Yamaha A-S2100 El kitabı

Tip
El kitabı
© 2014 Ya maha Corporation
Integrated Amplifier
Amplificateur Intégré
G
ИНСТРУКЦИЯ ПО ЭКСПЛУАЦИИ
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Printed in Malaysia VAA8490
2 En
A Living Tradition in Sound
A piano comes into this world through the perfect synergy of advanced technical
skill and artistry. Such a piano can create sound that truly reflects the player’s
feelings.
The final stage in piano production is called “voicing”. It is here that the
instrument is given its soul.
A highly skilled expert concentrates his mind and sensitivity on the sound of each
key, finely adjusting the dynamic feel of the hammers, bringing the tone and
vibrancy of all 88 keys together perfectly; a truly stunning achievement.
It is a quality of sound that can only be determined by an astute, sensitive ear. We
apply this very same concept to the manufacture of our audio products. The
technician performs exhaustive listening tests and every component is considered,
in order to finally achieve the ideal sound.
Yamaha’s tradition of audio quality stretches back over 125 years, and continues to
live on in all Yamaha products today.
3 En
NP-S2000
Soavo-1
NS-10M
A-S3000
CD-S3000
NS-20
CA-1000
NS-690
B-1
PX-2
C-2
NS-1000M
A-1
B-6
B-2x
MX-10000
CX-10000
Excellence in Audio Achievement
First HiFi System introduced in 1920
We introduced numerous HiFi components
(turntables, FM/AM tuners, integrated
amplifiers, preamplifiers, power amplifiers
and speakers) in 1955 - 1965.
Natural Sound Speaker Series introduced
in 1967
NS-20 Monitor Speaker
CA-1000 Integrated Amplifier
Featuring A-Class operation, the CA-1000 set
the standard for integrated amplifiers.
NS-690 Natural Sound Speaker
NS-1000M Monitor Speaker
A truly legendary speaker still revered by HiFi
enthusiasts.
B-1 Power Amplifier
An innovative power amp that used vertical FETs in all
stages.
C-2 Control Amplifier
Received top prize at the Milan International Music
and HiFi Show.
NS-10M Studio Monitor Speaker
Became of the most popular studio monitors
in the world.
A-1 Integrated Amplifier
PX-2 Turntable
Yamaha’s first straight arm turntable.
B-6 Power Amplifier
Pyramid-shaped power amplifier.
GT-2000/L Turntable
First CD Player (CD-1) introduced in 1983
B-2x Power Amplifier
MX-10000 Power Amplifier and
CX-10000 Control Amplifier
Redefined the capabilities of separate components.
AX-1 Integrated Amplifier
GT-CD1 CD Player
MX-1 Power Amplifier and
CX-1 Preamplifier
Soavo-1 and Soavo-2 Natural Sound
Speaker Systems
A-S2000 Integrated Amplifier and
CD-S2000 CD Player
NP-S2000 Network Player
A-S3000 Integrated Amplifier and
CD-S3000 CD Player
4 En
Full floating and balanced circuit design achieves the full potential of
analogue amplification
An entirely new floating and balanced power amplifier achieves complete symmetry and permits full balanced
transmission (amplification) from the input jack to just before the speaker jack.
Full-stage balanced signal transmission
The integrated amplifier offers full stage balanced transmission, combining high power output with good sound texture
and outstanding S/N performance.
Parallel volume and tone control
Large power supply with four separate circuits
Left-right symmetrical design with rigid, stable construction
Discrete phono amplifier
High-quality headphone amplifier with low-impedance drive
Supplied accessories
Please check that you have received all of the following parts.
Remote control
Batteries (AAA, R03, UM-4) (×2)
Power cable
SAFETY BROCHURE
About this manual
y indicates a tip for your operation.
Photographs and illustrations are for explanatory purposes, and may differ from the actual unit.
Read the “SAFETY BROCHURE” before using this unit.
Contents
Controls and functions.......................................................................................................................................... 6
Connections.......................................................................................................................................................... 16
Specifications. ...................................................................................................................................................... 24
Troubleshooting................................................................................................................................................... 28
5 En
Controls and
functions
In this chapter, you will learn the controls and functions of A-S2100.
CONTROLS AND FUNCTIONS
6 En
Controls and functions
Front panel (pages 6 to 9)
1 STANDBY/ON, OFF switch
Turns on or off this unit.
STANDBY/ON (upper position): In this position,
you can select STANDBY or ON,
using the p AMP key on the remote control.
OFF (lower position): The power of this unit is
turned off.
When you turn on this unit, it will take a few seconds
before this unit can reproduce sound.
If you disconnect the power cable from the AC outlet and
connect it again when this unit is in STANDBY mode, the
power of the unit is turned on. If the unit is not to be
operated for a long time, set the STANDBY/ON, OFF
switch to OFF.
2 STANDBY/ON indicator
Lit brightly: Shows that the power of the unit is ON.
In this condition, you can switch the unit to
STANDBY mode by pressing the p AMP key on
the remote control.
Lit dimly: Shows that the unit is in STANDBY mode.
In this condition, you can switch the unit on by
pressing the p AMP key on the remote control.
Off: Shows that the power of the unit is OFF. In this
condition, you can turn the power on only by
pressing the STANDBY/ON, OFF switch on the
front panel.
3 PHONES jack
Outputs audio for private listening with headphones.
When headphones are plugged in:
Both speaker sets connected to the SPEAKERS L/R CH
terminals are turned off.
No signals are output at the PRE OUT jacks.
You cannot select MAIN DIRECT as the input source.
If headphones are plugged into the PHONES jack while
MAIN DIRECT is selected as the input source, no audio is
output at the PHONES jack.
METER
PEAK
OFF
VU
INPUT
BAL
CD
TUNER
LINE 1
PHONO
LINE 2
MAIN DIRECT
BASS
–+
TREBLE
–+
BALANCE
LR
STANDBY/ON PHONES TRIM
0
-6 +6
+12
SPEAKERS
A
OFF B
A+B
BI-WIRING
dB
OFF
1 2 3 4
5 6 7 8 9 :
Notes
Notes
7 En
4 TRIM selector
Adjusts the volume level when headphones are
plugged in to avoid sudden changes in volume.
Choices: –6 dB, 0 dB, +6 dB, +12 dB
5 SPEAKERS selector
Turns on or off the sets of speakers connected to the
SPEAKERS L/R CH A and/or B terminals on the rear
panel, as follows.
OFF: Both sets of speakers are off.
A/B: The set of speakers connected to the A or B
terminals is on.
A+B BI-WIRING: Both sets of speakers are on.
If you use two sets (A and B), the impedance of each speaker
must be 8 Ω or higher.
6 METER selector
Switches the display of the meter to OFF, PEAK or
VU.
OFF: Turns off the meter and the illumination.
PEAK: Switches the meter to a peak level meter. The
peak level meter shows a momentarily highest
audio output level.
VU: Switches the meter to a VU (Volume Unit) level
meter. The VU level meter shows an effective
audio output value that is similar to human senses.
7 Meter displays (LEFT/RIGHT)
Show the audio output level of the left (LEFT) and
right (RIGHT) channels in VU or PEAK meter mode.
The VU or PEAK meter can be selected by the
METER selector.
8 BASS control
Increases or decreases the low frequency response.
The 0 position produces a flat response.
Control range: –10 dB to +10 dB
9 TREBLE control
Increases or decreases the high frequency response.
The 0 position produces a flat response.
Control range: –10 dB to +10 dB
0 BALANCE control
Adjusts the audio output balance of the left and right
speakers to compensate for sound imbalances caused
by speaker locations or listening room conditions.
When both the BASS and TREBLE controls are set to the 0
position, audio signal bypasses the tone control circuitry.
The BASS, TREBLE and BALANCE controls do not affect the
signals input at the MAIN IN jacks and signals output at the
LINE 2 REC jacks.
Caution
AUDIO MUTE
VOLUME
PHONO
MM
MC
Notes
English
8 En
Controls and functions
Front panel (pages 6 to 9)
A Remote control sensor
Receives signals from the remote control.
B INPUT selector/indicator
Selects the input source to be played back. The
indicator of the input source selected with the INPUT
selector lights.
The audio signals of the selected input source are also
output at the LINE 2 REC jacks.
MAIN DIRECT: Selects the component connected to
the MAIN IN jacks.
When MAIN DIRECT is selected as the input
source, the audio signals are not output at the PRE
OUT, LINE 2 REC and PHONES jacks.
LINE 1/LINE 2: Selects the component connected to
the LINE 1 or LINE 2 jacks.
BAL: Selects the component connected to the BAL
jacks (balanced XLR jacks).
CD: Selects the CD player connected to the CD jacks
(unbalanced RCA jacks).
TUNER: Selects the tuner connected to the TUNER
jacks.
PHONO: Selects the turntable connected to the
PHONO jacks.
When LINE 2 is selected, the audio signals are not output at
the LINE 2 REC jacks.
METER
PEAK
OFF
VU
INPUT
BAL
CD
TUNER
LINE 1
PHONO
LINE 2
MAIN DIRECT
BASS
–+
TREBLE
–+
BALANCE
LR
STANDBY/ON PHONES TRIM
0
-6 +6
+12
SPEAKERS
A
OFF B
A+B
BI-WIRING
dB
OFF
A B
Note
9 En
C PHONO switch
Selects the type of cartridge of the turntable connected
to the PHONO jacks on the rear panel.
MM: Choose this setting if the connected turntable
uses an moving magnet (MM) cartridge.
MC: Choose this setting if the connected turntable
uses an moving coil (MC) cartridge.
y
When you replace the cartridge, be sure to turn off this unit.
D AUDIO MUTE switch
Press downward to reduce the current volume level by
approximately 20 dB. Press again to restore the audio
output to the previous volume level.
y
You can also rotate the VOLUME control on the front panel
or press the VOLUME + or – key on the remote control to
resume the audio output.
E AUDIO MUTE indicator
Lights when the mute function is turned on with the
AUDIO MUTE switch.
F VOLUME control
Controls the volume level. This does not affect the
output level at the LINE 2 REC jacks.
The VOLUME control does not affect when you select
MAIN DIRECT as the input source. Adjust the volume level
using the volume control on the external amplifier connected
to the MAIN IN jacks.
AUDIO MUTE
VOLUME
PHONO
MM
MC
C
D E
F
Note
English
10 En
Controls and functions
Rear panel
1 BAL (balanced) input jacks
One set of balanced input jacks is provided.
Set the ATTENUATOR selector and PHASE selector
appropriately for the playback component that is
connected. For details on these switches, refer to page 20.
2 PRE OUT jacks
y
The PRE OUT jacks output the same channel signal as the
SPEAKERS L/R CH terminals.
When you connect a stereo cable to the PRE OUT jacks to
drive the speakers using an external amplifier, it is not
necessary to use the SPEAKERS L/R CH terminals.
The signal output at the PRE OUT jacks are affected by the
BASS and TREBLE control settings.
3 SPEAKERS L/R CH terminals
4 TUNER input jacks
5 PHONO input jacks
6 CD input jacks
7 GND (Ground) terminal
8 LINE 1 input jacks
9 LINE 2 jacks
PB (playback) input jacks and REC (recording) output
jacks are provided.
0 MAIN IN jacks
Use these jacks to connect an external component
equipped with a volume control.
y
When you select MAIN DIRECT as the input source, the
volume level is fixed.
Adjust the volume level using the volume control on the
external amplifier connected to the MAIN IN jacks when you
select MAIN DIRECT as the input source.
For the connection to the
MAIN IN
jacks, see pages 16 and 17.
GND
PHONO
LINE 1
CD
BAL
(-6dB)
ATT. INV.
BYPASS NORMAL
PHASE
ATTENUATOR
INPUT
SPEAKERS R CH
A
B
+
+
A OR B:4 MIN. /SPEAKER
A+B:8 MIN. /SPEAKER
R L
R R
R
L
TUNER
LINE2
REC
PB
MAIN IN
L
L
L
R
R R
L
L
PRE OUT
NORMAL (EIA)
+ HOT
- COLD
GND
12
3
1 2
3 4
5 6 7 8 9 0
See page 16 for connection information.
11 En
A AUTO POWER STANDBY switch
ON: The unit enters STANDBY mode automatically
if not operated for 8 hours.
OFF: The unit does not enter STANDBY mode
automatically.
B TRIGGER IN jack
Use this jack to connect an external component for the
trigger function.
For details on the connection, see page 22.
C REMOTE IN/OUT jacks
Use these jacks to connect an external component for
remote control.
For details on the connection, see page 21.
D SYSTEM CONNECTOR
Use this connector to connect a product testing device
for servicing.
E AC IN inlet
Use this inlet to plug in the supplied power cable.
For details on the connection, see page 19.
F Foot
The feet of this unit include built-in spikes. Using the
spikes can reduce the effect of vibrations on the set.
When using the spikes, remove the transport tape, then
remove the magnet foot by pulling it.
Take care that the magnet foot is not accidentally
swallowed by small children.
When using the feet’s built-in spikes, the spikes may
scratch the shelf or floor on which this unit is installed. Use
the magnet feet or appropriate supports when placing this
unit on expensive furniture, etc.
y
If this unit is unstable, you can adjust the foot height by
rotating it.
AUTO POWER STANDBY
ON
OFF
SPEAKERS L CH
A
B
+
+
TRIGGER
REMOTE
SYSTEM CONNECTOR
IN IN OUT
AC IN
A OR B:4 MIN. /SPEAKER
A+B:8 MIN. /SPEAKE
R
A B C D
E
3 F
Caution
English
12 En
Controls and functions
Remote control
1 Infrared signal transmitter
Outputs infrared control signals.
2 p AMP key
Turns this unit ON or switches it to STANDBY mode.
For details on STANDBY mode, see “Front panel”
(page 6).
3 Input select keys
Selects the input source to be played back.
The audio signals of the selected input source are
output at the LINE 2 REC jacks.
y
When LINE 2 is selected as the input source, the audio
signals are not output at the LINE 2 REC jacks.
BAL: Selects the component connected to the BAL
jacks (balanced XLR jacks).
LINE: Selects the component connected to the
LINE 1 or LINE 2 jacks.
PHONO: Selects the turntable connected to the
PHONO jacks.
MAIN DIRECT: Selects the component connected to
the MAIN IN jacks. When MAIN DIRECT is
selected as the input source, the audio signals are
not output at the PRE OUT, LINE 2 REC and
PHONES jacks.
CD: Selects the CD player connected to the CD jacks
(unbalanced RCA jacks).
TUNER: Selects the tuner connected to the TUNER
jacks
4 Yamaha tuner control buttons
Control functions of Yamaha tuner. Refer to the
owners manual of your tuner for details.
Some Yamaha tuners cannot be controlled by this remote
control.
4
2
1
3
8
9
5
7
6
AMP CD
OPEN/CLOSE
BAL
LINE LINE
PRESET
12
PHONO
MAIN DIRECT
CD TUNER
BAND
MUTE
SOURCE LAYER
VOLUME
Note
13 En
5 p CD key
Turns the Yamaha CD player ON or switches it to
STANDBY mode.
6 OPEN/CLOSE key
Opens/closes the disc tray of the Yamaha CD player.
Refer to the owners manual of your CD player for
details.
Some Yamaha CD players do not support the p CD key and/
or OPEN/CLOSE key of this remote control.
7 Yamaha CD player control keys
Control various functions of Yamaha CD player. Refer
to the owner’s manual of your CD player for details.
(Play): Starts playback.
(Pause): Pauses playback. Press the or to
resume playback.
(Stop): Stops playback.
/ (Skip): Skips to the next track, or skips
back to the beginning of the current track.
SOURCE: Selects the source to be played on the
Yamaha CD player. The playback source changes
each time this key is pressed.
LAYER: Switches the playback layer of a hybrid SA-
CD between SA-CD and CD.
8 VOLUME +/– keys
Control the volume level.
The VOLUME keys do not affect when you select MAIN
DIRECT as the input source. Adjust the volume level on the
external amplifier connected to the MAIN IN jacks.
9 MUTE key
Reduces the current volume level by approximately
20 dB. Press again to restore the audio output to the
previous volume level. Pressing the VOLUME + or
key also cancels muting.
Note
Note
English
14 En
Controls and functions
Installing batteries in the remote control
1 Remove the battery compartment cover.
2 Insert the two batteries (AAA, R03, UM-4)
according to the polarity markings (+ and –)
on the inside of the battery compartment.
3 Reinstall the battery compartment cover.
Operating range of the remote control
y
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the remote control
sensor on the front panel of this unit during operation.
2
1
3
30 30
Connections
In this section, you will make connections between A-S2100, speakers,
and source components.
16 En
Connections
Do not let the bare speaker wires touch each other or do not let
them touch any metal part of this unit. This could damage this
unit and/or the speakers.
All connections must be correct: L (left) to L, R (right) to R,
“+” to “+”, and “–” to “–”. If the connections are faulty, no
sound will be heard from the speakers, and if the polarity of the
speaker connections is incorrect, the sound will be unnatural
and lack bass. Also, refer to the owner’s manual for each of
your components.
Use RCA unbalanced cables to connect other components
except speakers. Use XLR balanced cables to connect a CD
player or network player with XLR balanced output jacks to the
BAL jacks of this unit.
Connect your turntable to the GND terminal to reduce noise in
the signal. However, you may hear less noise without the
connection to the GND terminal for some turntables.
Notes
GND
PHONO
LINE1
CD
BAL
(-6dB)
ATT. INV.
BYPASS NORMAL
PHASE
ATTENUATOR
INPUT
SPEAKERS R CH
A
B
+
+
A OR B:4 MIN./SPEAKER
A+B:8 MIN. /SPEAKER
R L
R R
R
L
TUNER
L
L
L
R
+
-
+
-
CD player with
RCA jacks
Speakers A
(R channel)
Speakers B
(R channel)
CD player or network
player with XLR jacks
Turntable
Ground
Tuner
BD player, etc.
17 En
Because the power amplifier of A-S2100 is of the floating balanced type, the
following types of connections are not possible.
– Connecting with the left channel “–” terminal and the right channel “–” terminal
as well as “+” terminals (Fig. 1).
– Connecting with the left channel “–” terminal and the right channel “–” terminal
inverted (cross connection, Fig. 2).
Deliberately connecting with the left/right channel “–” terminals and metal part
on the rear panel of this unit, as well as accidentally touching them.
Do not connect your active subwoofer to the SPEAKERS L/R CH terminal.
Connect it to the PRE OUT jacks of this unit.
Do not connect a component with no volume control, such as a CD player, to the
MAIN IN jacks, as the volume level of the signals input to the MAIN IN jacks is
fixed. If such equipment is connected, a sound may burst, and the unit and/or
speaker may be damaged.
Notes
GND
LINE 1
-6dB)
TT. INV.
NORMAL
PHASE
TOR
LINE2
REC
PB
MAIN IN
L
R
R R
L
L
NORMAL (EIA)
+ HOT
- COLD
GND
12
3
PRE OUT
AUTO POWER STANDBY
ON
OFF
SPEAKERS L CH
A
B
+
+
TRIGGER
REMOTE
SYSTEM CONNECTOR
IN IN OUT
AC IN
A OR B:4 MIN. /SPEAKER
A+B:8 MIN. /SPEAKER
+
+
-
CD recorder,
tape deck, etc.
Speakers A
(L channel)
Speakers B
(L channel)
External amplifier or
active subwoofer
Preamplifier,
AV receiver, etc.
English
+
+
L
R
+
+
L
R
+
+
L
R
+
+
L
R
Fig. 1 Fig. 2
18 En
Connections
Connecting the speakers
1 Remove approximately 10 mm of insulation
from the end of each speaker cable and twist
the exposed wires of the cable together to
prevent short circuits.
2 Unscrew the knob and then insert the bare
wire into the hole.
3 Tighten the knob.
When loosening the knob of the speaker terminal, do not rotate it
excessively. The knob may come off and pose the danger of being
swallowed by a child.
Touching the speaker terminal with a metallic rack may cause
short circuit and damage this unit. When installing the unit in a
rack, maintain a sufficient clearance to prevent the speaker
terminals from touching the rack.
To reduce the risk of electric shock, do not touch the speaker
terminal when the unit is turned on.
Connecting the banana plug
(Except for Europe models)
First, tighten the knob and then insert the banana
plug into the end of the corresponding terminal.
Connecting the Y-shaped lug
1 Unscrew the knob and then sandwich the Y-
shaped lug between the ring part and base.
2 Tighten the knob.
Caution
Notes
19 En
Bi-wire connection
The bi-wire connection separates the woofer from the
combined midrange and tweeter section. A bi-wire
compatible speaker has four binding post terminals. These
two sets of terminals allow the speaker to be split into two
independent sections. This split connects the mid and high
frequency drivers to one set of terminals and the low
frequency driver to the other pair.
Example of a bi-wiring connection (R channel)
To use the bi-wire connections, the impedance of each speaker
must be 8 Ω or higher.
Remove the shorting bars or bridges to separate the LPF (low
pass filter) and HPF (high pass filter) crossovers.
y
To use the bi-wire connections, switch the SPEAKERS selector
on the front panel to the A+B BI-WIRING position.
Connecting the power cable
Plug the power cable into the AC IN inlet when all
connections are complete, and then plug in the power
cable to the AC outlet.
Caution
Note
SPEAKERS R CH
A
B
+
+
A OR B:4 MIN. /SPEAKER
A+B:8 MIN. /SPEAKER
AC IN
English
20 En
Connections
Connecting to the BAL jacks
Connect your CD player or network player with the XLR
balanced output jacks.
Set the ATTENUATOR selector and PHASE selector
located above the BAL
jacks according to the component
to be connected.
ATTENUATOR selector:
Select the allowable input level for the XLR balanced
input jacks. If sound from the connected component is
distorted, set the ATTENUATOR selector to ATT. (-6 dB).
PHASE selector:
Select the assignment of the HOT pin of the XLR
balanced input jacks (pin 2 HOT or pin 3 HOT).
NORMAL (pin 2 HOT)
INV. (pin 3 HOT)
Refer to the owners manual supplied with the connected
component and verify the assignment of the HOT pin of
its XLR balanced output jacks.
y
Yamaha CD players are set to NORMAL (pin 2 HOT).
XLR connectors:
When connecting, be sure to match the pins and insert the
connector of the “male” XLR balanced cable until you
hear a “click”. When disconnecting, pull out the “male”
XLR balanced cable while holding down the lever of the
BAL jack.
To select the component connected to the BAL jacks, set the input
source to BAL.
Note
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228

Yamaha A-S2100 El kitabı

Tip
El kitabı