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DSP-A595a
Natural sound AV Amplifier
Amplificateur audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
DSP-A595a
Printed in Malaysia ID
V403430
B G
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SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
MITGELIEFERTE ZUBEHÖRTEILE
MEDFÖLJANDE TILLBEHÖR
ACCESSORI IN DOTAZIONE
ACCESORIOS INCLUIDOS
BIJGELEVERDE ACCESSOIRES
• After unpacking, check that the following parts are included.
• Après le déballage, vérifier que les pièces suivantes sont incluses.
• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
• Kontrollera efter uppackningen att följande delar finns med.
•
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
• Batteries (size AA, R6, UM-3)
• Piles (taille AA, R6, UM-3)
• Batterien (Größe AA, R6, UM-3)
• Batterier (storlek AA, R6, UM-3)
• Batterie (formato AA, R6, UM-3)
• Pilas (tamaño AA, R6, UM-3)
• Batterijen (maat AA, R6, UM-3)
• Remote control
Before using the remote control, install the supplied
batteries. See page 40 for battery installation.
• Télécommande
Avant d’utiliser la télécommande, mettre les piles fournies en
place. Pour la mise en place des piles, voir page 84.
• Fernbedienung
Legen Sie vor Gebrauch der Fernbedienung die
mitgelieferten Batterien ein. Angaben zum Einlegen der
Batterien finden Sie auf Seite 128.
• Fjärrkontroll
Sätt i de medföljande batterierna innan du använder
fjärrkontrollen. Se sidan 172 om hur man sätter i dem.
• Telecomando
Prima di usare il telecomando, installare le batterie in
dotazione. Per l’installazione delle batterie vedere a
pagina 216.
• Control remoto
Antes de utilizar el transmisor de control remoto, instálele
las pilas suministradas. Para instalar las pilas, consulte la
página 260.
• Afstandsbediening
Alvorens u de afstandsbediening gaat gebruiken, moet u de
bijgeleverde batterijen plaatsen. Zie blz. 304 voor het
plaatsen van de batterijen.
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English
5-Channel Power Amplification
Minimum RMS Output
(0.04% THD, 20 Hz – 20 kHz)
Main: 65 W + 65 W (8 Ω)
Center: 65 W (8 Ω)
Rear: 65 W + 65 W (8 Ω)
Multi-mode Digital Sound Field Processing
● Digital Sound Field Processor (DSP)
● Dolby Digital Decoder
● Dolby Pro Logic Decoder
● DTS Decoder
● CINEMA DSP: Theater-like Sound
Experience by the Combination of
YAMAHA DSP Technology and Dolby
Digital, Dolby Pro Logic or DTS
SUPPLIED ACCESSORIES........................................... 2
FEATURES .................................................................... 3
CAUTION ....................................................................... 4
●Introduction
FEATURES OF THE SOUND EFFECTS....................... 5
CONTROLS AND THEIR FUNCTIONS ......................... 8
●Preparation
SPEAKER SETUP ....................................................... 11
CONNECTIONS........................................................... 12
ADJUSTMENTS BEFORE USING THIS UNIT............ 18
●Basic Operation
BASIC OPERATION .................................................... 23
SETTING THE SLEEP TIMER.....................................27
●Information about DSP
SOUND FIELD PROGRAM ......................................... 28
●Advanced Information
ADJUSTMENTS IN THE “SET MENU” MODE ............ 33
●Remote control
REMOTE CONTROL ...................................................35
SETUP CODES ........................................................... 41
TROUBLESHOOTING ................................................. 42
SPECIFICATIONS ....................................................... 45
LIST OF MANUFACTURERS’ CODES...................... 310
FEATURES
CONTENTS
● Automatic Input Balance Control for
Dolby Pro Logic decoding
● Test Tone Generator for Easier Speaker
Balance Adjustment
● Speaker Output Mode Selection
● 6-Channel External Decoder Input for
Other Future Formats
● Video Signal Input/Output Capability
(Including S Video Connections)
● SLEEP Timer
● Universal Remote Control with Preset
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the cover assure proper ventilation of the
unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
Be sure to allow a space of at least 20 cm behind, 20 cm
on both sides and 30 cm above the top panel of the unit to
prevent fire and damage.
6. The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from the use of this unit with a voltage
other than that specified.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers and TVs. Move
this unit farther away from such equipment if interference is
observed.
8. Always set the VOLUME control to “
” before starting the
audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
9. Do not attempt to clean the unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
11. When not planning to use this unit for a long period of time
(e.g., a vacation), disconnect the AC power plug from the
wall outlet.
12. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
13. Grounding or polarization – Precautions should be taken so
that the grounding or polarization of the unit is not
defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode. In
this state, this unit is designed to consume a very small
quantity of power.
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the instructions
described below.
Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured markings
identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L or
coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
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English
FEATURES OF THE SOUND EFFECTS
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
amplifiers available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater Systems
(DTS) may be new to your home, but you have probably
experienced the amazing realism they bring to feature films in
theaters around the world.
To make the listening experience even more enjoyable, this unit
includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but the chances are that you’ll
still notice something missing — the acoustic environment of
the live concert hall. Extensive research into the exact nature
of the sonic reflections that create the ambience of a large hall
has made it possible for YAMAHA engineers to bring you this
same sound to your listening room, so you’ll feel all the sound
of a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any
one of these live performance environments, all in your own
home.
Dolby Surround has been used in movie theaters since the mid-
seventies. It has also been available in home entertainment
systems since the late eighties and continues to be a popular
format for home theater systems. It uses four discrete channels
and five speakers to reproduce realistic and dynamic sound
effects: two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby Pro
Logic decoder built into this unit employs a digital signal
processing system that stabilizes each channel for even more
accurate sound positioning than is available with standard
analog processors.
Introduction
Dolby Pro Logic
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Dolby Digital
Dolby Digital is the next level of the Dolby Surround sound
system that was developed for 35 mm-film movies by
employing low bit-rate audio coding.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to you. Dolby
Digital provides five full-range channels in what is sometimes
referred to as a “3/2” configuration: three front channels (left,
center and right), and two surround channels. A sixth bass-only
effect channel is also provided for output of LFE (low frequency
effect), or low bass effects that are independent of other
channels. (This is called the “LFE channel”.) This channel is
counted as 0.1, thus giving rise to the term 5.1 channels in
total.
Compared to Dolby Surround, which is referred to a “3/1”
system (left front, center, right front and just one surround
channel), Dolby Digital features two surround channels, called
stereo or split surrounds, each offering the same full-range
fidelity as the three front channels.
By using the built-in Dolby Digital decoder, you can experience
the dramatic realism and impact of Dolby Digital theater sound
in your home.
The wide dynamic range of sound reproduced by the five full-
range channels and precise sound orientation by digital sound
processing provides listeners with excitement and realism that
have never been experienced before.
Dolby Digital forms 5.1 channels as already mentioned, but it
can also form fewer channels, for example 2-channel stereo
and monaural. You may be able to find some 2-channel stereo
and/or monaural sources encoded with Dolby Digital in the
market.
Laser disc and DVD are home audio/video program sources
that could benefit from Dolby Digital. In the near future, Dolby
Digital will also be applied to DBS, CATV and HDTV. The
ongoing release of Dolby Digital theatrical films now underway
will provide an immediate source of Dolby Digital encoded
video software.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic” and the double-D symbol are trademarks of Dolby
Laboratories.
DTS Digital Surround
DTS (Digital Theater Systems) was developed to replace
analog soundtracks of movies with six discrete channels of
digital soundtracks, and it is now installed in many theaters
around the world. The DTS digital playback system changed
the way we experienced movies in theaters with six discrete
channels of superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode discrete
technology to home audio surround-sound entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically,
it is 5.1 channels, which means 5 full-range (left, center, right
and two surround) channels, plus a subwoofer (LFE) channel
(as “0.1”). It is compatible with the 5.1 speaker configurations
that are currently available for home theater systems.
The DTS Digital Surround algorithm is designed to encode the
six channels of 20-bit audio on to some laser discs, compact
discs and DVDs with considerably less data compression.
By using the DTS decoder built into this unit, you can
experience the dramatic realism and impact of the DTS-
installed theater’s high quality sound in your home.
Laser disc, compact disc and DVD are home audio formats by
which DTS can present its high-quality multi-channel audio. (In
addition to movies on laser discs, many exciting new multi-
channel music recordings will also become available in the
form of DTS-encoded compact discs.)
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued
and pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
01DSP-A595a-1 6/24/99, 12:14 PM6
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English
CINEMA DSP: Dolby Surround + DSP / DTS + DSP
The Dolby Surround sound and DTS systems show their full
ability in a large movie theater, because movie sounds are
originally designed to be reproduced in a large movie theater
that uses a multitude of speakers. Trying to create a sound
environment similar to that of a movie theater in your home is
difficult because of the room size, material inside the walls, the
number of speakers, and so on. In other words, your listening
room is very different from a movie theater.
However, YAMAHA DSP technology allows you to create nearly
the same sound experience as that of a large movie theater in
your home by compensating for the lack of presence and
dynamics in the listening room with original digital sound fields
combined with Dolby Surround or DTS Digital Surround
sounds.
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of YAMAHA DSP
technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the
rear surround side of the Dolby Pro Logic-decoded sound
field, respectively. They create a wide acoustic environment
and emphasize the surround effect in the room, letting you
feel as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
Refer to pages 28 to 29 for the DSP program.
CINEMA DSP
Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the
independent left and right surround sides of the Dolby Digital-
decoded or DTS-decoded sound field, respectively. They
create a wide acoustic environment and strong surround
effect in the room without losing high-channel separation. With
the wide dynamic range of Dolby Digital or DTS sound, this
sound field combination lets you feel as if you were watching
a movie in the newest Dolby Digital theater or DTS-installed
theater. This is the most ideal home theater sound at the
present time.
Refer to pages 28 to 29 for the DSP program.
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CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
1
STANDBY/ON
Press this switch to turn on the power of this unit. Press it
again to set this unit in the standby mode.
Standby mode
In this state, this unit consumes a very small quantity of
power to receive infrared-signals from the remote control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 10 for details.)
4 TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
When you press the button next, the “TAPE/MD MON” indicator
goes off, “EXT. DECDR” appears on the display and you can
play the signal connected to the EXTERNAL DECODER
INPUT terminals.
5 INPUT
Turn this selector to select the input source (VCR, VIDEO AUX,
TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to
listen to or watch.
The name of the selected input source appears on the display.
6 VOLUME
This control is used to raise or lower the volume level.
7 PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from
the main speakers through the headphones.
When using headphones only, set both SPEAKERS A and B to
the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by
pressing EFFECT.
Refer to pages 35 to 40 for the remote control.
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English
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) for the main speaker system you don’t want to
use to the OFF position.
9 EFFECT
Press this button once to switch the effect speakers (center and
rear) on or off. If you turn off the effect by using EFFECT, all
Dolby Digital and DTS audio signals are directed to the main
left and right channels. In that case, the left and right channel
signal levels may not match.
0 PROGRAM selector
Press one of these buttons to select a DSP program.
The name of the selected program appears on the display.
q Tone controls
These controls are only effective for the sound from the main
speakers.
BASS
Use this control to increase or decrease the low-frequency
response. The “0” position produces a flat response.
TREBLE
Use this control to increase or decrease the high-frequency
response. The “0” position produces a flat response.
w BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume to
the left and right speakers to compensate for sound imbalance
caused by the speaker location or listening room conditions.
e SET MENU
Press this button to select functions in the SET MENU mode.
r TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
t +/–
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,
press + to increase the delay time or speaker output level.
Press – to decrease the delay time or speaker output level.
y INPUT MODE
This button switches between the DVD/LD and TV/DBS input
signal modes.
u VIDEO AUX terminals
Connect an auxiliary video or audio input source such as a
camcorder to these terminals. If the connected video unit has
an S video output terminal, connect it to the S VIDEO terminal
to obtain a high-resolution picture. The source connected to
these terminals can be selected by INPUT.
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1 Multi-information display
This displays various information, for example the name of
selected DSP program and name of selected input source.
2 TAPE/MD MON indicator
This lights up when the tape deck (or MD recorder, etc.) is
selected as the input source by pressing TAPE/MD MON / EXT.
DECODER on the front panel or TAPE/MD on the remote control.
3 indicators
Either “dts” indicator lights up when the built-in DTS decoder is
turned on.
The red “dts” indicator lights up when playing a CD or LD
encoded with DTS.
The orange “dts” indicator lights up when playing a DVD
encoded with DTS.
* An orange “dts” indicator may light up when playing a CD or
LD encoded with DTS after playing a video-CD or DVD on a
DVD/LD combi-player.
DISPLAY PANEL
4
, and indicators
“
” lights up when the built-in Dolby Digital decoder is
on and the signals of the selected source encoded with Dolby
Digital are not in 2-channel. “ ” lights up when the built-in
digital sound field processor is on, and “
” lights up
when the built-in Dolby Pro Logic decoder is on. Depending on
the selected DSP program, both “ ” and “ ”, or
both “ ” and “ ” will light up.
5 SLEEP indicator
This lights up while the built-in SLEEP timer is functioning.
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English
SPEAKER SETUP
This unit is designed to provide the best sound-field quality with
a 5-speaker configuration, using main speakers, rear speakers
and a center speaker.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it is
not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the maximum
output of your audio system.
The other speakers do not have to be equal to the main
speakers. For precise sound localization, however, it is ideal to
use high-performance models that can reproduce sounds over
the full range for the center speaker and the rear speakers.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) sound with high fidelity when playing back a source that
is Dolby Digital or DTS-decoded. The YAMAHA Active Servo
Processing Subwoofer System is ideal for natural and lively
bass reproduction.
SPEAKERS TO BE USED
SPEAKER PLACEMENT
Refer to the following diagram when you place the speakers.
Main: The position of your present stereo speaker
system.
Rear: Behind your listening position, facing slightly
inward. Nearly 1.8 m (approx. 6 feet) up from the
floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.)
Subwoofer: The position of the subwoofer is not as critical,
because low bass tones are not highly directional.
Rear
speaker (R)
Main
speaker (R)
Center speaker
Subwoofer
Main
speaker (L)
Rear
speaker
(L)
Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and
right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 18
for details.)
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AC OUTLET(S) (SWITCHED)
Europe model......................................................... 2 OUTLETS
U.K. model ................................................................1 OUTLET
Use these to connect the power cords from your components to
this unit.
The power to the AC OUTLET(S) is controlled by this unit’s
STANDBY/ON or the provided remote control’s POWER and
STANDBY. These outlets will supply power to any connected
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 watts.
CONNECTIONS
Never plug in this unit and other components until all connections have been completed.
CONNECTIONS WITH OTHER COMPONENTS
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making
sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
.
Turntable Monitor TV
DVD player,
LD player, etc.
CD player Tape deck,
MD recorder, etc.
TV/DBS tuner VCR
(Video cassette recorder)
To AC outlet
(Europe model)
GND terminal (for turntable use)
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
Tuner
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English
CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with
coaxial or optical digital audio signal output terminals, they can
be connected to this unit’s COAXIAL and/or OPTICAL digital
signal input terminals.
Digital audio signals are transmitted with less loss than analog
audio signals. In addition, digital audio signal connections are
necessary, especially for an LD player or a DVD player, to send
signals encoded with Dolby Digital or DTS to this unit.
To make a connection between optical digital audio signal
terminals, remove the cover from each terminal, and then
connect them by using a commercially available optical fiber
cable that conforms to EIAJ standards. Other cables might not
function correctly.
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit
connected with the same-named analog audio signal terminals
of this unit, because a digital signal cannot be recorded by a
tape deck, MD recorder or VCR connected to this unit. You can
easily switch the selection of input signals between “digital” and
“analog.” (See page 25 for details.)
Notes
• When connecting an audio/video unit to both the digital and
analog terminals of this unit, make sure to connect between
both terminals of the same name.
• Be sure to attach the covers when the OPTICAL terminals
are not being used in order to protect them from dust.
• The input signal from the DVD/LD input terminals is selected
in the following order of priority with the input mode set to the
AUTO position:
1 COAXIAL terminal
2 OPTICAL terminal
3 Analog terminal
• If the DIGITAL OUT data of the player has been processed in
any way, you may not be able to perform DTS playback even
if you make a digital connection between this unit and the
player.
• All digital audio signal input terminals are applicable to
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.
No sound will be generated when connecting your LD
player’s Dolby Digital RF signal output terminal directly to
this unit’s COAXIAL DVD/LD digital signal input terminal.
DVD or LD player*
* If your LD player has a Dolby Digital RF signal
output terminal, be sure to use the RF
demodulator (separately purchased).
TV/DBS tuner
(Europe model)
01DSP-A595a-2 6/24/99, 12:15 PM13
14
S
S
CONNECTING TO S VIDEO TERMINALS
If you have a VCR and a monitor equipped with “S” (high-
resolution) video terminals, those terminals can be connected
to this unit’s S VIDEO terminals. Connect the VCR’s “S” video
input and output terminals to this unit’s S VIDEO VCR OUT and
IN terminals, respectively, and connect the monitor’s “S” video
input terminal to this unit’s S VIDEO MONITOR OUT terminal.
Otherwise, connect the VCR’s composite video terminals to this
unit’s composite video terminals, and connect the monitor’s
composite video input terminal to this unit’s composite
MONITOR OUT terminal.
In addition, if you have a DVD or LD player equipped with an
“S” video terminal, connect the DVD/LD player’s “S” video
output terminal to this unit’s S VIDEO DVD/LD terminal.
Note
If video signals are sent to both S VIDEO input and com-
posite input terminals, the signals will be sent to their
respective output terminals.
S VIDEO terminals
This unit provides you with S VIDEO terminals in addition
to standard VIDEO terminals.
S VIDEO terminals transmit video signals separated into
luminance (Y) signals and color (C) signals. In comparison
with S VIDEO terminals, standard VIDEO terminals transmit
“composite” video signals.
Monitor TV
S
S S S
S
Camcorder
CONNECTING TO VIDEO AUX TERMINALS
(ON THE FRONT PANEL)
These terminals are used to connect any video input source
such as a camcorder to this unit.
CONNECTING WITH A MONITOR TV THAT
USES A 21-PIN CONNECTOR FOR INPUT
Make a connection as shown below with a commercially
available SCART-plug connector cable.
Monitor TV
No connection
SCART-plug connector cable
DVD/LD player
S VIDEO cable
VCR
01DSP-A595a-2 6/24/99, 12:15 PM14
15
English
CONNECTING TO AN EXTERNAL DECODER
This unit is equipped with additional 6-channel audio signal
input terminals for inputting signals from an external decoder to
this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals of this
unit.
Notes
• When signals input to these terminals are selected, the digital
sound field processor cannot be used.
• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the
SET MENU mode have no effect on the signals input to these
terminals. The setting of “M.LVL” is effective. (Refer to
page 18 for details.)
• Adjustment of the output level of the center speakers, rear
speakers and subwoofer is effective when the signals input to
these terminals are selected as the input source. (Refer to
page 31 for details.)
External decoder with
6-channel discrete
outputs
(Europe model)
WARNING
Do not change the IMPEDANCE SELECTOR switch setting
while the power to this unit is on, otherwise this unit may be
damaged.
If this unit fails to turn on when the STANDBY/ON switch is
pressed, the IMPEDANCE SELECTOR switch may not be
fully set to either end. If so, set the switch to either end fully
when this unit is in the standby mode.
Select the position whose requirements your speaker system
meets.
(Upper position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 4 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8 Ω or higher.
Center: The impedance of the speaker must be 6 Ω or higher.
Rear: The impedance of each speaker must be 6 Ω or
higher.
(Lower position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 8 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16 Ω or higher.
Center: The impedance of the speaker must be 8 Ω or higher.
Rear: The impedance of each speaker must be 8 Ω or
higher.
IMPEDANCE SELECTOR SWITCH
IMPEDANCE SELECTOR
(Europe model)
01DSP-A595a-2 6/24/99, 12:15 PM15
16
Note
Use speakers with the specified impedance shown on the
rear panel of this unit.
Main speaker connections
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either of the
SPEAKERS A or B terminals.
Rear speaker connections
A rear speaker system can be connected to this unit. Place
them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or
under the TV.
Subwoofer connection
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHA Active Servo Processing Subwoofer System, connect
the SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer system.
CONNECTING SPEAKERS
Rear speakers
Subwoofer system
Center speaker
Right
Left
Main speakers A Main speakers B
Right
Left
Right Left
(Europe model)
01DSP-A595a-2 6/24/99, 12:15 PM16
17
English
How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Tighten the knob to
secure the wire.
1 Press the tab.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Release the tab to
secure the wire.
Connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
2
3
2
3
1
OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)
The speaker connections described on page 16 are fine for
most applications. If for some reason, however, you wish to
drive main, center and/or rear speakers with your existing
amplifier, etc., the following terminals are available for
connecting an external amplifier(s) to this unit.
01DSP-A595a-2 6/24/99, 12:15 PM17
18
ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 33.)
1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)
DESCRIPTION OF EACH FUNCTION
CNTR (CENTER SPEAKER)
Choices: LARGE/SMALL/NONE
Preset position: LARGE
LARGE: Select this position when your center speaker is
approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker
that is smaller than the main speakers.
In this position, low bass signals (below 90 Hz) on the
center channel are output from the main speakers (or
the SUBWOOFER OUTPUT terminal if the SMALL
position is selected for “MAIN” and the SW position is
selected for “BASS”).
NONE: Select this position when you do not have a center
speaker (four speaker system). The center channel
sound will be output from the left and right main
speakers.
REAR (REAR SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have high
ability for bass reproduction, or if a subwoofer is
connected in parallel to the rear speaker.
In this position, full-range signals are output from the
rear speakers.
SMALL: Select this position if your rear speakers do not have
high ability for bass reproduction.
In this position, low bass signals (below 90 Hz) on
the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN
position is selected for “BASS”).
MAIN (MAIN SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have high
ability for bass reproduction.
In this position, full-range signals present on the
main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not
have high ability for bass reproduction. However, if
your system does not include a subwoofer, do not
select this position.
In this position, low bass signals (below 90 Hz) on
the main channels are output from the
SUBWOOFER OUTPUT terminal if the SW or BOTH
position is selected for “BASS”.
BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN: Select this position if your system does not include a
subwoofer.
In this position, full-range signals present on the
main channels, signals from the LFE channel and
other low bass signals that are distributed from other
channels are output from the main speakers.
SW/BOTH:
Select either the SW or BOTH position if your
system includes a subwoofer.
In either position, signals on the LFE channel and
other low bass signals that are distributed from other
channels are output from the SUBWOOFER
OUTPUT terminal.
When the LARGE position is selected for “MAIN”, in
the SW position, no signal is distributed from the
main channels to the SUBWOOFER OUTPUT
terminal; however, in the BOTH position, low bass
signals from the main channels are output to both
the main speakers and the SUBWOOFER OUTPUT
terminal.
M.LVL (MAIN LEVEL)
Choices: NRML (NORMAL)/–10 dB
Preset position: NRML (NORMAL)
NRML (NORMAL):
Normally select this position.
–10 dB: Select this position if the sound output from the main
speakers is too loud and cannot be balanced with
the sound output from the center and rear speakers.
In this position, the sound output from the main
speakers is attenuated.
Note
The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no
effect on the signals input to the EXTERNAL DECODER
INPUT terminals on the rear of this unit.
01DSP-A595a-2 6/24/99, 12:15 PM18
19
English
ADJUSTMENT METHOD
Adjustments should be made while watching the information on this unit’s display.
When adjusting with the remote control, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the
remote control.
or
1 Turn the power on.
Front panel Remote control
or
2 Press SET MENU once or more to select the function
“CNTR” on the display.
Front panel Remote control
or
* After pressing SET MENU once on the remote control, you
can also select the function by pressing
. (Pressing
goes back one selection.)
1
2
3
1 23
3 Press + or – once or more to select the setting you
want.
Front panel Remote control
or
4 Repeat steps 2 and 3 to change the settings for
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same
way.
01DSP-A595a-2 6/24/99, 12:15 PM19
20
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby
Pro Logic decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control.
After completing the adjustment of the output level for each speaker, use VOLUME (
) on the remote control at your
listening position to check if the adjustments are satisfactory.
Set the SELECTOR DIAL to the AMP/TUN or DSP position
on the remote control.
or
1 Set VOLUME to the “ ” position.
Front panel
2 1
4,74
3
2
5,9
6
8
2 Turn the power on.
Front panel Remote control
or
3 Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
01DSP-A595a-2 6/24/99, 12:15 PM20
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Yamaha DSP-A595a Kullanım kılavuzu
- Kategori
- AV alıcıları
- Tip
- Kullanım kılavuzu
diğer dillerde
- español: Yamaha DSP-A595a Manual de usuario
- français: Yamaha DSP-A595a Manuel utilisateur
- italiano: Yamaha DSP-A595a Manuale utente
- svenska: Yamaha DSP-A595a Användarmanual
- čeština: Yamaha DSP-A595a Uživatelský manuál
- polski: Yamaha DSP-A595a Instrukcja obsługi
- Deutsch: Yamaha DSP-A595a Benutzerhandbuch
- português: Yamaha DSP-A595a Manual do usuário
- English: Yamaha DSP-A595a User manual
- dansk: Yamaha DSP-A595a Brugermanual
- русский: Yamaha DSP-A595a Руководство пользователя
- suomi: Yamaha DSP-A595a Ohjekirja
- Nederlands: Yamaha DSP-A595a Handleiding
- română: Yamaha DSP-A595a Manual de utilizare