Yamaha CLP-920 Kullanım kılavuzu

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Model: CLP-920

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Clavinova CLP-920

IMPORTANT

Check your power supply

Make sure that your local AC

mains voltage matches the volt-

age specified on the name plate

on the bottom panel. In some ar-

eas a voltage selector may be

provided on the bottom panel of

the main keyboard unit near the

power cord. Make sure that the

voltage selector is set for the volt-

age in your area. The voltage se-

lector is set at 240V when the unit

is initially shipped. To change the

setting use a “minus” screwdriver

to rotate the selector dial so that

the correct voltage appears next

to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung

Vergewissern Sie sich vor dem An-

schließen an das Stromnetz, daß die

örtliche Netzspannung den

Betriebsspannungswerten auf dem

Typenschild an der Unterseite des In-

struments entspricht. In bestimmten

Verkaufsgebieten ist das Instrument

mit einem Spannungswähler an der

Unterseite neben der Netzkabel-

durchführung ausgestattet. Falls vor-

handen, muß der Spannungswähler

auf die örtliche Netzspannung einge-

stellt werden. Der Spannungswähler

wurde werkseitig auf 240 V voreinge-

stellt. Zum Verstellen drehen Sie den

Spannungsregler mit einem Schlitz-

schraubendreher, bis der Zeiger auf

den korrekten Spannungswert weist.

IMPORTANT

Contrôler la source d’alimentation

Vérifiez que la tension spécifiée sur

le panneau arrière correspond à la

tension du secteur. Dans certaines

régions, l’instrument peut être

équipé d’un sélecteur de tension si-

tué sur le panneau inférieur du cla-

vier à proximité du cordon d’alimen-

tation. Vérifiez que ce sélecteur est

bien réglé en fonction de la tension

secteur de votre région. Le sélec-

teur de tension est réglé sur 240 V

au départ d’usine. Pour modifier ce

réglage, utilisez un tournevis à lame

plate pour tourner le sélecteur afin

de mettre l’indication correspondant

à la tension de votre région vis à vis

du repère triangulaire situé sur le

panneau.

IMPORTANTE

Verifique la alimentación de

corriente

Asegúrese de que tensión de ali-

mentación de CA de su área co-

rresponde con la tensión especifi-

cada en la placa de característi-

cas del panel inferior de la unidad

del teclado principal, cerca del

cable de alimentación. Asegúrese

de que el selector de tensión esté

ajustado a la tensión de su área.

El selector de tensión se ajusta a

240V cuando la unidad sale de

fábrica. Para cambiar el ajuste,

emplee un destornillador de cabe-

za “recta” para girar el selector de

modo que aparezca la tensión

correcta al lado del indicador del

panel.

ENGLISHDEUTSCHFRANÇAISESPAÑOL

92-469 1

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

SPECIAL MESSAGE SECTION

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

CLP-920

• Take care that the key cover does not pinch your fingers, and do not insert a

finger or hand in the key cover gap.

• Never insert or drop paper or metallic or other objects between the slits of

the key cover and the keyboard. If this happens, immediately turn off the

power and remove the electric plug from the outlet and have the instrument

inspected by qualified Yamaha service personnel.

• Do not place the instrument against a wall (allow at least 3 cm/one-inch

from the wall), since this can cause inadequate air circulation, and possibly

result in the instrument overheating.

• Read carefully the attached documentation explaining the assembly pro-

cess. Failure to assemble the instrument in the proper sequence might re-

sult in damage to the instrument or even injury.

• Do not operate the instrument for a long period of time at a high or uncom-

fortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

■USING THE BENCH (if included)

• Do not play carelessly with or stand on the bench. Using it as a tool or step-

ladder or for any other purpose might result in accident or injury.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• If the bench screws become loose due to extensive long-term use, tighten

them periodically using the included tool.

Yamaha cannot be held responsible for damage caused by improper use or modi-

fications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts.

If it should appear to be malfunctioning, discontinue use immediately and

have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the electric plug from the outlet, and have the instrument

inspected by qualified Yamaha service personnel.

• Only use the voltage specified as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy

objects on it, or place it in a position where anyone could walk on, trip over,

or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord. Pulling by the cord can damage it.

• Do not connect the instrument to an electrical outlet using a multiple-con-

nector. Doing so can result in lower sound quality, or possibly cause over-

heating in the outlet.

• Remove the electric plug from the outlet when the instrument is not to be

used for extended periods of time, or during electrical storms.

• Before connecting the instrument to other electronic components, turn off

the power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening

level.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during the

day) to prevent the possibility of panel disfiguration or damage to the inter-

nal components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Do not place the instrument in an unstable position where it might acciden-

tally fall over.

• Before moving the instrument, remove all connected cables.

• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not

use paint thinners, solvents, cleaning fluids, or chemical-impregnated wip-

ing cloths. Also, do not place vinyl, plastic or rubber objects on the instru-

ment, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

(1)B-6

CLP-920

Contents

The Control Panel......................................................... 5

Key Cover & Music Stand............................................ 6

●

Key Cover .............................................................. 6

●

Music Stand........................................................... 6

Connections .................................................................. 7

Selecting & Playing Voices .......................................... 8

Playing the Demonstration Tunes ............................... 9

The Dual Mode ............................................................. 9

Reverb ........................................................................ 10

The Pedals .................................................................. 10

●

Damper (Right) Pedal .......................................... 10

●

Soft (Left) Pedal................................................... 10

Transposition .............................................................. 11

Tuning.......................................................................... 12

●

Tuning Up ............................................................ 12

●

Tuning Down ........................................................ 12

●

To Restore Standard Pitch................................... 12

Introduction

Thank you for choosing a Yamaha CLP-920 Clavinova. Your Clavinova is a fine musical instrument that

employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many

years of musical pleasure.

● The Clavinova CLP-920 digital piano offers unmatched

sonic realism and natural grand-piano type playability

with Yamaha’s original “AWM Stereo Sampling” tone

generation technology for rich, musical voices, and a

special “Graded Hammer” keyboard which provides

graded key weight and response throughout the key-

board range. The grand piano voice features totally new

samples painstakingly recorded from a full concert

grand piano.

● Dual mode allows 2 voices to be played simultaneously.

● The digital reverb effect adds extra depth and

expressiveness to the Clavinova’s sound.

● With MIDI compatibility and a range of MIDI

functions, the Clavinova can easily be incorpo-

rated into advanced MIDI systems.

● Built-in computer interface for direct connection to

personal computers running advanced music

software. The music stand can be removed to

allow placement of a laptop-type personal com-

puter or other equipment on top of the instrument.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Included Accessories

● Owner’s Manual

● Bench

(included or optional depending on locale)

MIDI Functions ........................................................... 13

●

A Brief Introduction to MIDI ................................. 13

●

MIDI Transmit & Receive Channel Selection ....... 13

●

Local Control ON/OFF......................................... 14

Connecting to a Personal Computer.......................... 15

●

Connecting to an Apple Macintosh Series Computer..

●

Connecting to an IBM-PC/AT Series Computer .. 16

●

Using a USB Interface (such as the Yamaha UX256)

.. 17

Troubleshooting.......................................................... 18

Options & Expander Modules ................................... 18

MIDI Data Format....................................................... 19

MIDI Implementation Chart ...................................... 21

Keyboard Stand Assembly ....................................... 22

Voice Descriptions .................................................... 28

Demo Song List ......................................................... 28

Specifications ............................................................ 29

■ Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

• Windows is the registered trademark of Microsoft® Corporation.

All other trademarks are the property of their respective holders.

“The Clavinova-Computer Connection” is a supplementary guidebook that

describes, for beginners, what you can do with your Clavinova and a

personal computer and how to set up a Clavinova-Computer system (the

manual is not written for any specific models). The document is available as

a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-920

The Control Panel

Soft pedal

1 [POWER] Switch

Press the [POWER] switch once to turn the power

ON, a second time to turn the power OFF. When the

power is turned ON, the POWER indicator (located to

the left of the keyboard) will light.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the

volume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER VOL-

UME] control also adjusts headphone volume when a

pair of headphones is plugged into the PHONES jack

(page 8).

3 [DEMO] Button

Activates the demo playback mode in which you

can select playback of different demonstration se-

quences for each of the Clavinova’s voices. See page

9 for details.

4 Voice Selectors

Simply press any of the voice selectors to select

the corresponding voice. The voice selector LED will

light to indicate which voice is currently selected.

There is also a dual mode in which two voices can

be played simultaneously across the full range of the

keyboard (see page 9 for details).

Damper pedal

PHONES jacks on bottom panel (see page 7)

5 [REVERB] Button

The [REVERB] effect switches the Clavinova’s

reverb effect on and off — see page 10 for details.

6 Pedals

The CLP-920’s soft (left) and damper (right)

pedals provide a range of expressive control capabili-

ties similar to the pedal functions on an acoustic

piano. See page 10 for details.

POWER

B0A0G0F0E0D0C0B-1A-1

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6

D6 E6 F6 G6 A6 B6 C7

MIN

MAX

MASTER VOLUME DEMO

REVERB

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-

920

MIN

MAX

MASTER VOLUME DEMO

REVERB

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

3245

CLP-920

Key Cover & Music Stand

To open the key cover:

ZLift the cover slightly.

XSlide the cover open.

CAUTION

• Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be

careful to avoid catching fingers (yours or others) between the cover and main unit.

• Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main

unit when the cover is opened and may not be able to be removed. This could cause electric shock, short

circuit, fire or other serious damage to the instrument.

To close the key cover:

ZSlide the cover toward you.

XGently lower the cover over the keys.

Be careful to avoid catching your

fingers when opening or closing

the cover.

The Clavinova is supplied with a music stand that can be attached to

the instrument by inserting it into the holes at the top of panel.

NOTE

• The music stand can be removed to allow placement of a laptop-type

personal computer or other equipment on top of the instrument.

Key Cover

Music Stand

CLP-920

TO HOST HOST SELECT

PC-1 PC-2

Mac

MIDI

PEDAL

AUX IN

L+R

AUX OUT

L+R

MIDI

INOUTTHRU

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Bottom Panel

Connections

1 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for connection

to an instrument amplifier, mixing console, PA system, or recording equipment. If you will

be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When

a plug is inserted into the L/L+R jack only, the left- and right-channel signals are com-

bined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

CAUTION

• When the Clavinova’s AUX OUT jacks are connected to an external sound system, first turn

the Clavinova power on, and then the power to the external amplifier/speaker system. Reverse

this order when turning the power off.

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or

through external equipment.

• The AUX OUT jack signal is not controlled by the Clavinova’s volume control. Use the

volume control on the external audio equipment to adjust the level.

2 AUX IN L/L+R and R Jacks

These jacks are intended for use with an external tone generator module such as the

Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from the external tone

generator module are connected to the AUX IN L/L+R and R jacks, allowing the sound

of the tone generator to be reproduced via the Clavinova’s internal sound system and

speakers. A line-level mono source can be connected to the L/L+R jack.

CAUTION

• When the Clavinova’s AUX IN jacks are connected to an external source, first turn the power

to the external device on, and then the power to the Clavinova. Reverse this order when

turning the power off.

• The input signal from the AUX IN jacks is controlled by the Clavinova’s volume control.

Reverb function will have no affect.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

3 TO HOST Connector & HOST SELECT Switch

This jack and selector switch allow direct connection to a personal computer

for sequencing and other music applications — without the need for a separate

MIDI interface. See page 15 for details.

4 MIDI IN, THRU and OUT Connectors

The MIDI IN connector receives MIDI data from an external MIDI device

(such as the DOU-10 Disk Orchestra Unit) which can be used to control the

Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI

IN connector, allowing “chaining” of several MIDI instruments or other devices.

The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g.

note and velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given in “MIDI Functions” on page 13.

5 PEDAL Jack

This terminal is for connecting the pedal cord from the pedal box (refer to the

“Keyboard Stand Assembly” on pages 26-27).

● PHONES Jacks

(Bottom Panel)

Two sets of standard stereo headphones can be plugged in here for private

practice or late-night playing. The internal speaker system is automatically shut off

when a pair of headphones is plugged into either of the PHONES jacks.

Tone Generator

AUX OUT

L+R

MIDI

INOUTTHRU

DOU-10

Personal Computer

Stereo System

AUX IN

L+R

DOU-10

345

• Before connecting the Clavinova to other electronic components, turn off the power for all compo-

nents. Before turning the power on or off for all components, set all-volume levels to minimum.

CAUTION

CLP-920

Turn Power On...................................................................................................

After making sure that the Clavinova’s AC cord is properly plugged

into the Clavinova itself and plugged into a convenient AC wall outlet,

press the [POWER] switch located to the right of the keyboard to turn

the power ON. In some areas a plug adaptor may be provided to match

the pin configuration of the AC wall outlets in your area.

When the power is turned ON, the POWER indicator located to the

left of the keyboard will light.

Set the Volume ..................................................................................................

Initially set the [MASTER VOLUME] control about half way

between the “MIN” and “MAX” settings. Then, when you start playing,

re-adjust the [MASTER VOLUME] control for the most comfortable

listening level.

Select a Voice .....................................................................................................

Select the desired voice by pressing one of the voice selectors.

NOTE

• See “Voice Descriptions” on page 28.

POWER

Play................................................................................................................................

The Clavinova also offers keyboard touch response, so the volume

and timbre of notes played can be controlled according to how “hard”

you play the keys. The amount of variation available depends on the

selected voice.

NOTE

• The CHURCH ORGAN voice has no keyboard touch response.

Selecting & Playing Voices

MIN MAX

MASTER VOLUME

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-920

The CLP-920 includes four demo tunes that demonstrate its sound capabili-

ties. Here is how you can select and play the demo tunes:

NOTE

• No MIDI reception occurs in the demo song mode.

• The demo song data is not transmitted via the MIDI connectors.

* See page 28 for a complete listing of the demo tunes.

Playing the Demonstration Tunes

Engage the Demo Mode .........................................................................

Play a Voice Demo.........................................................................................

Press one of the voice selectors to start playback of all songs starting

from the corresponding voice demo tune — featuring the voice nor-

mally selected by that voice selector button. The indicator of the se-

lected voice selector button will flash during playback. You can start

playback of any other voice demo tune during playback by simply

pressing the corresponding voice selector. You can stop playback at any

time by pressing the voice selector of the currently playing demo.

NOTE

• Use the [MASTER VOLUME] control to adjust the volume.

Press the [DEMO] button to engage the demo mode — the voice

selector indicators will flash in sequence.

Exit From the Demo Mode....................................................................

Press the [DEMO] button to exit from the demo mode and return to

the normal play mode.

The Dual Mode

The dual mode makes it possible to play two voices simultaneously across

the entire range of the keyboard.

To activate the dual mode simply press two voice selectors at the

same time (or press one voice selector while holding another). The

voice indicators of both selected voices will light when the dual mode is

active. To return to the normal single-voice play mode, press any single

voice selector.

NOTE

• The reverb effect (page 10) will be on for both voices if it has been

individually turned on for either voice.

DEMO

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

DEMO

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-920

The Pedals

Soft (Left) Pedal ...............................................................................................

The soft pedal reduces the volume and slightly changes the timbre of

notes played while the pedal is pressed. The soft pedal will not affect

notes which are already playing when it is pressed.

Damper (Right) Pedal ................................................................................

The damper pedal functions in the same way as a damper pedal on

an acoustic piano. When the damper pedal is pressed notes played have

a long sustain. Releasing the pedal immediately stops (damps) any

sustained notes.

NOTE

• If the damper pedal doesn’t work, or notes are sustained even when the

pedal is not pressed, make sure that the pedal cord is properly plugged

into the main unit (page 26).

The CLP-920 has two foot pedals that produce a range of expressive effects

similar to those produced by the pedals on an acoustic piano.

Soft pedal

Damper pedal

Reverb

Press the [REVERB] button to turn the reverb effect on (the indica-

tor will light). When the reverb effect is on, pressing the [REVERB]

button turns the reverb effect off (the indicator will go out).

NOTE

• The reverb on/off settings are individually memorized for each voice

(reverb is initially ON for all voices by default).

The reverb effect, turned on and off by the [REVERB] button, can be used to

add extra ambience and depth to the Clavinova sound.

REVERB

CLP-920

Transposition

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress any key between F#2 and F#3 according to the desired

amount of transposition.*

CRelease the A-1 and C#0 keys.

The A-1 and C#0 keys plus keys F#2 through F#3 on the keyboard are used for transposition.

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of

the entire keyboard up or down in semitone intervals up to a maximum of six

semitones. “Transposing” the pitch of the Clavinova keyboard facilitates playing

in difficult key signatures, and you can easily match the pitch of the keyboard to

the range of a singer or other instrumentalist.

* Pressing the C3 key produces normal keyboard pitch. Pressing the

key to the left of C3 (=B2) transposes the pitch of the keyboard

down a semitone, the next key to the left (=Bb2) transposes down a

whole tone (two semitones), etc., down to the F#2 key which

transposes down 6 semitones. Upward transposition is accom-

plished in the same way using the keys to the right of C3, up to F#3

which transposes up 6 semitones.

NOTE

• Notes below and above the A-1 — C7 of the Clavinova sound one

octave higher and lower, respectively.

-1

Normal

pitch.

Transpose

down.

Transpose

up.

-5 -3 -1 0 +2 +4 +5

-6 -4 -2 +1

+3 +6

CLP-920

Tuning

Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz

… 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2

Hertz intervals. Pitch control is useful for tuning the Clavinova to match other

instruments or recorded music.

Tuning Up ...............................................................................................................

Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

X Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 0.2 Hz.

C Release the A-1 and B-1 keys.

Tuning Down .......................................................................................................

Z To tune down (lower pitch), hold the A-1 and A#-1 keys simulta-

neously.

X Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 0.2 Hz.

C Release the A-1 and A#-1 keys.

To Restore Standard Pitch*.................................................................

Z To restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1 and

B-1 keys simultaneously.

X Press any key between C3 and B3.

(Pressing once will restore the keyboard to standard pitch, regard-

less of the amount of pitch adjustment.)

C Release the A-1, A#-1 and B-1 keys.

* Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is

initially turned ON.

-1

CLP-920

MIDI Transmit & Receive Channel Selection ...................................................................................................

Tone Generator

MIDI IN

MIDI IN MIDI THRU

DOU-10

MIDI OUT

Clavinova

(Set to receive on MIDI

channel 2)

(Set to receive on MIDI channel 1)

MIDI Functions

● A Brief Introduction to MIDI

DOU-10

MIDI Cable

MIDI INMIDI OUT

Clavinova

DOU-10

Clavinova

Data Being Recorded

Playback Data

MIDI IN MIDI INMIDI OUTMIDI OUT

MIDI, the Musical Instrument Digital Interface, is a world-

standard communication interface that allows MIDI-compatible

musical instruments, computers, and other equipment to share

musical information and control one another. This makes it

possible to create “systems” of MIDI instruments, computers, and

other equipment that offer far greater versatility and control than is

available with isolated instruments. For example, most MIDI

keyboards (including the Clavinova, of course) transmit note and

velocity (touch response) information via the MIDI OUT connec-

tor whenever a note is played on the keyboard. If the MIDI OUT

connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a

synthesizer with no keyboard), the second keyboard or tone

generator will respond precisely to notes played on the original

transmitting keyboard. The result is that you can effectively play

two instruments at once, providing thick multi-instrument sounds.

This same type of musical information transfer is used for

MIDI sequence recording. A sequence recorder can be used to

“record” MIDI data received from a Clavinova, for example. When

the recorded data is played back, the Clavinova automatically

“plays” the recorded performance in precise detail.

The examples given above really only scratch the surface.

MIDI can do much, much more. The CLP-920 offers a number of

MIDI functions that allows it to be used in fairly sophisticated

MIDI systems.

The MIDI system allows transmission and reception of MIDI data

on 16 different channels. Multiple channels have been implemented to

allow selective control of certain instruments or devices connected in

series. For example, a single MIDI sequence recorder could be used to

“play” two different instruments or tone generators. One of the

instruments or tone generators could be set to receive only on channel

1, while the other is set to receive on channel 2. In this situation the

first instrument or tone generator will respond only to channel-1

information transmitted by the sequence recorder, while the second

instrument or tone generator will respond only to channel-2 informa-

tion. This allows the sequence recorder to “play” two completely

different parts on the receiving instruments or tone generators.

In any MIDI control setup, the MIDI channels of the transmitting

and receiving equipment must be matched for proper data transfer. A

“Multi-timbre” receive mode is also available, which allows simulta-

neous reception of different parts on all 16 MIDI channels, allowing

the Clavinova to play multi-channel song data received from a music

computer or sequencer. To select the multi-timbre receive mode, set the

receive channel to “ALL”.

NOTE

• The bottom-panel HOST SELECT switch must be set to “MIDI” in order to use the MIDI connectors. When

you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of

computer you are using (see page 15). In this situation, all MIDI settings described below will have affect on

the MIDI signal in and out of the TO HOST connector.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables

longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

CLP-920

-1

1356810121315 1356810121315

2 4 7 9 11 14 16 2 4 7 9 11 14 16

● Setting the Clavinova MIDI Channels

For setting the transmit

channel. (C1 ~ D#2)

For setting the receive

channel. (C4 ~ D#5)

For ALL mode

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress the key on the keyboard corresponding to the desired MIDI transmit or receive

channel.*

CRelease the A-1 and C#0 keys.

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit channel. The E2

key turns transmission “OFF” if you don’t want the Clavinova to transmit MIDI data. Keys

C4 through D#5 are used to set the MIDI receive channel as shown in the illustration

below. The E5 key sets the receive mode to “ALL”.

NOTE

• When the power is initially turned ON, MIDI receive is set to the ALL mode and

the transmit channel is set to 1.

• In the dual mode the left-button voice will be transmitted on the specified transmit

channel number while the right-button voice will be transmitted on the next

channel number (i.e. the specified transmit channel number + 1). Neither voice

will be transmitted when the transmit channel is set to “OFF.”

• Demo song data is not transmitted via MIDI.

• No MIDI reception occurs when the demo song mode is engaged.

• Program change and other like channel messages received will not affect the

Clavinova’s panel settings or what is being played on the keyboard.

MIDI Functions

Local Control ON/OFF .............................................................................................................................................................

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its

internal tone generator, allowing the internal voices to be played directly from the keyboard.

This situation is “Local Control ON” since the internal tone generator is controlled locally by

its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play

the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT

connector when notes are played on the keyboard. At the same time, the internal tone generator

responds to MIDI information received via the MIDI IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local

Control should be turned OFF when recording using the DOU-10 voices only, and ON when

recording the Clavinova voices while listening to playback of the DOU-10 voices.

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress the C6 key to switch the Local Control between OFF and ON.

CRelease the A-1 and C#0 keys.

NOTE

• When the power is initially turned ON, Local Control is set to “ON”.

OFF

-1

DOU-10

MIDI OUT

MIDI

Clavinova

CLP-920

Connecting to a Personal Computer

Although the Clavinova can be connected to a personal computer via the

MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and

HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT

personal computers for sequencing and other music applications without the

need for a separate MIDI interface.

Connect the TO HOST connector of the Clavinova to the modem or

printer port on your Macintosh, depending on which port your MIDI

software is using for MIDI data communication, using a standard

Macintosh 8-pin system peripheral cable. Set the HOST SELECT

switch to the “Mac” position.

You may also have to make other MIDI interface settings on the

computer side, depending on the type of software you use (refer to your

software owner’s manual). In any case the clock speed should be set to

1 MHz.

Connecting to an Apple Macintosh Series

Computer

................................................................................................................

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Apple Macintosh

Series Computer

Set to the “Mac” position.

● “Mac” Cable Connections

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

NOTE

• When connecting the Clavinova to a personal computer, first turn the power to both the Clavinova and the computer

OFF before connecting the cable and setting the HOST SELECT switch. After connecting the cable and making the

appropriate HOST SELECT switch setting, turn the power to the computer on first, then turn on the Clavinova.

• When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST]

terminal. If the cable is left connected, the Clavinova may not function properly.

• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors.

To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

“The Clavinova-Computer Connection” is a supplementary guidebook that describes, for

beginners, what you can do with your Clavinova and a personal computer and how to set up a

Clavinova-Computer system (the manual is not written for any specific models). The document

is available as a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-920

Connecting to an IBM-PC/AT Series Computer ............

Connect the TO HOST connector of the Clavinova to the RS-232C port

on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB

cross cable. Set the HOST SELECT switch to the “PC-2” position.

Refer to your software owner’s manual for information on any

settings you might have to make on the computer side.

Connecting to a Personal Computer

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

IBM-PC/AT

Series Computer

Set to the “PC-2” position.

● “PC-2” Cable Connections

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

• 8-pin mini DIN

→

9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

● Connector Pin Numbers

678

MINI DIN 8-PIN

D-SUB 9-PIN

NOTE

• If your system doesn’t work properly with the connections and settings listed above, your software may require

different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the

HOST SELECT switch to “PC-1”.

• When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must

be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the

World Wide Web, <http://www.yamaha.co.jp/english/xg/>.

CLP-920

Connecting to a Personal Computer

Using a USB Interface (such as the Yamaha UX256)

Connect the USB interface (Yamaha UX256 or equivalent) to your

computer using a USB cable. Install the driver software supplied with

the interface (or other appropriate driver software) on your computer

according to the supplied instructions. Connect your instrument to the

USB interface using either a standard Macintosh 8-pin system periph-

eral cable or MIDI cables. Refer to the manual supplied with your USB

interface for details.

Computer

USB cable

UX256 or equivalent

Clavinova

MIDI cables

MIDI

INOUT

HOST SELECT

MIDI

● Connecting the USB Interface and Instrument via a Serial Cable

● Connecting the USB Interface and Instrument via MIDI Cables

Computer

USB cable

UX256 or equivalent

Mini-DIN 8-pin

Clavinova

HOST SELECT

PC-1

HOST SELECT

Mac

Standard Macintosh 8-pin system peripheral cable

CLP-920

Troubleshooting

If you encounter what appears to be a malfunction, please check the follow-

ing points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection

carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

Also make sure that a pair of headphones is not plugged into the PHONES jack, and the Local Control

(page 14) is ON.

2. The Damper Pedal Doesn’t Work

If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure

that the pedal cord is properly plugged into the main unit (page 26).

3. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is

fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to

move the Clavinova further away from the affected equipment, or vice versa.

6. Noise is heard from the speakers or headphones.

The noise may be due to interference caused by the use of a mobile phone in close proximity to the

Clavinova.

Turn off the mobile phone, or use it further away from the Clavinova.

7. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted,

reduce the volume of the external equipment to a level at which the distortion ceases.

Options & Expander Modules

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● Expander Modules

DOU-10 Disk Orchestra Unit

A range of MIDI recording and playback functions, plus Yamaha DOC software, Disklavier

PianoSoft™, and General MIDI/Standard MIDI File disk playback capability.

CLP-920

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the specified

channel. Any notes being held by the damper pedal will continue to

sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When a voice bank MSB/LSB is received, the number is stored in

the internal buffer regardless of the received order, then the stored

value is used to select the appropriate voice when a program

change message is received.

• The Multi-timbre and Poly modes are always active. No change

occurs when OMNI ON, OMNI OFF, MONO, or POLY mode mes-

sages are received.

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

Program change number

Vioce Bank MSB Bank LSB

Program Change Number

GRAND PIANO 0 112 0

E.PIANO 0 112 5

CHURCH ORGAN 0 112 19

STRINGS 0 112 48

5. SYSTEM REALTIME MESSAGES

Active sensing

[FEH]

• Transmitted every 200 milliseconds.

• If a signal is not received via MIDI for more than 400 milliseconds,

the same processing will take place for All Sound Off, All Notes Off

and Reset All Controllers as when those signals are received.

• Caution: If an error occurs during MIDI reception, the Damper and Soft

effects for all channels are turned off and an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[ll H] -> [mmH] -> [F7H]

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos propor-

cionados en esta sección le ayudarán a controlar la Clavinova.

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer-

generated MIDI messages, the data provided in this section

can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Compu-

ter zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

Clavinovas nach den im folgenden Abschnitt aufgeführten

Spezifikationen richten.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 0FH ~ 72H = Eb-1 ~ F#7 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the selected

voice, the note is adjusted by the necessary number of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of next Pro-

gram Change message.

(2) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(3) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(4) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(5) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Reverb Depth

ccH Parameter Data Range (vvH)

5BH Reverb Depth 00H...7FH

Adjusts the reverb send level.

3 MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note On and

Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H

Reset All Controllers

00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

MIDI Data Format/MIDI-Datenformat/

Format des données MIDI/Formato de datos MIDI

CLP-920

MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel master

volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When received, n=0~F. X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM 0n)

General MIDI Mode On

Data format:

[F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F. X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the MIDI

system will be reset to its default settings.

This message requires approximately 50ms to execute, so sufficient

time should be allowed before the next message is sent.

7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [ll H] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F. When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH = Address Mid

ll H = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size.

When the XG System On message is received, the MIDI system will

be reset to its default settings.

The message requires approximately 50ms to execute, so sufficient

time should be allowed before the next message is sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->

[ddH] ->...-> [ccH] -> [F7H]

F0H Exclusive status

43H YAMAHA ID

0nH When received, n=0~F. When transmitted, n=0.

4CH Model ID of XG

aaH ByteCount

bbH ByteCount

hhH Address High

mmH Address Mid

ll H Address Low

ddH Data

| |

ccH Check sum

F7H End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitialization of

relevant parameters and Control Change values. Allow sufficient

time for processing to execute (about 50 msec) before sending the

Clavinova another message.

• XG Native Parameter Change message may contain two or four

bytes of parameter data (depending on the parameter size).

• For information about the Address and Byte Count values, refer to

Table 1 below. Note that the table’s Total Size value gives the size of

a bulk block. Only the top address of the block (00H, 00H, 00H) is

valid as a bulk data address.

8. SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

67H =

CLP-920 ID

11H = Clavinova special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control 0n ccH vvH

Voice Reserve ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

* When Volume, Expression is received for Reserve On, they will be

effective from the next Key On. Reserve Off is normal.

9. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] ->

[00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = Transmission from n=CLP is always 0. 0-F is received.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH = Master Tune MSB

ll H = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

MIDI Parameter Change table ( SYSTEM )

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4

020C - 05F4(*1)

MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 → bit 15 - 12 400

02 2nd bit 3 - 0 → bit 11 - 8

03 3rd bit 3 - 0 → bit 7 - 4

4th bit 3 - 0 → bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 — —

06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40

7E 00 XG SYSTEM ON 00=XG sytem ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

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