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E
Owner’s Manual
Keep This Manual For Future Reference.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.
NEDERLAND THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen
back-up.
Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Te l. 030-2828425
Gooi de batterij niet weg, maar lever hem in als KCA.
This apparatus contains a lithium battery for memory
back-up.
For the removal of the battery at the moment of the
disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL
UTRECHT
Te l: 030-2828425
Do not throw away the battery. Instead, hand it in as small
chemical waste.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
The above warning is located on the rear
of the unit
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and mainte-
nance (servicing) instructions in the literature
accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instruc-
tions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other appa-
ratus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polar-
ized or grounding-type plug. A polarized plug
has two blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the pro-
vided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete
outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.
11 Only use attachments/accessories specified by
the manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table spec-
ified by the manufacturer, or
sold with the apparatus.
When a cart is used, use cau-
tion when moving the cart/
apparatus combination to
avoid injury from tip-over.
13 Unplug this apparatus during lightning storms
or when unused for long periods of time.
14 Refer all servicing to qualified service person-
nel. Servicing is required when the apparatus
has been damaged in any way, such as power-
supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or mois-
ture, does not operate normally, or has been
dropped.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
iv
Important Information
01V96—Owner’s Manual
Important Information
Warnings
•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-
ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard.
•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock
may result.
•Do not place heavy objects, including this unit, on top of the power cord. A damaged power
cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects
on a power cord covered by a carpet.
•Do not place a container with liquid or small metal objects on top of this unit. Liquid or
metal objects inside this unit are a fire and electrical shock hazard.
•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire
and electrical shock hazard.
•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal
inspection, maintenance, or repair is necessary, contact your dealer.
•Do not modify the unit. Doing so is a fire and electrical shock hazard.
•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and
unplug the power cable plug from the electrical outlet.
•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.
Doing so may be an electrical shock hazard.
•Use only the included power cord for this unit. Using other types may be a fire and electrical
shock hazard.
•This unit has a slot for installing mini-YGDAI cards. For technical reasons, certain card
combinations are not supported. Before installing any cards, check the Yamaha web site to
if your card is compatible. Installing cards that are not endorsed by Yamaha may cause elec-
trical shock, fire, or damage to the unit.
•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.
•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid
gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.
Consult your dealer for repair. Using the unit in this condition is a fire and electrical shock
hazard.
Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove
the power plug from the AC outlet, and contact your dealer. If you continue using the unit
without heeding this instruction, fire or electrical shock may result.
Cautions
•Keep this unit away from the following locations:
—Locations exposed to oil splashes or steam, such as near cooking stoves, humidifiers, etc.
—Unstable surfaces, such as a wobbly table or slope.
—Locations exposed to excessive heat, such as inside a car with all the windows closed, or
places that receive direct sunlight.
—Locations subject to excessive humidity or dust accumulation.
•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A
damaged power cord is a potential fire and electrical shock hazard.
•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.
Operating Notes
v
01V96—Owner’s Manual
•This unit has ventilation holes along the top, front, rear, and sides to prevent the internal
temperature from rising too high. Do not block them. Blocked ventilation holes are a fire
hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while
it’s covered with a cloth or dust sheet.
•This unit is equipped with a dedicated ground connection to prevent electrical shock.
Before connecting the power plug to an AC outlet, be sure to ground the unit.
•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,
and remove all connecting cables. Damaged cables may cause fire or electrical shock.
•If you know you will not use this unit for a long period of time, such as when going on vaca-
tion, remove the power plug from the AC outlet. Leaving it connected is a potential fire haz-
ard.
Operating Notes
XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).
•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.
•The performance of components with moving contacts, such switches, rotary controls, fad-
ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-
ating environment and is unavoidable. Consult your dealer about replacing defective
components.
•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone
away from the unit.
•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your
dealer as soon as possible about replacing the internal data backup battery. The unit will still
operate correctly, but data other than the presets will be lost.
•Before replacing the batteries, back up your data to a memory card, or another unit by using
MIDI Bulk Dump.
•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise
occurs, relocate the affected equipment.
•When you change the wordclock settings on any device in your digital audio system, some
devices may output noise, so turn down your power amps beforehand, otherwise your
speakers may be damaged.
Interference
This unit uses high-frequency digital circuits that may cause interference on radio and tele-
vision equipment located nearby. If interference is a problem, relocate the affected equip-
ment. Using a mobile telephone near the unit may induce noise. In this case use the
telephone away from the unit.
Exclusion of Certain Responsibility
Manufacturer, importer, or dealer shall not be liable for any incidental damages including
personal injury or any other damages caused by improper use or operation of this unit.
vi
Important Information
01V96—Owner’s Manual
Trademarks
ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-
istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.
Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of
Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are
registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg
Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign
and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac
are registered trademarks of Teac Corporation. Microsoft and Windows are registered
trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a
trademark of Yamaha Corporation. All other trademarks are the property of their respective
holders and are hereby acknowledged.
Copyright
No part of this unit, its software, or this
Owner’s Manual
may be reproduced or distributed
in any form or by any means without the prior written authorization of Yamaha Corpora-
tion.
© 2003 Yamaha Corporation. All rights reserved.
Yamaha Web Site
Further information about the 01V96, related products, and other Yamaha professional
audio equipment is available on the Yamaha Professional Audio Web site at:
<http://www.yamahaproaudio.com/>.
Package Contents
01V96 Digital Mixing Console
CD-ROM
•Power cord
•This manual
•Studio Manager Installation Guide
Optional Extras
RK1 Rack Mount Kit
mini YGDAI I/O cards
About this Owner’s Manual
vii
01V96—Owner’s Manual
About this Owner’s Manual
This
Owner’s Manual
explains how to operate the 01V96 Digital Mixing Console.
The Table of Contents can help you to familiarize yourself with the manual’s organization
and to locate tasks and topics. The index can help you locate specific information.
Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on
page 27.
Each chapter in this manual discusses a specific section or function of the 01V96. The Input
and Output Channels are explained in the following chapters: “Input Channels, “Bus
Outs, and Aux Outs. Where possible, these chapters have been organized in order of sig-
nal flow, from input to output.
Conventions Used in this Manual
The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER
and DISPLAY) and buttons that appear on the display pages. References to physical buttons
are enclosed in square brackets, for example, press the [ENTER] button.
References to display page buttons are not emphasized, for example, “move the cursor to the
ON button.
You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-
cedures reference only the [DISPLAY] button method.
See “Selecting Display Pages” on page 28 for details on all the ways in which you can select
pages.
Installing the 01V96
This unit should be placed on a strong and stable surface, that complies with the warnings
and cautions listed in the previous sections.
Always turn the power off when the instrument is not in use.
The illustrations and LCD screens as shown in this owner’s manual are for instructional
purposes only, and may appear somewhat different from those on your instrument.
Copying of the commercially available music sequence data and/or digital audio files is
strictly prohibited except for your personal use.
8
Contents
01V96—Owner’s Manual
Contents
1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
5 Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
6 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . 72
Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . . . . 75
7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . 90
Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
8 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . 99
Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . . . . 104
Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Viewing Aux Out settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Contents
9
01V96—Owner’s Manual
Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . . . . . . 147
Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Storing & Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Nuendo Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
10
Contents
01V96—Owner’s Manual
18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 215
Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 216
Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 221
Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . . . . . 222
19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 225
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 229
Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Welcome
11
01V96—Owner’s Manual
1
Welcome
1 Welcome
Thank you for choosing the Yamaha 01V96 Digital Mixing Console.
The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing with-
out compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad
range of needs and applications, including multi-track recording, 2-channel mixdown, and
cutting-edge surround sound production. This integrated, comprehensive audio system
features remote control function for DAWs (Digital Audio Workstations) as popularized by
the DM2000 and 02R96 Digital Mixing Consoles.
The 01V96 offers the following features:
Hardware Features
100-mm motorized faders x 17
•Faders can set levels for Input Channels, Aux send levels, and Bus Outs.
•Four selectable software layers determine the function of channel faders.
320 x 240 dot LCD display
•Buttons and controls in the SELECTED CHANNEL section enable direct editing of
channel EQ parameters.
•8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal
parameters.
•ADAT optical connectors
•Expansion slot for optional digital I/O, AD, and DA cards.
Sonic Specifications
Linear 24-bit, 128-times oversampling A/D converters
Linear 24-bit, 128-times oversampling D/A converters
20 Hz through 40 kHz frequency response at 96 kHz sampling rate.
106 dB typical dynamic range
32-bit internal signal processing (58-bit accumulator)
Inputs and Outputs
12 mic/line inputs with switchable +48 V phantom power and 4 line inputs
12 analog inserts
•Any Bus Outs or Channel Inserts can be routed to four Omni Outs.
•Individual outputs for Stereo Out and Monitor Out
•Analog 2TR In and Out for use with Tape In and Out signals
•An optional card installed in the slot permits a maximum of 16 inputs/outputs.
•Digital 2TR In and Out for consumer-format digital audio signals
•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-
acy multi-track digital recorders.
•You can cascade two 01V96s while remaining in the digital domain.
•Input patches enable assignment of input signals to desired signal paths.
•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to
desired output jacks.
12
Chapter 1—Welcome
01V96—Owner’s Manual
Channel Configuration
32 Input Channels and four ST IN channels can be mixed at a time. Group multiple
channels and pair channels for stereo.
•Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use
as Group Buses.
•Channel library for storing and recalling the channel settings for each Input Channel
and Output Channel
•Four-band EQ on each channel
•Dynamics processors on all channels (excluding ST IN channels)
•Dynamics processor settings and EQ settings can be stored in libraries and recalled.
Effects
•Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel
Inserts)
Effect library for storing and recalling effect settings.
Scene Memory
•Scene memories for storing and recalling mix settings as Scenes
Surround Sound
•Supports 3-1, 5.1, and 6.1 channel surround sound production
•Surround channel outputs can be assigned to suit connected devices.
Remote Control
•Control and manage your 01V96 from your Mac or PC using bundled Studio Manager
software.
•Remote Layer for remote control of Pro Tools, Nuendo, and other DAWs that support
the Pro Tools protocol
•Control an external recorder via MMC commands.
MIDI
•Equipped with MIDI ports and a USB port for computer connection
•Scene recall and mix parameter changes via MIDI
Control Surface & Rear Panel 13
01V96—Owner’s Manual
2
Control Surface & Rear Panel
2 Control Surface & Rear Panel
Control Surface
SOLO SOLO
ON ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ONON
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
1-16 17-32 MASTER REMOTE
LAYER
SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL
ST IN
ENTER
EQUALIZER
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
STEREO
SELECTED CHANNEL
PA N
DEC INC
SOLO CLEAR
RECALL
STORE
SCENE MEMORY
PHONES
MONITOR
OUT
MONITOR
2TR IN
CH15
/
16
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PA D
FADER MODE
DISPLAY ACCESS
AUX 1
AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8
AUX 2 AUX 3 AUX 4
AUX 8AUX 7AUX 6AUX 5
HOME (METER)
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
16
1513
121110987643215
14
INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
OINSERT I
/
O INSERT I
/
O
L
R
IN OUT
2TR
-10dBV (UNBAL)
PHANTOM +48V
CH9-12CH5-8CH1-4
INPUT
(BAL)
INSERT
OUT IN
(UNBAL)
ST IN 1 ST IN 2
USER DEFINED
KEYS
12
34
56
78
55
5
+10
5
1010
10
1515
15
2020
20
303030
30
4040
40
5050
50
6060
7070
20
30
40
40
50
50
60
70
00
5
10
15
20
0
0
5
+10
5
10
15
30
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
15
0
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
20
30
40
40
50
50
60
70
30
15
20
30
40
40
20
30
40
20
30
40
20
30
40
50
50505050
20
30
40
50
20
30
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
30
15
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
303030
5
10
15
20
0
5
10
15
20
0
5
10
15
20
0
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
20
30
40
50
15 15
20
30
40
50
15
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
123456
123456
7
891011 12
7
891011 12
13 14 15 16
13 14 15 16
32313029282726252423222120191817
STEREO
13 14 15 16
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
AD Input Section (p. 14)
SELECTED
CHANNEL
Section (p. 20)
Monitor Out
& Head-
phones Sec-
tion (p. 15)
SOLO Section
(p. 22)
Channel Strip Section (p. 16) STEREO Section (p. 16) USER DEFINED KEYS
Section (p. 21)
Data Entry
Section (p. 22)
LAYER Section
(p. 19)
SCENE MEMORY Section (p. 21)
Display Section
(p. 19)
DISPLAY ACCESS
Section (p. 18)
ST IN Section
(p. 17)
FADER MODE
Section (p. 17)
14 Chapter 2—Control Surface & Rear Panel
01V96—Owner’s Manual
AD Input Section
A INPUT connectors A/B
INPUT A connectors are balanced XLR-3-31-type connectors that accept line-level and
microphone signals. Each of the phantom [+48V] switches on the rear panel turns on or off
the +48V phantom power feed to the corresponding input. INPUT B connectors are bal-
anced TRS phone-type connectors that accept line-level and microphone signals. The nom-
inal signal level of both types of connectors ranges from –60 dB to +4 dB. Phantom power
is not supplied to these connectors.
If you connect cables to INPUT A and INPUT B connectors of the same number, only the
signal from INPUT B is effective.
B INPUT connectors 13–16
These balanced TRS phone-type connectors accept line-level signals. The nominal signal
level ranges from –26 dB to +4 dB. INPUT 15 & 16 connectors are available only when the
AD 15/16 button is turned off (page 15).
C INSERT I/O connectors
These unbalanced TRS phone-type connectors are used for channel insert ins and outs. Use
a split cable to insert an external effects processor to AD input channels.
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
CH15
/
16
2TR IN
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PAD
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
16
1513
121110943215
14
INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O
CH1-4
INPUT
(BAL)
INSERT
OUT IN
(UNBAL)
13 14 15 16
8
1
2
3
4
5
6
7
1/4" TRS phone plug
Ring (cold)
Sleeve (ground)
Tip (hot)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" phone plug
1/4" phone plug
Sleeve
(ground)
Tip (send)
Sleeve (ground)
Connect to INSERT jack
Tip (return)
1/4" phone plug
Tip (send)
Ring (return)
Sleeve (ground)
From processor’s output
To processor’s input
Control Surface 15
01V96—Owner’s Manual
2
Control Surface & Rear Panel
D PAD switches
These switches turn on or off the 20 dB pad (attenuator) for each AD Input.
E GAIN controls
These controls adjust input sensitivity for each AD Input. Input sensitivity is –16 dB to
–60 dB when the Pad is off, and +4 dB to –40 dB when the Pad is on.
F PEAK indicators
These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad
switch and GAIN control so that the indicator rarely lights up at signal peak.
G SIGNAL indicators
These indicators light up when the input signal level exceeds –34 dB.
H AD15/16 selector
This button selects AD Input Channel 15 and 16 signals. When the button is turned on
(pushed in), the 2TR IN signals (page 24) are selected. When the button is turned off
(raised), the INPUT 15 and 16 signals are selected.
Monitor Out & Headphones Section
A 2TR IN/OUT connectors
These unbalanced RCA phono connectors input and output line-level signals, and are typ-
ically used to connect a master recorder.
When the AD15/16 selector in the AD Input section (
8) is turned on (pushed in), the sig-
nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16. When the
Monitor Source selector (
2) is turned on (pushed in), you can monitor the 2TR IN signals
from the MONITOR OUT connectors.
The 2TR OUT signals are always the same as the STEREO OUT signals.
B Monitor Source selector
This button selects the signals output from the MONITOR OUT connectors on the rear
panel. When this button is turned on (pushed in), you can monitor the signals input from
the 2TR IN connectors. When the button is turned off (raised), you can monitor the Stereo
Out signals or soloed channel signals.
C MONITOR LEVEL control
This control adjusts the monitoring level of the signals output from the MONITOR OUT
connectors.
D PHONES LEVEL control
This control sets the level of the PHONES. (See page 131 for more information on moni-
toring through the headphones.)
E PHONES jack
You can connect a set of stereo headphones to this stereo phone jack. The signals output
from the MONITOR OUT connectors are also output from this jack.
PHONES
MONITOR
OUT
MONITOR
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
L
R
IN OUT
2TR
-10dBV (UNBAL)
PHANTOM +48V
CH9-12CH5-8
1
2
3
4
5
16 Chapter 2—Control Surface & Rear Panel
01V96—Owner’s Manual
Channel Strip Section
A [SEL] buttons
These buttons enable you to select desired channels. The [SEL] button indicator for the cur-
rently-selected channel lights up. The channel selected by each [SEL] button depends on the
layer selected in the LAYER section (see page 19).
These buttons also allow you to create or cancel channel pairs, and add channels to (or
remove them from) Fader, Mute, EQ, and Compressor groups.
B [SOLO] buttons
These buttons solo the selected channels. The [SOLO] button indicator of the cur-
rently-soloed channel lights up.
C [ON] buttons
These buttons turn the selected channels on or off. The [ON] button indicators for On
channels light up.
D Channel faders
Depending on the button selected in the FADER MODE section (see page 17), these faders
adjust the selected channel input levels or the Bus Out or Aux Out levels.
STEREO Section
A [SEL] button
Selects the Stereo Out.
B [ON] button
Turns the Stereo Out on or off.
C [STEREO] fader
This 100mm motorized fader adjusts the final output level of the Stereo Out.
SOLO
ON
SEL
AUX 1
40
50
60
70
30
5
10
15
20
0
20
30
40
50
15
5
+10
5
10
0
1
1
17
1
2
3
4
ON
SEL
5
10
15
20
30
40
50
60
70
0
STEREO
1
2
3
Control Surface 17
01V96—Owner’s Manual
2
Control Surface & Rear Panel
ST IN Section
A [ST IN] button
This button selects an ST IN channel pair (ST IN Channels 1 & 2 or 3 & 4) which you can
control using the buttons and controls in the ST IN section. The indicators to the right of
the button indicate the available ST IN channels.
B [SEL] buttons
These buttons select the ST IN channel you want to control.
C [SOLO] buttons
These buttons solo the selected ST IN channels.
D [ON] buttons
These buttons turn the ST IN channels on or off.
E Level controls
These controls adjust the ST IN channel levels.
FADER MODE Section
A [AUX 1]–[AUX 8] buttons
These buttons enable you to select the Aux Send you wish to control. Pressing one of these
buttons switches the Fader mode (see page 33), and displays the corresponding Aux page.
(The selected buttons indicator lights up.)
You can now adjust the send level of signals routed from Input Channels to the correspond-
ing Aux buses by using the faders.
B [HOME] button
This button recalls Meter pages that display Input Channel levels or Output Channel (Bus
Out, Aux Out, Stereo Out) levels (see page 34).
SOLO
ON
SOLO
ON
SEL SEL
ST IN
ST IN 1 ST IN 2
1
2
3
4
5
FADER MODE
AUX 1 AUX 2 AUX 3 AUX 4
AUX 8AUX 7AUX 6AUX 5
HOME (METER)
1
2
18 Chapter 2—Control Surface & Rear Panel
01V96—Owner’s Manual
DISPLAY ACCESS Section
A [SCENE] button
This button displays a Scene page, enabling you to store and recall Scenes (see page 161).
B [DIO/SETUP] button
This button displays a DIO/Setup page, enabling you to set up the 01V96, including digital
input and output setup and remote control setup (see pgaes 72, 188).
C [MIDI] button
This button displays a MIDI page, enabling you to make MIDI settings (see page 215).
D [UTILITY] button
This button displays a Utility page, enabling you to use the internal oscillators and view
information about installed optional cards.
E [ /INSERT/DELAY] button
This button displays a /INS/DLY page, enabling you to switch the signal phase, set the
signal to be inserted, or set the delay parameters (see pages 79, 127).
F [PAN/ROUTING] button
This button displays a Pan/Route page, enabling you to select a Bus to which the selected
channel signal is routed, adjust the selected channel pan settings, adjust the level of signals
routed from Buses 1–8 to the Stereo Bus, and adjust the stereo or surround pan settings (see
pages 85, 135).
G [PAIR/GROUP] button
This button displays a Pair/Grup page, enabling you to create or cancel channel pairs and
group multiple channel faders or [ON] buttons (see pages 93, 147).
H [PATCH] button
This button displays a Patch page, enabling you to patch input signals and Bus Out signals
to Input channels, or patch signals to the desired output connectors (see page 121).
I [DYNAMICS] button
This button displays a Dynamics page, enabling you to control channel gates and compres-
sors (see page 81).
J [EQ] button
This button displays an EQ page, enabling you to set the equalizer and attenuator of the
selected channel (see page 84).
K [EFFECT] button
This button displays an Effect page, enabling you to edit the internal effects processors and
use optional plug-in cards (see page 157).
L [VIEW] button
This button displays a View page, enabling you to view and set mix parameters for a specific
channel (see page 87).
DISPLAY ACCESS
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
1 2 3
9
J K L
4
5
6
8
7
UTILITYMIDISCENE
DIO/SETUP
Control Surface 19
01V96—Owner’s Manual
2
Control Surface & Rear Panel
LAYER Section
A [1–16]/[17–32] buttons
These buttons select an Input Channel layer as the layer controlled in the Channel Strip sec-
tion. When the [1–16] button is turned on, you can control Channels 1–16. When the
[17–32] button is turned on, you can control Channels 17–32. (See page 31 for more infor-
mation on the Input Channel layers.)
B [MASTER] button
This button selects the Master Layer as the layer controlled in the Channel Strip section. You
can use this layer to control Bus Outs and AUX Sends. (See page 31 for more information
on the Master layer.)
C [REMOTE] button
This button selects the Remote Layer as the layer controlled in the Channel Strip section.
You can use this layer to control external MIDI devices or computer-based DAWs. (See
page 185 for more information on the Remote layer.)
Display Section
A Display
This is a 320 x 240 dot LCD display with a backlight.
B Stereo meters
These 12-segment level meters display the final output level of the Stereo Bus.
C Contrast control
This control adjusts the display contrast.
D [F1]–[F4] buttons
These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the
screen using one of these buttons displays the corresponding page. (See page 28 for more
information on displaying a page.)
Tip: The ST IN section is not affected by the layer settings.
1-16 17-32 MASTER REMOTE
LAYER
1 2 3
STEREO
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
4
1
5
2
3
6
20 Chapter 2—Control Surface & Rear Panel
01V96—Owner’s Manual
E Left Tab Scroll [ ] button
F Right Tab Scroll [ ] button
If there are more pages available than the four whose tabs are currently displayed, use these
buttons to display the additional tabs. These buttons are available only when the left or right
Tab Scroll arrow appears.
SELECTED CHANNEL Section
A [PAN] control
This control adjusts the pan of the channel selected by the [SEL] button.
B [HIGH] button
C [HIGH-MID] button
D [LOW-MID] button
E [LOW] button
These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW) of the channel
selected by the [SEL] button. The corresponding button indicator of the currently-selected
band lights up.
F [Q] control
This control adjusts the currently-selected band Q.
G [FREQUENCY] control
This control adjusts the currently-selected band frequency.
H [GAIN] control
This control adjusts the currently-selected band gain.
Tab Scroll arrow
EQUALIZER
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
SELECTED CHANNEL
PA N
1
2
3
4
5
6
7
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