) 28 61
Lvl Ofs1~4 (Level Offset 1~4) 29 61
LvlSclSens (Level Scaling Sensitivity) 30 61
KeyonDelay 31 61
EG Attack/Decay1/Decay2(EG Attack/Decay1/Decay2 Rate)
862
LFO (Low Frequency Oscillator) LFO Wave 32 61
LFO Phase (LFO Phase Initialize) 32 61
LFO Speed 33 61
LFO PMod (LFO Pitch Modulation Depth) 34 61
LFO FMod (LFO Filter Modulation Depth) 34 61
LFO AMod (LFO Amplitude Modulation Depth) 34 61
PLFODelay (Pitch LFO Delay) 35 61
PLFO Fade (Pitch LFO Fade Time) 35 61
TG (Tone Generator) MasterTune 166
MIDI CHANNEL Device No (Device Number) 266
Rcv Ch (Voice Mode MIDI Receive Channel) (6) 3 66
Trans Ch (MIDI Transmit Channel) 466
MIDI FILTER Thru Port 566
RxPgmChng (Receive Program Change On/Off) 666
RxBankSel (Receive Bank Select On/Off) 766
TxPgmChng (Transmit Program Change On/Off) 866
TxBankSel (Transmit Bank Select On/Off) 966
SEQ SETUP Sync 10 66
Seq Ctl (Sequencer Control) 11 66
MIDI SETUP Local Sw (Local Switch) 12 67
HostSelect 13 67
CTRL ASSIGN MWTxCtlNo (MW Transmit Control Number) 167
(CONTROLLER ASSIGN) FCTxCtlNo (Foot Controller Transmit Control Number) 267
FSTxCtlNo (Footswitch Transmit Control Number) 367
KEYBOARD Kbd Trans (Keyboard Transpose) 467
VELOCITY Vel Curve (Velocity Curve) 567
Fixed Vel (Fixed Velocity) 667
CTRL SETUP Ctl Reset (Controller Reset) 767
(CONTROLLER SETUP) AC1 CC No (AC1 Control Number) 19 8 65, 67
Voice Edit Multi Edit
UTILITY
CONTROLLER
Owner's
Parameter Type LCD Display (parameter name) Common Element/Key Manual
Normal Drum Normal Drum
Common
Part
Page
20
Basics Section Quick Guide Reference Appendix
Voices & Multis
Voices & Multis
Memory Structure
A Voice is a single instrument sound, created by using the Elements and setting various parameters. In the Voice
Play mode, you can select and play any of these Voices. In the Multi Play mode, you assign a different Voice to each
part and use a sequencer to play several Voices simultaneously.
Voices are stored in the internal memory (PRESET, USER, GM2/XG).
Multis are stored in the internal memory (USER).
* Drum Voices XG121~128 are not of the GM2/XG set, but are original drum kits specifically programmed for the S08.
n A total of 493 (GM2/XG) and 128 (Preset) Normal Voices plus 29 Drum Voices are available as presets. You can create and store
your own original Voices; the S08 has User memory space for 128 User Normal Voices and two User Drum Voices.
PR001~128
US001~128
PRESET
128 Preset Voice
USER
128 User Voice
2 User
Drum Voice
29 Drum Voice *
Controllers
Controllers
Song Playback
Sequencer
Tone Generator
Voice
Tone Generator
Multi
Playing a Voice
Playing a Multi
32 User Multi (MLT01
~
MLT32)
Multi Play Mode
Voice Play Mode
493
Normal Voice
GM2/XG
1
PR
001
2
PR
002
3
PR
003
4
XG
001
5
XG
002
6
XG
003
7
US
001
8
US
002
16
PR
016
Part
Voice
USDR
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Diğer dillerde
- español: Yamaha S08 El manual del propietario
- français: Yamaha S08 Le manuel du propriétaire
- italiano: Yamaha S08 Manuale del proprietario
- svenska: Yamaha S08 Bruksanvisning
- čeština: Yamaha S08 Návod k obsluze
- polski: Yamaha S08 Instrukcja obsługi
- Deutsch: Yamaha S08 Bedienungsanleitung
- português: Yamaha S08 Manual do proprietário
- English: Yamaha S08 Owner's manual
- dansk: Yamaha S08 Brugervejledning
- русский: Yamaha S08 Инструкция по применению
- suomi: Yamaha S08 Omistajan opas
- Nederlands: Yamaha S08 de handleiding
- română: Yamaha S08 Manualul proprietarului