Yamaha MD4S Kullanım kılavuzu

Kategori
Müzik Enstrümanları
Tip
Kullanım kılavuzu

Bu kılavuz için de uygundur

MULTITRACK MD RECORDER
MIC/LINE INPUT
AUX RETURN
STEREO SUB IN STEREO OUT MONITOR OUT TRACK DIRECT OUT
AUX SEND
1234
L R L R L R
L R
1 2 3 4
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
–12 +12
MID
–12 +12
LOW
–12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
–12 +12
MID
–12 +12
LOW
–12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
–12 +12
MID
–12 +12
LOW
–12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
–12 +12
MID
–12 +12
LOW
–12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
1 2 1 2
3 4 3 4
LEVEL
010
MONITOR LEVEL
MIN MAX
LEVEL
010
GROUP ASSIGN
1 3
2 4
GROUP
STEREO
CUE
GROUP ASSIGN
1
2
3
4
010
010
010
010
10
9
8
7
6
5
4
3
2
1
0
123
4
TIME
DISPLAY
REPEAT MEMO A/B
REC SELECT
MARK SEARCH
LAST REC SEARCH
IN OUT
MARKPITCH
ADJUST
UTILITY
CLEAR
ENTER
AUTO
PUNCH I/O
SELECT
DATA–+
SONG
SEARCH
REC
PLAY
PAUSE
REVIEW
FF CUE
STOP
TOC WRITE
1
2
34
MASTER
AUX
RETURN
STEREO
SUB IN
GROUP ASSIGN
GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN
STEREO
PHONES PUNCH I/O
REHE
MONITOR
SELECT
CUE LEVEL
MULTITRACK MD RECORDER
Owner’s Manual
E
Laser Diode Properties
* Material : GaAlAs
* Wavelength : 780–790 nm
* Emission Duration : Continuous
* Laser Output Power : Less than 44.6 µW
Laser output is measured at a
distance of 20cm from the object
lens on the optical pick-up head.
(Note)
This unit is classified as a
Class 1 laser product.
The CLASS 1 LASER
PRODUCT label is located on
the exterior.
CLASS 1 LASER PRODUCT
Klassmärkning för Finland.
CLASS 1 LASER PRODUCT
LUOKAN 1 LASERLAITE
KLASS 1 LASERAPPARAT
ADVARSEL
Usynlig laserstråling ved åbning. Undgå udsaettelse
for stråling.
VAROITUS
Laitteen käyttäminen muulla kuin tässä käyttöohjeesa
mainitulla tavalla saattaa altistaa käyttäjän
turvallisuusluokan 1 ylittävälle näkymättömälle
lasersäteilylle.
VARNING
Om apparaten används på annat sätt än i denna
bruksanvisning specificerats, kan användaren utsättas
för osynlig laserstrålning, som överskrider gränsen för
laserklass 1.
CAUTION
USE OF CONTROLS OR ADJUSTMENTS OR
PERFORMANCE OF PROCEDURES OTHER
THAN THOSE SPECIFIED HEREIN MAY RESULT
IN HAZARDOUS RADIATION EXPOSURE.
This label is not placed on USA model
and Canadian model.
This label is placed on the lid.
Varningsanvisning för laserstrålning.
Placerad i apparaten.
CAUTION : INVISIBLE LASER RADIATION WHEN OPEN AND INTRLOCKS DEFEATED.
DO NOT STARE INTO BEAM OR VIEW DIRECTLY WITH OPTICAL INSTRUMENTS.
VARNING : OSYNLIG LASERSTRÅLNING NÄR DENNA DEL ÄR ÖPPNAD OCH SPÄRRAR
ÄR URKOPPLADE. STIRRA EJ IN I STRÅLEN OCH BETRAKTA EJ STRÅLEN MED
OPISKA INSTRUMENT.
VARO! : NÄKYMÄTÖNTÄ AVATTAESSA JA SUOJALUKITUS OHITETTAESSA OLET
ALTTIINA LASERSÄTEILYLLE. ÄLÄ TUIJOTA SÄTEESEEN ÄLÄKÄ KATSO SITÄ
OPTISEN LAITTEEN LÄPI.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this
manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another
product use only high quality shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions
could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements
listed in FCC Regulations, Part 15 for Class B digital devices. Compliance
with these requirements provides a reasonable level of assurance that your use of
this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in the users
manual, may cause interference harmful to the operation of other electronic
devices. Compliance with FCC regulations does not guarantee that interference
will not occur in all installations. If this product is found to be the source of
interference, which can be determined by turning the unit OFF and ON,
please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the
interference.
Utilize power outlets that are on different branch (circuit breaker or fuse)
circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the
antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact
the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha Corporation of America,
Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance
with the following code:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in your
plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the bottom of the unit.
Retain this Owner's Manual in a safe place for future reference.
• Explanation of Graphical Symbols
The exclamation point within an equilateral tri-
angle is intended to alert the user to the presence of
important operating and maintenance (servicing)
instructions in the literature accompanying the
product.
The lightning flash with arrowhead symbol within
an equilateral triangle is intended to alert the user
to the presence of uninsulated dangerous voltage
within the products enclosure that may be of
sufficient magnitude to constitute a risk of electric
shock to persons.
10. Power Sources The appliance should be connected to a power
supply only of the type described in the operating instructions or
as marked on the appliance.
11. Grounding or Polarization The precautions that should be
taken so that the grounding or polarization means of an appliance
is not defeated.
12. Power-Cord Protection Power-supply cords should be routed
so that they are not likely to be walked on or pinched by items
placed upon or against them, paying particular attention to cords
at plugs, convenience receptacles, and the point where they exit
from the appliance.
13. Cleaning The appliance should be cleaned only as recom-
mended by the manufacturer.
14. Nonuse Periods The power cord of the appliance should be
unplugged from the outlet when left unused for a long period of
time.
15. Object and Liquid Entry Care should be taken so that objects
do not fall and liquids are not spilled into the enclosure through
openings.
16. Damage Requiring Service The appliance should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been damaged; or
B. Objects have fallen, or liquid has been spilled into the
appliance; or
C. The appliance has been exposed to rain; or
D. The appliance does not appear to operate normally or exhibits
a marked change in performance; or
E. The appliance has been dropped, or the enclosure damaged.
17. Servicing The user should not attempt service the appliance
beyond that described in the operating instructions.
SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
SEE BOTTOM OF ENCLOSURE FOR GRAPHIC
SYMBOLS MARKING.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
1. Read Instructions All the safety and operating instructions
should be read before the appliance is operated.
2. Retain Instructions The safety and operating instructions
should be retained for future reference.
3. Heed Warnings All warnings on the appliance and in the
operating instructions should be adhered to.
4. Follow Instructions All operating and use instructions should
be followed.
5. Water and Moisture The appliance should not be used near
water for example, near a bathtub, washbowl, kitchen sink,
laundry tub, in a wet basement, or near a swimming pool, and the
like.
6. Carts and Stands The appliance should
be used only with a cart or stand that is
recommended by the manufacturer.
6A An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance and cart combination to
overturn.
7. Wall or Ceiling Mounting The appliance should be mounted
to a wall or ceiling only as recommended by the manufacturer.
8. Ventilation The appliance should be situated so that its
location or position does not interfere with its proper ventilation.
For example, the appliance should not be situated on a bed, sofa,
rug, or similar surface that may block the ventilation openings;
or, placed in a built-in installation, such as a bookcase or cabinet
that may impede the flow of air through the ventilation openings.
9. Heat The appliance should be situated away from heat sources
such as radiators, heat registers, stoves, or other appliances
(including amplifiers) that produce heat.
iii
MD4—Owner’s Manual
Important
Read the Following Before Operating MD4
Warnings
Do not locate MD4 in a place subject to excessive heat or in direct sunlight. This could be a
fire hazard.
Do not place MD4 in a place subject to excessive humidity or dust. This could be a fire and
electrical shock hazard.
Connect the supplied AC power cord only to an AC outlet of the type stated in this
Owner’s
Manual
or as marked on the main unit. Failure to do so is a fire and electrical shock hazard.
Do not plug several devices into the same AC outlet. This can overload the AC outlet, and
can be a fire and electrical shock hazard. It may also affect the performance of some devices.
Do not place heavy objects on the power cord. A damaged power cord is a potential fire and
electrical shock hazard.
If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using MD4 in this condition is a fire and shock hazard.
Hold the AC power cord plug when disconnecting from an AC outlet. Never pull the cord.
Damaging the power cord in this way is a potential fire and electrical shock hazard.
Do not place small metal objects on top of MD4. Metal objects inside MD4 are a fire and
electrical shock hazard.
Do not block the MD4 ventilation holes. MD4 has ventilation holes at the rear to prevent
the internal temperature from rising. Blocked ventilation holes are a fire hazard.
Do not try to modify MD4. This could be a fire and electrical shock hazard.
MD4 operating temperature is between 5˚C and 35˚C (41˚F and 95˚F).
Cautions
Turn off all audio devices and speakers when connecting to MD4. Refer to the owner’s man-
ual for each device. Use the correct cables and connect as specified.
MD4 is a precision device. Handle it with care.
Handle MD DATA discs with care.
If you notice any abnormality—such as smoke, odor, or noise—turn off MD4 immediately.
Remove the AC power cord from the AC outlet. Confirm that the abnormality is no longer
present. Consult your dealer for repair. Using MD4 in this condition is a fire and shock
hazard.
If a foreign object or water gets inside MD4, turn it off immediately. Remove the AC power
cord from the AC outlet. Consult your dealer for repair. Using MD4 in this condition is a
fire and electrical shock hazard.
If you plan not to use MD4 for a long period of time (such as when you are on vacation),
remove the AC power cord from the AC outlet. Leaving MD4 connected is a fire hazard.
Do not use benzene, thinner, cleaning detergent, or a chemical cloth to clean MD4.
Use only a soft, dry cloth to clean MD4.
iv
MD4—Owner’s Manual
Interference
MD4 uses high-frequency digital circuits that may cause interference on radios and televisions
placed close to it. If interference does occur, relocate the affected equipment.
Copyright
© 1996 Yamaha Corporation. All rights reserved.
No part of the MD4 software or this
Owner’s Manual
may be reproduced or distributed in any
form or by any means without the prior written authorization of Yamaha Corporation.
Trademarks
MD DATA and MiniDisc are trademarks of Sony Corporation.
US and foreign patents licensed from Dolby Laboratories Licensing Corporation.
All trademarks are the property of their respective holders.
Package Contents
The MD4 package should contain the following items. Make sure that you have them all.
MD4 Multitrack Recorder
AC power cord
MD DATA disc
This Owner’s Manual
Contact your Yamaha dealer if something is missing.
Keep This Manual For Future Reference
v
MD4—Owner’s Manual
Contents
1. Welcome to MD4 . . . . . . . . . . . . . . . . . . . 1
MD4 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Buying Discs for MD4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
MD4 TOC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
2. Touring MD4 . . . . . . . . . . . . . . . . . . . . . . . 3
Topside View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Master Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Disc Transport Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Topside Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Front Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Rear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
3. The First Session . . . . . . . . . . . . . . . . . . . 12
Quick-Start System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Turning On MD4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Loading a Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Recording the First Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Listening to the First Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Overdubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
An Overview of Multitrack Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Basic Multitracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Advanced Multitracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
About Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
4. Recording & Mixing Techniques . . . . . . . 19
Recording a New Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Searching for the Blank Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Setting the Recording Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Titling Discs & Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Manual Punch In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Using the REC Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Using the REC SELECT buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Using a Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Auto Punch In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Setting the In/Out Points “On-the-Fly” . . . . . . . . . . . . . . . . . . . . . . . 24
Another Way to Set the IN/OUT Points . . . . . . . . . . . . . . . . . . . . . . . 24
Rehearsing Auto Punch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Performing Auto Punch for Real . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Auto Punch with a Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Setting the Pre-Roll & Post-Roll Times . . . . . . . . . . . . . . . . . . . . . . . . 28
Ping-Pong Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
vi
MD4—Owner’s Manual
Preparing for Ping-Pong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Rehearsing the Ping-Pong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Performing the Ping-Pong for Real . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Checking the Ping-Pong Operation . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Ping-Pong with Overdub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Adjusting the Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Resetting the Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Using a Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Applying Effects at Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Applying Effects when Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Applying Effects with Ping-Pong . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
5. Quick Search Functions . . . . . . . . . . . . . . 36
Searching for Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Searching by Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Searching for the Last Rec IN and OUT Points . . . . . . . . . . . . . . . . . . . . . . 36
Searching for Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Inserting Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Marker Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Adjusting Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Erasing Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
6. Repeat, Cue List & Program Play . . . . . . 40
One Song Repeat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
All Song Repeat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
A–B Repeat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Cue List Playback & Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Program Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
7. Editing Songs & Tracks . . . . . . . . . . . . . . 44
Copying a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Dividing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Combining Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Track-to-Track Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Erasing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Erasing Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
8. MD4 & MIDI . . . . . . . . . . . . . . . . . . . . . . 49
Using MD4 in a Synchronized MIDI System . . . . . . . . . . . . . . . . . . . . . . . . 49
About Tempo Maps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Setting Up a Synchronized MIDI System . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Using MTC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Setting MD4 for MTC Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Setting the MIDI Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
MTC Cabling Note . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Using MIDI Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Setting the MIDI Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Adding Meter Changes to a Tempo Map . . . . . . . . . . . . . . . . . . . . . . 52
Adding Tempo Changes to a Tempo Map . . . . . . . . . . . . . . . . . . . . . 53
Inserting Steps in a Tempo Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
vii
MD4—Owner’s Manual
Deleting Steps in a Tempo Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Saving a Tempo Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Loading a Tempo Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Tempo Map Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
9. MD4 Applications . . . . . . . . . . . . . . . . . . 57
One-Take Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
MIDI Home Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Using MD4 with a Sub-Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Recording a Stereo Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
10. Beyond the Basics . . . . . . . . . . . . . . . . . 61
AUX RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
11. Q&A Section . . . . . . . . . . . . . . . . . . . . . 64
Troubleshooting . . . . . . . . . . . . . . . . . . . . . 66
Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
MD4 Transport Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Display Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Signal Flow Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
General . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
MIDI Implementation Chart . . End of Manual
Welcome to MD4
1
MD4—Owner’s Manual
1
Welcome to MD4
Thank you for choosing the Yamaha MD4 Multitrack MD Recorder. MD4 is the world’s first
multitrack recorder to use the MiniDisc format, with its superior sound quality and quick search
capabilities. To take best advantage of your MD4, read this
Owner’s Manual
thoroughly.
MD4 Features
Mixer
The mixer section is a four-input channel, four-group analog mixer.
Input channels feature continuously variable GAIN controls, which can handle both micro-
phone and line-level signals with ease.
Musical three-band EQ (High, Mid, Low) on each input channel provides flexible
tone-shaping capabilities.
Aux send with stereo return for an external effects processor.
Flexible monitoring of Group, CUE, and Stereo buses.
Direct outputs for direct connection to another mixer.
Stereo sub inputs for mixer cascading.
Recorder
The recorder section is a four-track recorder based on the MD DATA audio format, which has
several advantages over tape-based multitrackers. With a tape-based recorder, for example, you
have to keep at least one track free for ping-pong. With MD4, however, you can record on all
four tracks and then ping-pong (i.e., four-track playback with ping-pong). This is because
MD4 can simultaneously play and record on the same track. This feature provides greater cre-
ative freedom when planing tracks.
Superior sound quality that is unaffected by repeated overdubs and ping-pong operations.
Zero wow and flutter and pitch fluctuation.
Recording time: 37 minutes for 4-track, 74 minutes for stereo, and 148 minutes for mono.
Four-track playback with ping-pong.
Quick search for Song Start, Song End, Last Record IN/OUT points, Direct Time Locate,
and up to eight markers for each song.
Precise punch in/out with 11-millisecond accuracy.
Editing includes Song Combine, Song Divide, and cue list-style playback.
Disc and song titling for easy identification.
Repeat modes include One Song, All Song, A–B, and Auto Punch Rehearse.
FF CUE and Review at 2X and 4X playback speed.
Variable pitch of approximately
±
6.5%.
Clear FLD (Fluorescent Display) shows signal levels, mode, status, and Total, Remaining,
and Elapsed times.
MTC (MIDI Timecode) or MIDI Clock (with Tempo Map) output for synchronization
within a MIDI-based system.
For some more quick answers on MD4, see the
Q&A Section
on page 64.
2
Welcome to MD4
MD4—Owner’s Manual
Buying Discs for MD4
Its important that you buy the correct type of disc for use with your MD4. For 4-track recording
and playback, you must use MD DATA discs. Normal MiniDiscs can only be used for 2-track
recording and playback.
MD DATA discs are used as a storage media for computers. MD4 uses the MD DATA audio for-
mat. MiniDiscs are also referred to as MD discs, although they are used only for music.
MD DATA discs that have been used to store computer data must be formatted before they can
be used with MD4. See
Erasing Songs
on page 48.
Normal MiniDisc decks cannot play MD DATA discs.
MiniDiscs recorded on MD4 can be played on a normal MiniDisc deck.
MiniDisc recordings made on a normal MiniDisc deck can be edited on MD4. MiniDiscs that
contain songs that were digitally copied from a commercial CD, however, cannot be edited due
to the SCMS protection system.
MD4 TOC
TOC refers to the Table Of Contents area on a disc. The TOC contains information about what
is recorded on the disc, the disc title, song titles, and so on. The TOC EDIT indicator lights up
when the TOC needs to be updated, usually after a new recording or edit. You must update the
TOC before ejecting a disc or turning off MD4. It’s also a good idea to update the TOC at regular
intervals just in case of a power failure. Failure to update the TOC can result in data being lost.
Even if you’ve recorded something correctly, if the TOC isn’t updated and MD4 is turned off,
the power cord accidentally disconnected, or a power failure occurs, that data will be lost.
Type Logo Description
MD DATA
MD DATA discs are for computer data storage appli-
cations. You can purchase them at computer stores.
This is the type of disc you should buy for 4-track
recording and playback with your MD4. Note that
there are two types available:
playback only
and
rewritable
. You should buy the rewritable type.
MiniDisc
MiniDiscs are used only for music. Two types are
available:
playback only
and
recordable
. MD4 can
record up to two tracks on the
recordable
type and
play the
playback only
type.
Note:
If you press the EJECT button while TOC EDIT is shown on the display, the disc will
not eject. Press [TOC WRITE] to update the TOC, and then eject the disc.
Touring MD4
3
MD4—Owner’s Manual
2
Touring MD4
This chapter takes you on a tour of MD4, identifying the various parts to help you become famil-
iar with your new recorder.
Topside View
The individual sections of MD4 are explained on the following pages.
MULTITRACK MD RECORDER
MIC/LINE INPUT
AUX RETURN
STEREO SUB IN STEREO OUT MONITOR OUT TRACK DIRECT OUT
AUX SEND
1234
L R L R L R
L R
1 2 3 4
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
1 2 1 2
3 4 3 4
LEVEL
010
MONITOR LEVEL
MIN MAX
LEVEL
010
GROUP ASSIGN
1 3
2 4
GROUP
STEREO
CUE
GROUP ASSIGN
1
2
3
4
010
010
010
010
10
9
8
7
6
5
4
3
2
1
0
123
4
TIME
DISPLAY
REPEAT MEMO A/B
REC SELECT
MARK SEARCH
LAST REC SEARCH
IN OUT
MARKPITCH
ADJUST
UTILITY
CLEAR
ENTER
AUTO
PUNCH I/O
SELECT
DATA +
SONG
SEARCH
REC
PLAY
PAUSE
REVIEW
FF CUE
STOP
TOC WRITE
1
2
34
MASTER
AUX
RETURN
STEREO
SUB IN
GROUP ASSIGN
GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN
STEREO
PHONES PUNCH I/O
REHE
MONITOR
SELECT
CUE LEVEL
4
Touring MD4
MD4—Owner’s Manual
Input Channels
1
GAIN control
This rotary control adjusts the sensitivity of the MIC/LINE input so that both micro-
phone and line-level signals can be handled with ease.
2
EQ controls
These rotary controls are used to boost and cut the high, middle, and low frequency
bands independently. A flat setting (i.e., no boost or cut) can be set quickly using the
control’s center detent.
3
AUX control
This rotary control is used to send the input channel signal to the AUX SEND output
for processing by an external effects processor.
4
GROUP ASSIGN switches
These switches are used to assign (i.e., send) the input channel signal to the recorder’s
tracks. They work in conjunction with the PAN control. For example, with GROUP
ASSIGN switch [1–2] ON and the PAN control set midway, the channel signal is sent
equally to Tracks 1 and 2. With the PAN control turned fully counterclockwise (L/ODD),
however, the channel signal is sent only to Track 1. Likewise, when it is set fully clockwise,
the signal is sent only to track 2. The same principle applies to GROUP ASSIGN switch
[3–4].
5
PAN control
This rotary control has two functions: For recording it’s used in conjunction with the
GROUP ASSIGN switches to assign the input channel signal to even and odd numbered
tracks. For mixdown it’s used to pan (i.e., position) the signal in the stereo mix.
6
Input source selector switch
This switch is used to select the signal source for the input channel: MIC/LINE input or
PB (disc playback signal).
7
Fader
This fader has two functions: For recording its used to adjust the level of the input chan-
nel signal that’s recorded to a track. For mixdown it’s used to balance the input channel
signal relative to the other input channel signals. For optimum performance, faders
should be positioned about the 7–8 mark.
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
1
GROUP ASSIGN
1
2
3
4
5
6
7
10k 20k1k10020
–15
–10
–5
0
5
10
15
Frequency (Hz)
Response (dB)
50
5k2k500200
HIGH ±12 dB at 12 kHz—shelving type
MID ±12 dB at 1 kHz—peaking type
LOW ±12 dB at 80 Hz—shelving type
Master Section
5
MD4—Owner’s Manual
Master Section
1
AUX RETURN GROUP ASSIGN switches
These switches are used to assign (i.e., send) the Aux Return signals to
the recorder’s tracks. The left-channel signal is sent to odd buses 1 and
3. While the right-channel signal is sent to even buses 2 and 4. The Aux
Return signals are typically the processed signals returned from a ste-
reo effects processor. Note that the Aux Return signals are always sent
to the Stereo bus for mixing regardless of these switch settings.
2
AUX RETURN LEVEL control
This rotary control adjusts the level of the Aux Return signals that are
sent to the Stereo bus for mixing. It’s also used in conjunction with the
AUX RETURN GROUP ASSIGN switches to adjust the level of the Aux
Return signals that are assigned to the recorder’s tracks.
3
MONITOR SELECT switches
These switches are used to select the signal source for the MONITOR
OUT and headphones.
GROUP
—These switches select the Group buses as the monitor
source. This allows you to monitor signals assigned to tracks. When
only the [1–3] or [2–4] switch is pressed, the monitor signal is mono.
Press both switches to monitor stereo signals.
STEREO
—This switch selects the Stereo bus as the monitor source.
This allows you to monitor the STEREO OUT signal and is typically
used during mixdown.
CUE
—This switch selects the CUE bus as the monitor source. This
allows you to monitor track signals, which is useful for punch in/out.
4
MONITOR LEVEL control
This rotary control adjusts the level of the monitor signal that is sent
to the MONITOR OUT and headphones.
5
STEREO fader
This fader is used to adjust the level of the stereo signal that is sent to
the STEREO OUT. For optimum performance this fader should be
positioned about the 7–8 mark.
6
STEREO SUB IN GROUP ASSIGN switches
These switches are used to assign (i.e., send) the Stereo Sub In signals
to the recorder’s tracks. The left-channel signal is sent to odd buses 1
and 3. While the right-channel signal is sent to even buses 2 and 4. The
Stereo Sub In signals are typically the stereo output signals from
another mixer. Note that the Stereo Sub In signals are always sent to
the Stereo bus for mixing regardless of these switch settings.
7
STEREO SUB IN LEVEL control
This rotary control adjusts the level of the Stereo Sub In signals that are sent to the Stereo bus
for mixing. It’s also used in conjunction with the STEREO SUB IN GROUP ASSIGN switches
to adjust the level of the Stereo Sub In signals that are assigned to the recorder’s tracks.
8
CUE LEVEL controls
These controls adjust the level of the CUE signal for each track. During recording, or when no
disc is inserted, the CUE source is the signal assigned to a track. During playback, the CUE
source is the disc playback signal.
1 2 1 2
3 4 3 4
LEVEL
010
MONITOR LEVEL
MIN MAX
LEVEL
010
GROUP ASSIGN
1 3
2 4
GROUP
STEREO
CUE
GROUP ASSIGN
1
2
3
4
010
010
010
010
10
9
8
7
6
5
4
3
2
1
0
MASTER
AUX
RETURN
STEREO
SUB IN
STEREO
MONITOR
SELECT
CUE LEVEL
4
2 7
1
3
5
6
8
6
Touring MD4
MD4—Owner’s Manual
Display
Note: For explanation purposes, the illustration above shows most of the available indicators.
During normal operation, however, you will not see so many indicators on the display at the
same.
1 Status indicators
These indicators show the current operating mode.
2 Disc type indicators
These indicators show the type of disc loaded: MD DATA Disc or MiniDisc.
3 MASTER and MTC indicators
These indicators light up when MIDI synchronization is used. MASTER appears when the MD4
is generating MIDI Clock, and MTC appears when it is generating MIDI Timecode.
4 Pitch indicators
These indicators show the current Pitch mode: FIX (fixed) or VARI (variable).
5 TOC EDIT indicator
The TOC EDIT indicator lights up when the TOC needs to be updated, usually after a new
recording or edit.
Indicator Meaning
Normal playback
Cue or Review
Playback is paused
Rehearse Pause mode
Rehearsal in progress
Record Pause mode
Recording in progress
MD4 Song
MIN.
SEC. FRAMES
CLIP
3
6
9
12
15
18
27
39
+12
+9
+6
+3
0
3
6
10
20
MASTER
MTC
PITCH FIX VARI
TOC EDIT
REHE
REC
MARKERS
S12345678E PRE IN
OUT
1
2 3 4
L R
dBdB
POST
MEMO BPUNCHAUTOMEMO AREPEAT
1 ALL
ELAPSE
REMAIN
TOTAL
1
4 5 6 8 9
C
BA
7
2
3
D
0
REHE
REHE
REC
REC
Display 7
MD4—Owner’s Manual
6 Time Counter mode
These indicators show the Time Counter mode.
ELAPSE—This mode shows the time position within a song.
REMAIN—This mode shows the time remaining for a song or when you are recording a new
song, it shows the available time remaining for the song.
TOTAL—This mode shows the time position within the entire disc.
7 Title and function display
Disc titles, song titles, functions, messages, and other information appear here.
8 Time counter
The time counter shows the disc time in minutes, seconds, and frames.
9 Track level meters
These track level meters show group signal levels from –39 dB to –3 dB in 9 steps. A CLIP indi-
cator warns of possible distortion caused by signal clipping. With no disc loaded, the meters
display group signal levels.
0 Stereo level meters
These level meters show the STEREO OUT signal levels from –20 dB to +12 dB in 9 steps.
A Markers
These indicators show the status of the Start, End, and eight markers in between. When a song
is recorded, Start and End markers are recorded automatically. You can also add up to eight
markers per song while recording is in progress or during subsequent playback. When a song
is positioned on or after a marker (stopped, playing, paused, or recording) that marker flashes.
When the beginning of a song is located, the Start marker flashes. When the end is located, the
End marker flashes.
B Repeat mode indicators
These indicators show the Repeat modes.
REPEAT 1—The current song is played repeatedly (One Song Repeat).
REPEAT ALL—All songs are played repeatedly (All Song Repeat).
REPEAT MEMO A–MEMO B—Playback cycles between memo points A and B (A–B Repeat).
REPEAT Auto Punch I/O—Auto Punch In/Out is rehearsed repeatedly.
C AUTO PUNCH, PRE, IN, OUT & POST indicators
The AUTO PUNCH indicator shows that the AUTO PUNCH In/Out function is ON. The IN
and OUT indicators light up when the LAST REC IN and OUT points have been set. When a
song is positioned on or after the PRE, IN, OUT, or POST point, the corresponding indicator
flashes.
PRE—This indicator flashes when a song is at the Pre-Roll point.
IN—This indicator lights up when the LAST REC IN point has been set and it disappears when
a song is located on or after the specified IN point.
OUT—This indicator lights up when the LAST REC OUT point has been set and it disappears
when a song is located on or after the specified OUT point.
POST—This indicator flashes when the song is located at the Post-Roll point.
D Track record indicators
These indicators show which tracks are selected for recording.
8 Touring MD4
MD4—Owner’s Manual
Disc Transport Section
1 AUTO PUNCH I/O button
This button is used to turn on the Auto Punch In/Out function.
2 UTILITY button
This button is used to access the following functions: Rec Mode, Text, PrePost Roll,
OffLinePunch, Track Erase, Song Erase, Song Copy, Song Divide, Song Combine, Cue List, PRG
Play, and MIDI Sync.
3 ADJUST button
This button is used to adjust the position of markers and the LAST REC IN and OUT points.
4 PITCH button
This button is used to set the Pitch mode: FIX (fixed) or VARI (variable).
5 TIME DISPLAY button
This button is used to select the Time Counter mode: ELAPSE, REMAIN, or TOTAL.
6 SELECT buttons
These buttons are used to select items on the display.
7 REPEAT button
This button is used to select the One Song, All Song, A–B, and Auto Punch Rehearse Repeat
modes. It’s also be used to cancel A–B Repeat mode.
8 MEMO A/B buttons
These buttons are used to enter the A and B points for A–B Repeat.
123
4
TIME
DISPLAY
REPEAT MEMO A/B
REC SELECT
MARK SEARCH
LAST REC SEARCH
IN OUT
MARKPITCH
ADJUST
UTILITY
CLEAR
ENTER
AUTO
PUNCH I/O
SELECT
DATA +
SONG
SEARCH
REC
PLAY
PAUSE
REVIEW
FF CUE
STOP
TOC WRITE
PHONES PUNCH I/O
REHE
5
4
3
2
1
D
H
C
B
A
7
EFG
6 8 9 0
4
Disc Transport Section 9
MD4—Owner’s Manual
9 CLEAR button
This button is used to cancel functions and delete characters in disc and song titles.
0 REC SELECT buttons
These buttons are used to select tracks for recording.
A MARK SEARCH buttons
These buttons are used to locate song markers.
B MARK button
This button is used to enter markers during recording or playback.
C LAST REC SEARCH IN/OUT buttons
These buttons are used to locate the LAST REC IN and OUT points.
D SONG SEARCH buttons
These buttons are used to search for songs.
E Disc Transport buttons
REHE—This button is used to enter Rehearse mode. The REHE indicators flash in Rehearse
Pause mode and stay on continuously while rehearsal is in progress.
REC—This button is used to enter Record mode. The REC indicators flash in Record Pause
mode and stay on continuously while recording is in progress.
PLAY—This button is used to start normal playback, start rehearsal, and start recording. It can
also be used to cancel rehearsal and recording. In this case, normal playback continues from the
point at which the [PLAY] button is pressed. The PLAY indicators light up while playback is in
progress and flash when playback is paused.
PAUSE—This button is used to pause playback, recording, or rehearsal.
REVIEW—This button is used to start review (i.e., review the song at a speed higher than nor-
mal playback). One press reviews at 2-times normal speed, while two presses review at 4-times
normal speed. The review speed is shown on the display: REV X2 or REV X4. You can toggle
between the X2 and X4 review speeds by pressing the [REVIEW] button. Review can be started
from stop, pause, or while playback is in progress.
FF CUE—This button is used to start FF CUE (i.e., preview the song at a speed higher than
normal playback). One press cues at 2-times normal speed, while two presses cue at 4-times nor-
mal speed. The cue speed is shown on the display: FF X2 or FF X4. You can toggle between X2
and X4 cue speeds by pressing the [FF CUE] button. FF CUE can be started from stop, pause,
or while playback is in progress.
When using the review or FF CUE function, the time counter may occasionally stop. This is not
a fault.
STOP/TOC WRITE—This button is used to stop playback, review, cue, rehearsal, and record-
ing. It’s also used to write the TOC data to disc when MD4 is stopped.
F ENTER button
This button is used to set functions.
G DATA –/+ buttons
These buttons are used to set parameters.
H EJECT button
This button is used to eject the disc.
Note: If you press the EJECT button while TOC EDIT is shown on the display, the disc will
not eject. Press [TOC WRITE] to update the TOC, and then eject the disc.
10 Touring MD4
MD4—Owner’s Manual
Topside Connectors
1 STEREO SUB IN
These phono jacks are used to connect another mixer to MD4 to increase the number of available
input channels. The stereo output signals from the other mixer can be mixed into the MD4 ste-
reo mix or recorded to MD4 tracks. Connect them to the other mixer’s stereo outputs.
2 STEREO OUT
These phono jacks are used to connect a stereo master recorder for recording the final mix. The
master recorder could be a DAT recorder, MiniDisc recorder, or cassette tape deck. Connect
them to your master recorder’s stereo inputs.
3 MONITOR OUT
These phono jacks are used to send the monitor signals to a stereo monitor amplifier and speak-
ers. This could be a dedicated monitor amplifier and speakers or your hi-fi system. Connect
them to the monitor amplifier’s stereo inputs. The MONITOR OUT signal is the same as the
headphone signal.
4 TRACK DIRECT OUTs
These phono jacks are used to send the disc playback signals to another mixer. This is useful
when you use MD4 in conjunction with a larger mixer. Connect them to the line inputs on the
other mixer. With no disc loaded, the DIRECT OUTs output the group signals.
5 MIC/LINE INPUTs
These 1/4-inch phone jacks are used to connect microphones, electronic musical instruments,
and other line-level sound sources to MD4.
6 AUX RETURN
These 1/4-inch phone jacks are used to return the processed stereo signals from an external
effects processor. The processed signals can then be mixed into the MD4 stereo mix or recorded
to tracks. Connect them to the effects processor’s stereo outputs.
7 AUX SEND
This 1/4-inch phone jack is used to send the Aux Send signal to an external effects processor.
Connect it to the effects processor’s input.
MIC/LINE INPUT
AUX RETURN
STEREO SUB IN STEREO OUT MONITOR OUT TRACK DIRECT OUT
AUX SEND
1234
L R L R L R
L R
1 2 3 4
1 2 3 4
65 7
Front Connectors 11
MD4—Owner’s Manual
Front Connectors
1 PHONES
A pair of stereo headphones can be connected here for monitoring. The headphone signal is
the same as the MONITOR OUT signal.
2 PUNCH I/O
An optional footswitch, such as the Yamaha FC5, can be connected here for foot-controlled play-
back, rehearsal, recording, or punch in/out.
Rear
1 AC IN
Connect the supplied power cord here.
2 POWER ON/OFF switch
This switch is used to turn on and off MD4.
3 MIDI OUT
This connector is used to send MTC (MIDI Timecode) or MIDI Clock to a MIDI sequencer for
synchronized operation. Connect it to the MTC or MIDI IN connector on your MIDI sequencer.
1 2
AC IN POWER
ON/OFF
MIDI OUT
1 2 3
CAUTION
TO PREVENT ELECTRIC SHOCK,
MATCH WIDE BLADE OF PLUG TO
WIDE SLOT, FULLY INSERT.
12 The First Session
MD4—Owner’s Manual
3 The First Session
This chapter explains how to record and mix your first MD4 session. If this is your first time
with a multitrack recorder, we recommend that you start with this chapter and follow all the
procedures closely. When you’ve completed this chapter, have a look at subsequent chapters,
which explain more advanced MD4 functions and require a basic knowledge of MD4 and mul-
titrack recording techniques.
Quick-Start System
The following illustration shows the basic equipment necessary to start recording with MD4.
The microphone, synthesizer, and guitar are examples of the kind of sound sources that can be
connected to MD4. For monitoring, you can use either headphones or a monitor amp and
speakers. Alternatively, you could use your hi-fi amp and speakers. The master recorder is
required for mixdown.
Monitors
Synthesizer
Master Recorder
Connect to an
appropriate
Wall Outlet
Guitar Processor
Headphones
Monitor Amp
Microphone
MULTITRACK MD RECORDER
MIC/LINE INPUT
AUX RETURN
STEREO SUB IN STEREO OUT MONITOR OUT TRACK DIRECT OUT
AUX SEND
1234
L R L R L R
L R
1 2 3 4
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE MIC
1 2
3 4
AUX
010
HIGH
12 +12
MID
12 +12
LOW
12 +12
PAN
L
ODD
R
EVEN
PB MIC/
LINE
10
9
8
7
6
5
4
3
2
1
0
1 2 1 2
3 4 3 4
LEVEL
010
MONITOR LEVEL
MIN MAX
LEVEL
010
GROUP ASSIGN
1 3
2 4
GROUP
STEREO
CUE
GROUP ASSIGN
1
2
3
4
010
010
010
010
10
9
8
7
6
5
4
3
2
1
0
123
4
TIME
DISPLAY
REPEAT MEMO A/B
REC SELECT
MARK SEARCH
LAST REC SEARCH
IN OUT
MARKPITCH
ADJUST
UTILITY
CLEAR
ENTER
AUTO
PUNCH I/O
SELECT
DATA +
SONG
SEARCH
REC
PLAY
PAUSE
REVIEW
FF CUE
STOP
TOC WRITE
1
2
34
MASTER
AUX
RETURN
STEREO
SUB IN
GROUP ASSIGN
GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN
STEREO
PHONES PUNCH I/O
REHE
MONITOR
SELECT
CUE LEVEL
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88

Yamaha MD4S Kullanım kılavuzu

Kategori
Müzik Enstrümanları
Tip
Kullanım kılavuzu
Bu kılavuz için de uygundur