Yamaha EMX5 El kitabı

Marka: Yamaha

Model: EMX5

Kategori: Ses amplifikatörleri

Tip: El kitabı

Owner’s Manual

If you wish to get started right away:

If you encounter a problem:

pages 6 to 9 Quick Start Guide

page 13 Troubleshooting

Contents

page 5

EMX5 Owner’s Manual

The above warning is located on the rear of the unit.

L’avertissement ci-dessus est situé sur l’arrière de l’unité.

Explanation of Graphical Symbols

Explication des symboles

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert

the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that

may be of sufficient magnitude to constitute a risk of electric shock to persons.

L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de

l’utilisateur sur la présence d’une « tension dangereuse » non isolée à l’intérieur de l’appareil,

pouvant être suffisamment élevée pour constituer un risque d’électrocution.

The exclamation point within an equilateral triangle is intended to alert the user to the pres-

ence of important operating and maintenance (servicing) instructions in the literature accom-

panying the product.

Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de

l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparat-

ion) de l’appareil dans la documentation fournie.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (includ-

ing amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding type plug has two blades and a third grounding prong. The

wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet,

consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles,

and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer,

or sold with the apparatus. When a cart is used, use caution when moving the cart/

apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during lightning storms or when unused for long periods of

time.

14 Refer all servicing to qualified service personnel. Servicing is required when the

apparatus has been damaged in any way, such as power-supply cord or plug is dam-

aged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to

rain or moisture, does not operate normally, or has been dropped.

(UL60065_03)

PRÉCAUTIONS CONCERNANT LA SÉCURITÉ

1 Lire ces instructions.

2 Conserver ces instructions.

3 Tenir compte de tous les avertissements.

4 Suivre toutes les instructions.

5 Ne pas utiliser ce produit à proximité d’eau.

6 Nettoyer uniquement avec un chiffon propre et sec.

7 Ne pas bloquer les orifices de ventilation. Installer l’appareil conformément aux instructions du fabricant.

8 Ne pas installer l’appareil à proximité d’une source de chaleur comme un radiateur, une bouche de cha-

leur, un poêle ou tout autre appareil (y compris un amplificateur) produisant de la chaleur.

9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la fiche de terre. Une fiche polarisée dis-

pose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et

d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est des-

tinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les pri-

ses de courant disponibles, faire remplacer les prises par un électricien.

10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas piétinés ni coincés, en faisant tout

spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil.

11 Utiliser exclusivement les fixations et accessoires spécifiés par le fabricant.

12 Utiliser exclusivement le chariot, le stand, le trépied, le support ou la table recom-

mandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un

chariot, déplacer le chariot avec précaution pour éviter tout risque de chute et de

blessure.

13 Débrancher l’appareil en cas d’orage ou lorsqu’il doit rester hors service pendant

une période prolongée.

14 Confier toute réparation à un personnel qualifié. Faire réparer l’appareil s’il a subi

tout dommage, par exemple si la fiche ou le cordon d’alimentation est endommagé, si du liquide a coulé

ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité,

si l’appareil ne fonctionne pas normalement ou est tombé.

(UL60065_03)

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR

MOISTURE.

AVERTISSEMENT

POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE, N’EXPOSEZ PAS CET

APPAREIL À LA PLUIE OU À L’HUMIDITÉ.

EMX5 Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY

BEFORE PROCEEDING

Please keep this manual in a safe place for

future reference.

WARNING

Always follow the basic precautions listed below to

avoid the possibility of serious injury or even death

from electrical shock, short-circuiting, damages, fire

or other hazards. These precautions include, but are

not limited to, the following:

Power supply/power cord

• Do not place the power cord near heat sources such as

heaters or radiators, and do not excessively bend or

otherwise damage the cord, place heavy objects on it, or

place it in a position where anyone could walk on, trip

over, or roll anything over it.

• Only use the voltage specified as correct for the device.

The required voltage is printed on the name plate of the

device.

• Use only the supplied power cord/plug.

If you intend to use the device in an area other than in the

one you purchased, the included power cord may not be

compatible. Please check with your Yamaha dealer.

• Check the electric plug and each jack periodically, and

remove any dirt or dust which may have accumulated.

Failure to do so may cause electrical shock, short-

circuiting or fire.

• When setting up the device, make sure that the AC outlet

you are using is easily accessible. If some trouble or

malfunction occurs, immediately turn off the power switch

and disconnect the plug from the outlet. Even when the

power switch is turned off, as long as the power cord is not

unplugged from the wall AC outlet, the device will not be

disconnected from the power source.

• Remove the electric plug from the outlet when the device

is not to be used for extended periods of time, or during

electrical storms.

• Be sure to connect to an appropriate outlet with a

protective grounding connection.

Do not open

• This device contains no user-serviceable parts. Do not

open the device or attempt to disassemble the internal

parts or modify them in any way. If it should appear to be

malfunctioning, discontinue use immediately and have it

inspected by qualified Yamaha service personnel.

Water warning

• Do not expose the device to rain, use it near water or in

damp or wet conditions, or place on it any containers

(such as vases, bottles or glasses) containing liquids

which might spill into any openings. If any liquid such as

water seeps into the device, turn off the power

immediately and unplug the power cord from the AC

outlet. Then have the device inspected by qualified

Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

Hearing loss

• Avoid setting all equalizer and level controls to their

maximum. Depending on the condition of the connected

devices, doing so may result in feedback that can cause

hearing loss and damage the speakers.

• Do not use speakers for a long period of time at a high or

uncomfortable volume level, since this can cause

permanent hearing loss. If you experience any hearing

loss or ringing in the ears, consult a physician.

• When turning on the AC power in your audio system,

always turn on the device LAST, to avoid hearing loss and

speaker damage. When turning the power off, the device

should be turned off FIRST for the same reason.

Fire warning

• Do not place any burning items or open flames near the

device, since they may cause a fire.

If you notice any abnormality

• If any of the following problems occur, immediately turn off

the power switch and disconnect the electric plug from the

outlet.

- The power cord or plug becomes frayed or damaged.

- Unusual smells or smoke are emitted.

- Some object has been dropped into the device.

- There is a sudden loss of sound during use of the device.

- Cracks or other visible damage appear on the device.

Then have the device inspected or repaired by qualified

Yamaha service personnel.

• If this device should be dropped or damaged,

immediately turn off the power switch, disconnect the

electric plug from the outlet, and have the device

inspected by qualified Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to

avoid the possibility of physical injury to you or

others, or damage to the device or other property.

These precautions include, but are not limited to, the

following:

Power supply/power cord

• When removing the electric plug from the device or an

outlet, always hold the plug itself and not the cord. Pulling

by the cord can damage it.

Location

• Do not place the device in an unstable position where it

might accidentally fall over and cause injuries.

• Do not block the vents. This device has ventilation holes at

the sides to prevent the internal temperature from

becoming too high. In particular, do not place the device

on its side or upside down. Inadequate ventilation can

result in overheating, possibly causing damage to the

device(s), or even fire.

• When using the device:

- Do not cover it with any cloth.

- Do not install it on a carpet or rug.

- Do not use the device in a confined, poorly-ventilated

location.

Inadequate ventilation can result in overheating, possibly

causing damage to the device(s), or even fire. If this

device is to be used in a small space other than an EIA-

standard rack, make sure that there is adequate space

around the device: at least 30 cm above, 30 cm at the

sides and 30 cm behind.

• Do not place the device in a location where it may come

into contact with corrosive gases or salt air. Doing so may

result in malfunction.

• Before moving the device, remove all connected cables.

• If the device is mounted in an EIA standard rack, carefully

read the section “Precautions for Rack Mounting” on page

16. Inadequate ventilation can result in overheating, possibly

causing damage to the device(s), malfunction, or even fire.

PA_en_7 1/2

EMX5 Owner’s Manual

Connections

• Do not use speaker cables with a metal-housing

connector. Doing so may result in electrical shock due to

differences in voltage. Use speaker cables with a

nonmetal-housing connector, or with a insulated-housing

connector.

• Before connecting the device to other devices, turn off the

power for all devices. Also, before turning the power of all

devices on or off, make sure that all volume levels are set

to the minimum. Failing to do so may result in electric

shock or equipment damage.

• Use only speaker cables for connecting speakers to the

speaker jacks. Use of other types of cables may result in

fire.

Maintenance

• Remove the power plug from the AC outlet when cleaning

the device.

Handling caution

• Avoid inserting or dropping foreign objects (paper, plastic,

metal, etc.) into any gaps or openings on the device

(vents, panel, etc.). If this happens, immediately turn off

the power, unplug the power cord from the AC outlet, and

have the device inspected by qualified Yamaha service

personnel.

• Do not rest your weight on the device or place heavy

objects on it. Avoid applying excessive force to the

buttons, switches or connectors to prevent injuries.

Yamaha cannot be held responsible for damage caused

by improper use or modifications to the device.

NOTICE

To avoid the possibility of malfunction/ damage to the

product, damage to data, or damage to other property, fol-

low the notices below.

 Handling and maintenance

• Do not use the device in the vicinity of a TV, radio, AV

equipment, mobile phone, or other electric devices. Oth-

erwise, the device, TV, or radio may generate noise.

• Do not expose the device to excessive dust or vibration,

or extreme cold or heat (such as in direct sunlight, near

a heater, or in a car during the day), in order to prevent

the possibility of panel disfiguration, unstable operation,

or damage to the internal components.

• Do not place vinyl, plastic or rubber objects on the

device, since this might discolor the panel.

• Place input cables for devices such as microphones,

and microphone amplifier circuits with high sensitivity in

a location that is far away from the speaker cables. In

addition, ensure that the power cord is kept at least 1 cm

from the speaker cables. Due to an excessively large

current flowing through the speaker cables, it may lead

to acoustic noise or electromagnetic interference.

• When cleaning the device, use a dry and soft cloth. Do

not use paint thinners, solvents, cleaning fluids, or

chemical-impregnated wiping cloths.

• Condensation can occur in the device due to rapid, dras-

tic changes in ambient temperature—when the device is

moved from one location to another, or air conditioning

is turned on or off, for example. Using the device while

condensation is present can cause damage. If there is

reason to believe that condensation might have

occurred, leave the device for several hours without turn-

ing on the power until the condensation has completely

dried out.

• Do not use the output of this device for any purpose

other than driving loudspeakers.

• Always turn the power off when the device is not in use.

 Connectors

• XLR-type connectors are wired as follows (IEC60268

standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

• Use only Neutrik NL4 plugs for connecting speakON

connectors.

Information

 About this manual

• The illustrations and LCD screens as shown in this man-

ual are for instructional purposes only.

• The company names and product names in this manual

are the trademarks or registered trademarks of their

respective companies.

• European models

Purchaser/User Information specified in EN55103-2:2009.

Conforms to Environments: E1, E2, E3 and E4

• Information indicated by “NOTE” provides useful tips.

PA_en_7 2/2

EMX5 Owner’s Manual

Thank you and congratulations on your purchase of the Yamaha POWERED MIXER EMX5. This product is a powered mixer for mixing multiple sound

sources for live performances by a band or other events. This manual helps users not familiar with mixers to install and configure the connections, and also

explains how to use the product. Please read this manual thoroughly to get the most out of the product and ensure long-term, trouble-free use. After reading

this manual, please keep it available for future reference.

Main Features................................................................ 5

Accessories................................................................... 5

Quick Start Guide.......................................................... 6

Getting Sound to the Speakers/Connection Example.......6

Using the Compressor ......................................................8

Using the Built-in Effects...................................................9

Controls and Functions.............................................. 10

Front Panel .....................................................................10

Rear Panel ......................................................................12

Troubleshooting.......................................................... 13

Appendix...................................................................... 14

Connecting Speakers......................................................14

Vertical/Horizontal Orientation and Installation ...............15

Rack Mounting ................................................................16

Effect Programs ..............................................................17

Jack and Plug List...........................................................18

Dimensions .....................................................................19

General Specifications ....................................................20

Index............................................................................. 21

Contents

Complete Range of Input Channels

This model is equipped with four mono input channels (channels 1 to 4) and four mono/stereo input channels (chan-

nels 5/6 to 11/12).

Up to eight microphones can be connected. Line-level devices such as keyboards and CD players can also be con-

nected to each channel. In addition, channel 4 can be used with Hi-Z inputs used to directly connect an instrument

such as a guitar or bass guitar.

Compressor

This product is equipped with the popular 1-knob COMP function used in MGP and MG series models. By simply

operating a single control, it is possible to get optimal compression for vocals and instruments.

Comprehensive, Professional Effects and Signal Processing

This product is equipped with a powerful, comprehensive DSP section that provides the following effects and proces-

sors:

• A total of 24 different effects that are in the same league as our famed SPX effect processor series used by profes-

sionals. (See page 9.)

• A feedback suppressor, which automatically prevents undesirable feedback noise. (See section @0 on page 11.)

• A Master EQ, which enables easy adjustment of the master sound to match the usage. (See section @3 on page 11.)

High Efficiency Class-D Amplifier

This model has a built-in high efficiency power amplifier. Despite its low power consumption, it is capable of high vol-

ume output while remaining relatively lightweight.

It also has a built-in overload protection function to improve reliability.

Rack Mounting

This product can be mounted onto a 19-inch rack by using the RK-EMX7 (rack-mount brackets) sold separately.

Main Features

Accessories (Please check that they are included with your mixer.)

• AC power cord (2.5 m)

• Technical Specifications (English only): Includes general specifications, input/output characteristics, and a block dia-

gram.

• Owner’s Manual (this document)

EMX5 Owner’s Manual

Quick Start Guide

Getting Sound to the Speakers/

Connection Example

NOTICE

Do not bundle or tie the power cord and speaker cables dur-

ing use. Due to the large current flowing through the speaker

cables, it may lead to acoustic noise or electromagnetic inter-

ference.

Passive

speakers

Rear Panel (See page 12.)

AC power

cord

1. Turn off ( ) all switches (including the

[ ] (Power) switch).

2. Connect the devices you intend to use.

(The diagram to the right shows a connection example.

Also refer to the diagram to the left.)

 Precautions for Connecting the Speakers

• Connect a single passive speaker (a speaker without an

internal amplifier) to the respective [SPEAKERS A/B]

jacks. Sending the signal from both [SPEAKERS A/B]

jacks to a single speaker may result in malfunction.

• Make sure to insert the speaker cables all the way inside

until secure. When connecting a speakON plug, insert it all

the way inside, then turn until it locks in place.

• Use speaker cables that have insulated connector handles

(housing).

• For details about speaker connection, see page 14.

3. Connect the included power cord.

Connection order:

Mixer [AC IN] jack  Power outlet

4. Turn all [LEVEL] controls and MASTER

[LEVEL] controls to “0” and set the equal-

izer controls to the “ ” position.

5. Set the [ MIC/ LINE] switch to the

“ MIC” position for microphone con-

nection, and to the “ LINE” position for

connection of an instrument or audio

device.

NOTE

When removing the power cord, do so in the reverse order.

(Power outlet  Mixer [AC IN] jack)

Microphone

× 3

Electric bass guitar

Keyboard

Turn the [Hi-Z] switch on.

(See section u on page

10.)

Equalizer controls

Connection

Example

Quick Start Guide

EMX5 Owner’s Manual

Portable audio

player

Passive speakers

Power amplifier

NOTE

Normally, speakers are connected via

the [SPEAKERS A/B] jacks on the rear

panel. However, if a higher output level

is required, or if you want to add more

speakers, connect the speakers via a

power amplifier that is connected to

the [STEREO OUT] jack.

6. When connecting a condenser microphone, set the [PHANTOM

+48V] switch to the ON position ( ).

7. Turn on the power.

Switching order:

Instrument or audio device  Mixer [ ] (Power) switch

8. Set the [LEVEL] control for the channel that has the connected

device to the “ ” position.

9. Use the STEREO MASTER [LEVEL] control to adjust the overall

sound level.

10. If necessary, adjust the level balance of the connected

devices using the [LEVEL] controls for channels 1 to 11/12.

WARNING

When turning off the power, a loud and unpleasant noise may be generated by

the speakers. To prevent this, first turn off the Mixer [ ] (Power) switch, then

turn off the instrument or audio device.

Optimizing the volume settings

 When the volume is too loud

Turn the [LEVEL] control to the minimum (zero). Set the [ MIC/ LINE] switch to

the “ LINE” position, and then slowly raise the [LEVEL] control until the desired

volume is reached.

 When the volume is too soft

Turn the [LEVEL] control to the minimum (zero). Set the [ MIC/ LINE] switch to

the “ MIC” position, and then slowly raise the [LEVEL] control until the desired vol-

ume is reached.

Quick Start Guide

EMX5 Owner’s Manual

Using the Compressor

When the compressor is applied to vocals, it evens out the input level, reducing the

level of loud passages and bringing up softer passages. It also makes each sound

more distinct, enabling the listener to better understand the performer’s singing.

1. Adjust the [COMP] controls until you get the desired sound for channels you

wish to add compression.

Turn the control to the right to increase the level of compression. Avoid setting the value too high, as too

much compression may lead to feedback.

Common Compressor Applications

In addition to vocals, the compressor can be used to enhance the sound of

instruments such as guitars, bass guitars, and drums.

Output

(Max)

(Min)

Input

Quick Start Guide

EMX5 Owner’s Manual

Using the Built-in Effects

It is possible to add particular sound effects or effects that simulate the sound of different per-

formance environments, such as concert halls and small clubs.

1. Use the [PROGRAM] rotary encoder to select the desired effect.

q Turn the [PROGRAM] rotary encoder to select the program.

w The selected effect program number flashes in the display.

e Press the [PROGRAM] rotary encoder to confirm your selection.

2. Turn on ( ) the FX RTN [FX ON] switch.

The switch lights up to indicate that it is on. Connect a control device such as the optional FC5 foot switch (sold separately)

to the [FOOT SW] jack, which lets you conveniently bypass/enable the built-in effects.

3. Set the FX RTN [LEVEL] control to the “ ” position.

4. Use the [AUX2/FX] send controls to adjust the effect depth for each channel you wish to apply

the effect.

5. Use the FX RTN [LEVEL] control to adjust the overall effect depth.

Display

NOTE

• You can also select and confirm the program by simultaneously holding down and turning the [PROGRAM] rotary encoder.

• If no operation is detected for an extended period of time, and the selected program is not confirmed, the system will auto-

matically return to the previously confirmed program.

• For details about available effects, refer to the “Effect Programs” on page 17.

NOTE

If you wish to change effect parameters such as reverb time or delay time, adjust the [PARAMETER] control. (See section !8

on page 10.) For details about the parameters of each effect that can be adjusted with the [PARAMETER] control, refer to the

“Effect Programs” on page 17.

EMX5 Owner’s Manual

Controls and Functions

q Equalizer controls [HIGH]/[MID]/[LOW]

For adjusting the [HIGH], [MID], and [LOW] audio frequencies. Turn-

ing the control to the right amplifies (boosts) the corresponding fre-

quency band, while turning to the left attenuates (cuts) the band.

Setting the control to the “t” position produces a flat response in the

corresponding band.

w [AUX1] send controls (Channels 1 – 11/12)

[AUX2/FX] send controls (Channels 1 – 11/12)

For adjusting the levels of each signal sent to the AUX1 and AUX2/

FX (built-in effects) buses from each channel independently. On

channels 5/6 to 11/12, the Line L (odd) and Line R (even) input sig-

nals are mixed before being sent into the AUX1 and AUX2/FX buses.

Adjust the controls so that they are near the “t” (nominal) position.

e [LEVEL] controls (Channels 1 – 11/12)

For adjusting the volume for each channel. Set all [LEVEL] controls

on unused channels to the minimum in order to reduce noise.

r [COMP] controls

For adjusting the amount of compression applied to the correspond-

ing channel. As the [COMP] control is turned to the right, the thresh-

old, ratio, and output gain are adjusted simultaneously.

t [ MIC/ LINE] switches (Channels 1 – 4)

For channels with low-level input signal devices such as micro-

phones, set the switches to the “ MIC” position. For channels with

high-level input signals such as electronic instruments and audio

devices, set the switch to the “ LINE” position.

y [HPF] (High Pass Filter) switches (Channels 1 – 3)

Turning this switch on ( ) applies a high-pass filter that attenuates

frequencies below 80 Hz in the signal by a slope of 12 dB/octave.

This function should be kept on when using vocals in order to reduce

noise from vibration or wind picked up by the microphone.

u [Hi-Z] switch (Channel 4)

Turn this switch on ( ) when you wish to connect instruments with

passive pickups such as acoustic-electric guitars or electric bass

guitars that do not have internal batteries. It enables such devices to

be directly connected to the mixer without the need for a DI (direct

injection box). This function affects only the phone jack input.

Front Panel

NOTE

The [AUX1] send control is a PRE setting that is not affected by the

[LEVEL] control, and the [AUX2/FX] send control is a POST setting that is

affected by the [LEVEL] control.

NOTE

Avoid raising the level of the [COMP] control too high, as the higher aver-

age output level that results may lead to feedback.

i [MIC/LINE] input jacks (Channels 1 – 4)

For connecting microphones, guitars, electronic musical instruments

or audio devices. These are compatible with both XLR and phone

plugs.

o [MIC] input jacks (Channels 5/6, 7/8, 9/10, 11/12)

These are balanced XLR microphone input jacks.

!0 [LINE] input jacks (Channels 5/6, 7/8, 9/10, 11/12)

For connecting line-level devices such as electronic instruments,

acoustic-electric guitars, CD players, and portable audio players.

These are compatible with TS phone, RCA-pin, and stereo mini

plugs. Using only the [L/MONO] jacks results in the stereo left and

right channels outputting the same signal.

• Channels 5/6, 7/8: TS phone

• Channel 9/10: RCA-pin

• Channel 11/12: RCA-pin, stereo mini

!1 FX RTN (Effect Return) [AUX1] send control

For adjusting the level of the signal sent from the built-in effects to

the AUX1 bus.

!2 FX RTN [LEVEL] control

For adjusting the level of the effect sent from the built-in effects to the

STEREO L/R bus.

!3 FX RTN [FX ON] switch

For turning the corresponding built-in effects on or off. It lights up

when it is switched on ( ).

!4 FX RTN [FOOT SW] (Foot Switch) jack

For connecting an unlatched-type foot switch such as the Yamaha

FC5. It is useful for solo performers, since it allows you to mute the

effects with your foot.

NOTE

If desired, a single channel’s [MIC] and [LINE] jacks can be used together

at the same time. But note that the levels cannot be adjusted indepen-

dently. The stereo mini jack has priority for channel 11/12 [LINE] input jack.

NOTE

The FX RTN [LEVEL] control does not affect the level of the signal sent to

the AUX1 bus.

NOTE

If this switch is on and the foot switch (see “!4 FX RTN [FOOT SW] jack”)

is used to mute the built-in effects, the switch flashes.

XLR Phone

RCA-pin Stereo mini

!5 Effect program list

This is a convenient on-panel list of the built-in effect programs. For

details about these programs, see the “Effect Programs” on page 17.

!6 Display

Shows the currently used program and settings screens for each

function.

!7 [PROGRAM] rotary encoder

For selecting one of the 24 built-in effects. Turn the rotary encoder to

select the desired effect, and then press the encoder to enable it.

!8 [PARAMETER] control

For adjusting parameters (depth, speed, etc.) for the selected effect

program. The last value used with each effect program is saved.

NOTE

You can also select the desired effect by turning the rotary encoder while

holding it down.

ty u

ty ty t

Controls and Functions

EMX5 Owner’s Manual

!9 Level meter

This uses LED indicators to show the STEREO L/R signal levels.

The “0” ( ) segment corresponds to the nominal output level. The

“PEAK” segment on the level meter lights up when output reaches

the clipping level.

@0 [FEEDBACK SUPPRESSOR] switch

When this switch is on ( ), it lights up to indicate that feedback is

automatically suppressed. (This utilizes a seven-band notch filter.

When this switch or the [ ] (Power) switch is off, the notch filter will

be reset.)

NOTE

When you change to a different effect type, the mixer automatically

restores the value that was previously used with the newly selected effect

(regardless of the current position of the [PARAMETER] control).

@1 AUX1 MASTER [LEVEL] control

AUX2 MASTER [LEVEL] control

STEREO MASTER [LEVEL] control

For adjusting the level of the signals sent to the AUX1, AUX2, and

STEREO L/R.

@2 [MONITOR EQ] switches

When connecting monitor speakers to the [AUX1 SEND]/[AUX2

SEND] jacks, turning this switch to on ( ) will cut the unnecessary

range to meet the sound quality suited to the monitor indication.

@3 [MASTER EQ] control

For adjusting the frequency balance of the overall sound. The center

position “MUSIC” is a basic setting and if you turn the control to the

left, this creates an optimum setting for speech, cutting unnecessary

low range audio frequencies. Turning the control to the right creates

an optimum setting for music, by boosting the low and high ranges.

Turning it further to the right creates an even more powerful bass

tone with the “BASS BOOST” indicator turning on to indicate that the

bass boost function is on.

@4 [AUX1 SEND] jack

[AUX2 SEND] jack

For connecting to a musician monitoring system, external effect

device, and so on. These are impedance balanced TRS phone type

output jacks. (See the “Jack and Plug List” on page 18.)

@5 [STEREO OUT] jacks

These are TRS phone type impedance balanced output jacks that

output the mixed stereo signal. The signal level is adjusted by the

STEREO MASTER [LEVEL] control before it is output. Using only

the [L/MONO] jack lets you obtain a signal composed of the left and

right channels mixed together.

@6 [REC OUT] jacks

These are unbalanced RCA-pin output jacks. They can be used to

connect an external recorder. The output signal from these jacks is

not affected by the STEREO MASTER [LEVEL] control. The record-

ing level can be separately adjusted on the recording device.

@7 [PHANTOM +48V] switch

Turn this switch on ( ) to supply all the XLR input jacks (channels

1 to 11/12) with DC +48 V phantom power. Turning on the switch

supplies power to condenser microphones or a DI (direct injection

box). When it is on, the switch lights up.

NOTICE

Follow the important precautions below, in order to prevent noise

and possible damage to external devices and the mixer when you

operate this switch.

• If you do not need phantom power, or when you connect a device

that does not support phantom power, be sure to leave this switch

off or connect via the phone (channels 1 to 7/8) / RCA-pin (9/10

and 11/12) / stereo mini (11/12) plugs.

• Do not connect or disconnect cables while this switch is on.

• Turn @1 AUX1, AUX2, and STEREO MASTER [LEVEL] controls to

the minimum setting before operating this switch.

@8 AMPLIFIER [MODE] switch

Determines which signal is output from the [SPEAKERS A/B] jacks:

STEREO bus or L+R/AUX1 bus.

@9 AMPLIFIER [PROTECTION] indicators

Lights up to indicate amplifier protection is operating. The “CH A”

indicator is for the signal sent to the [SPEAKERS A] jack. The “CH

B” indicator is for the signal sent to the [SPEAKERS B] jack.

#0 AMPLIFIER [LIMIT] indicators

These light up when the DSP amplifier protection limiter is operating.

The “CH A” indicator is for the signal sent to the [SPEAKERS A] jack.

The “CH B” indicator is for the signal sent to the [SPEAKERS B] jack.

#1 [STANDBY] switch

When this switch is turned on ( ), it lights up and all inputs for

channels 1 to 7/8 are muted. Please note that channels 9/10 and 11/

12 are not muted. This is an added convenience for playing back-

ground music during gaps in the performance.

#2 [ ] (Power) switch

For turning the power ON ( ) or OFF ( ).

#3 Vents

There are vents located on both sides of the mixer, and a cooling fan

is installed on the exhaust side. Do not block the vents on either side

when using the mixer.

NOTICE

If used at a very high volume such that the indicators flash continu-

ously, the internal power amplifier section will be excessively over-

loaded and may malfunction. Reduce the output level with the AUX1

and STEREO MASTER [LEVEL] controls so that the indicators flash

only briefly on the highest transient peaks.

WARNING

Please note that trace current can continue to flow even when the

[ ] (Power) switch is in the OFF position. If you do not plan to use

the mixer for an extended period of time, be sure to unplug the

power cord from the wall outlet.

NOTICE

Rapidly turning the [ ] (Power) switch on and off in succession

may cause it to malfunction. After turning the mixer OFF, wait for

about 10 seconds before turning it ON again.

@6@5

Controls and Functions

EMX5 Owner’s Manual

#4 [SPEAKERS A/B] jacks

Use commercially available speaker cables to connect the speak-

ers. These jacks can be used with both TS phone and speakON

plugs. When connecting a speakON plug, insert it and turn until it

locks in place. Also, the signal to be output is determined accord-

ing to the setting of the AMPLIFIER [MODE] switch @8.

#5 [AC IN] jack

For connecting the included power cord here. First, connect the

included power cord to the mixer, and then plug it into an outlet.

#6 [USB] terminal

This is used only for performing maintenance. It is not used during

normal operation.

Rear Panel

AMPLIFIER [MODE]

switch setting

[SPEAKERS A]

Jack

[SPEAKERS B]

Jack

“STEREO” STEREO L signal STEREO R signal

“L+R/AUX1” L+R signal AUX1 signal

NOTICE

Do not bundle or tie the power cord and speaker cables during

use. Due to the large current flowing through the speaker cables, it

may lead to acoustic noise or electromagnetic interference.

EMX5 Owner’s Manual

Troubleshooting

Check the following items before contacting your Yamaha dealer.

If the problem remains, contact your nearest Yamaha dealer.

 The power does not come on.

 Turn off the [ ] (Power) switch and recheck the connection. Be sure that you are using the included power cord, and that it is correctly con-

nected to the [AC IN] jack and plugged into a working power outlet. If the power still does not come on when pressing the [ ] (Power) switch

after waiting a few minutes, the mixer may be malfunctioning. If this is the case, contact your nearest Yamaha dealer.

 The power suddenly turns off.

 Check that the vents on the sides of the mixer are not blocked.

 If the internal temperature of the mixer is excessively high, the overload protection function may have been triggered, causing the power to turn

off. Turn off the [ ] (Power) switch and restart the mixer after leaving it for a few minutes.

 The AMPLIFIER [PROTEC-

TION] indicators are flashing

or constantly on.

 When flashing, this indicates that the speaker cables connected to the [SPEAKERS] jack for the corresponding channel may be short circuited.

Turn off the [ ] (Power) switch and inspect the speaker cable for the corresponding channel.

 When constantly on, this indicates that the output has been muted due to amplifier overheating. Please wait until the amplifier has cooled down

to an acceptable level. If it does not reset, turn off the [ ] (Power) switch and restart the mixer after leaving it for a few minutes.

 No sound is heard.

 Are external devices (including microphones) and speakers connected correctly?

 Are all the input channel [LEVEL] controls and the AUX1, AUX2, and STEREO MASTER [LEVEL] controls set to appropriate levels?

 For channel 11/12, are both RCA and stereo mini jacks connected at the same time? If both are connected, the stereo mini jack will take priority.

 Check that the speaker cables are not shorted.

 The sound is low, distorted,

or noisy.

 Are all the input channel [LEVEL] controls and the AUX1, AUX2, and STEREO MASTER [LEVEL] controls set to appropriate levels?

 Check that the [ MIC/ LINE] switches on channels 1 to 4 are set correctly.

 Is the input signal from the device connected to the mixer set to an appropriate level?

 If an instrument with passive pickups is connected to channel 4, turn on the [Hi-Z] switch.

 The selected effect is not

applied.

 Check that the [AUX2/FX] send controls on each channel are correctly adjusted.

 Is the FX RTN [FX ON] switch turned on?

 Check that the FX RTN [LEVEL] control is correctly adjusted.

 The sound from the speakers

seems dull, lacking in dynam-

ics and power.

 Are the equalizer controls [HIGH]/[MID]/[LOW] adjusted appropriately?

 Turning the [MASTER EQ] control to the right of the center position “MUSIC”, which is the basic setting, will boost low and high range audio fre-

quencies.

 Speaking voices are not clear.

 Are the equalizer controls [HIGH]/[MID]/[LOW] adjusted appropriately?

 Is the [HPF] switch turned on?

 Turning the [MASTER EQ] control to the left of the center position “MUSIC”, which is the basic setting, will suppress low and high range audio fre-

quencies.

 How can the monitor output

be heard?

 Connect a powered speaker (a speaker with an internal amplifier) to the [AUX1 SEND], [AUX2 SEND] jacks. For the [AUX1 SEND] jack and

[AUX2 SEND] jack output signals, adjust each channel’s [AUX1] send control, [AUX2/FX] send control, as well as the AUX1 and AUX2 MASTER

[LEVEL] controls.

 Set the AMPLIFIER [MODE] switch to “L+R/AUX1” to enable the monitor signal (AUX1) to be output from the rear panel [SPEAKERS B] jack.

The STEREO L/R mix

ed signal is output from the [SPEAKERS A] jack.

EMX5 Owner’s Manual

Appendix

When you wish to connect multiple speakers from the [SPEAK-

ERS A/B] jacks in parallel, keep in mind that the overall imped-

ance does not fall below 4 ohms. When connecting speakers

with the same impedance in parallel, the overall impedance

value is half with two speakers, one-third with three speakers,

and only one-quarter with four speakers.

Connecting Speakers

CAUTION

• When connecting each device, only use appropriately

rated cables and plugs. Only use proper speaker cable

when connecting speakers.

• Make sure to insert the speaker cables all the way inside

until secure. When connecting a speakON plug, insert it all

the way inside, then turn until it locks in place.

• Use speaker cables with an insulated-housing connector.

 2-channel Connection

When connecting using the following configuration, use speak-

ers with impedance from 4 ohms to 8 ohms.

4Ω to 8Ω 4Ω to 8Ω

 2-channel Parallel Connection

When connecting speakers in parallel configuration, use speak-

ers with impedance from 8 ohms to 16 ohms.

8Ω to 16Ω 8Ω to 16Ω 8Ω to 16Ω 8Ω to 16Ω

Appendix

EMX5 Owner’s Manual

The mixer orientation can be changed for ease in operation and

for adapting to different installation needs.

 Vertical Orientation

This is convenient when operating the mixer on a tabletop.

Vertical/Horizontal Orientation

and Installation

 Horizontal Orientation

This is convenient when operating from a seated position with

the mixer placed on the floor.

CAUTION

Do not push too forcefully when tilting the mixer. Excess

force may cause the mixer to topple or turn, potentially

resulting in equipment damage or in injury to bystanders.

 Installation

This mixer has vents located on the sides. Please install it so that

these vents are well clear of walls or other objects.

Exhaust

At least

30 cm

At least

30 cm

At least

30 cm

Intake

Appendix

EMX5 Owner’s Manual

To prepare the mixer for rack mounting, use the RK-EMX7

(rack-mount brackets) sold separately. This mixer requires 7U*

of rack-mount space.

* 7U is approximately 312 mm.

 Precautions for Rack Mounting

This mixer is rated for operation at ambient temperatures rang-

ing from 0 to 40 degrees Celsius. If you install this mixer along

with other devices in a poorly ventilated EIA standard rack, the

ambient temperature inside the rack may rise, resulting in ineffi-

cient performance. Be sure to rack-mount according to the fol-

lowing conditions so the mixer does not overheat.

• When mounting the mixer in a rack with devices such as

power amplifiers that generate a significant amount of heat,

leave more than 1U of space between it and other devices.

Also, either leave the open spaces uncovered or install appro-

priate ventilating panels to minimize the possibility of heat

buildup.

• To ensure sufficient airflow, leave the rear of the rack open. If

you have installed a fan kit in the rack, there may be cases in

which closing the rear of the rack will produce a greater cool-

ing effect. Refer to the rack and/or fan kit manual for more

details.

Rack Mounting

CAUTION

This mixer is heavy, and should be lifted by two people when

mounting onto a rack.

 Assembly of the Rack-mount Brack-

ets

1. Use a screwdriver to loosen and remove the 12 screws on the

mixer side pads.

2.Use six of the screws you removed in Step 1 to securely

install the RK-EMX7 separately sold (rack-mount brackets)

onto the mixer.

NOTICE

During installing the rack-mount brackets, take care to

ensure that the screws do not damage surfaces such as

table tops. Place a soft cloth under the mixer for protec-

tion.

NOTICE

Be sure to use the same screws removed from the mixer

in Step 1. Using other screws may cause damage.

3.Carefully store the remaining six screws that are not used in

Step 2 so they are not lost. Once the rack-mount brackets are

installed there will be a total of eight empty screw holes on

the both sides of the mixer.

4.If you wish to remove the rack-mount brackets and reinstall

the side pads, ensure that they are installed on the correct

sides of the mixer. The inside surface of the side pads are

marked as “L” (Left) or “R” (Right).

NOTE

Separate screws for actually mounting the mixer in a rack are

not included with the mixer.

Empty screw holes

are on both sides of

the mixer.

Appendix

EMX5 Owner’s Manual

* “LFO” stands for Low Frequency Oscillator. An LFO is normally used to periodically modulate another signal, using different waveform shapes and modulation speeds.

Effect Programs

No. Program Parameter Description

1 REV HALL 1 Reverb Time

Reverb simulating a large space such as a concert hall.

2 REV HALL 2 Reverb Time

3 REV ROOM 1 Reverb Time

Reverb simulating the acoustics of a small space (room).

4 REV ROOM 2 Reverb Time

5 REV STAGE 1 Reverb Time

Reverb simulating a large stage.

6 REV STAGE 2 Reverb Time

7 REV PLATE Reverb Time Simulation of a metal-plate reverb unit, producing a more hard-edged reverberation.

8 DRUM AMB Reverb Time A short reverb that is ideal for use with a drum kit.

9 EARLY REF Room Size An effect which isolates only the early reflection components from reverberation, creating a ‘flashier’ effect than conventional reverb.

10 GATE REV Room Size An effect which cuts halfway the tail-end of the reverberation, making a more powerful sound.

11 SINGLE DLY Delay Time An effect which repeats the same sound only once. Shortening the delay time produces a doubling effect.

12 DELAY Delay Time Feedback delay adding multiple delayed signals.

13 VOCAL ECHO Delay Time Echo designed for conventional vocals.

14 KARAOKE Delay Time Echo designed for karaoke (sing-along) applications.

15 PHASER LFO* Freq Cyclically changes the phase to add modulation to the sound.

16 FLANGER LFO* Freq Adds modulation to the sound, producing an effect similar to the rise and fall sound of a jet engine.

17 CHORUS 1 LFO* Freq

Creates a thicker ensemble-like sound by adding the multiple sounds with different delay times.

18 CHORUS 2 LFO* Freq

19 SYMPHONIC LFO* Depth Multiplies the sound for thicker texture.

20 TREMOLO LFO* Freq An effect which cyclically modulates the volume.

21 AUTO WAH LFO* Freq

A wah-wah effect with cyclical filter modulation. The [PARAMETER] control adjusts the speed of the LFO* that modulates the “wah” fil-

ter.

22 RADIO VOICE Cutoff Offset Recreates the lo-fi sound of an AM radio. The [PARAMETER] control adjusts the frequency band to be emphasized.

23 DISTORTION Drive Adds a sharp-edged distortion to the sound.

24 PITCH CHANGE Pitch An effect which changes the pitch of the signal.

Appendix

EMX5 Owner’s Manual

*1 These jacks also can be connected with TS phone plugs. If you use TS phone plugs, the connection will be unbalanced.

*2 Since the hot and cold terminals of impedance balanced output jacks have the same impedance, the balanced connection enables these output jacks to be less affected by induced noise.

Jack and Plug List

Jack (Input/Output) Polarity Balanced/Unbalanced Configuration

MIC/LINE

MIC

Pin 1: Ground

Pin 2: Hot (+)

Pin 3: Cold (-)

Balanced

XLR jack

MIC/LINE

Tip: Hot (+)

Ring: Cold (-)

Sleeve: Ground

Balanced

TRS phone plug

AUX1 SEND

AUX2 SEND

STEREO OUT

Tip: Hot (+)

Ring: Cold (-)

Sleeve: Ground

Impedance balanced

LINE 5/6, 7/8

FOOT SW

Tip: Signal

Sleeve: Ground

Unbalanced

TS phone plug

SPEAKERS A/B

Tip: Positive

Sleeve: Negative

SPEAKERS A/B

1+: Positive

1-: Negative

—

speakON plug

Input

Ring

Sleeve Tip

2+ 2-

1- 1+

Appendix

EMX5 Owner’s Manual

Dimensions

275

313

155

308

325

465

400

60 60

Unit: mm

Appendix

EMX5 Owner’s Manual

For other specifications, see the included “Technical Specifications.”

The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file.

General Specifications

Maximum Output Power (1 kHz)

THD+N <10% 630 W + 630 W (4 Ω), 460 W + 460 W (8 Ω)

THD+N <1% 500 W + 500 W (4 Ω), 370 W + 370 W (8 Ω)

Input Channels

12 channels (max. 8 MIC/12 LINE, 4 Mono + 4 Stereo)

CH4: Hi-Z input supported

Output Channels SPEAKERS (A, B): 1, AUX1 SEND: 1, AUX2 SEND: 1, STEREO OUT (L, R): 1, REC OUT (L, R): 1

Bus

Stereo: 1

AUX: 2 (Including FX)

Input Channel Function