Yamaha DG60FX Kullanım kılavuzu

Marka: Yamaha

Model: DG60FX

Kategori: Müzik Enstrümanları

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Owner’s Manual

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved

fejlagtig håndtering. Udskiftning må

kun ske med batteri af samme

fabrikat og type. Levér det brugte

batteri tilbage til leverandøren.

VARNING

Explosionsfara vid felaktigt

batteribyte. Använd samma

batterityp eller en ekvivalent typ

som rekommenderas av

apparattillverkaren. Kassera använt

batteri enlight fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on

virheellisesti asennettu. Vaihda

paristo ainoastaan laitevalmistajan

suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

1.IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the in-

structions contained in this manual, meets FCC re-

quirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC,

to use the product.

2.IMPORTANT: When connecting this product to acces-

sories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions.

Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3.NOTE: This product has been tested and found to

comply with the requirements listed in FCC Regula-

tions, Part 15 for Class “B” digital devices. Compli-

ance with these requirements provides a reasonable

level of assurance that your use of this product in a

residential environment will not result in harmful

interference with other electronic devices. This equip-

ment generates/uses radio frequencies and, if not

installed and used according to the instructions found

in the users manual, may cause interference harmful

to the operation of other electronic devices. Compli-

ance with FCC regulations does not guarantee that

interference will not occur in all installations. If this

product is found to be the source of interference, which

can be determined by turning the unit “OFF” and “ON”,

please try to eliminate the problem by using one of the

following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Corporation

of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

CANADA

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

FCC INFORMATION (U.S.A.)

NEDERLAND / NETHERLAND

• Dit apparaat bevat een lithium batterij voor

geheugen back-up.

• This apparatus contains a lithium battery for

memory back-up.

• Raadpleeg uw leverancier over de

verwijdering van de batterij op het moment

dat u het apparaat ann het einde van de

levensduur afdankt of de volgende Yamaha

Service Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

• For the removal of the battery at the

moment of the disposal at the end of the

service life please consult your retailer or

Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address : Kanaalweg 18-G, 3526 KL

UTRECHT

Tel : 030-2828425

• Gooi de batterij niet weg, maar lever hem in

als KCA.

• Do not throw away the battery. Instead,

hand it in as small chemical waste.

The exclamation point within the equilateral triangle is intended to

alert the user to the presence of important operating and maintenance

(servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol, within the equilateral

triangle, is intended to alert the user to the presence of uninsulated

“dangerous voltage” within the product’s enclosure that may be of

sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE

EARTHED

IMPORTANT. The wires in this

mains lead are coloured in accor-

dance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains

lead of this apparatus may not correspond

with the coloured markings identifying the

terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-

YELLOW must be connected to the

terminal in the plug which is marked by the

letter E or by the safety earth symbol or

colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be

connected to the terminal which is marked

with the letter N or coloured BLACK.

The wire which is coloured BROWN must

be connected to the terminal which is

marked with the letter L or coloured RED.

• This applies only to products distributed

by Yamaha-Kemble Music (U.K.) Ltd.

WARNING-

When using any electrical or electronic prod-

uct, basic precautions should always be followed. These precau-

tions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE making any connections, includ-

ing connection to the main supply.

2. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servic-

ing should be referred to qualified service personnel.

3. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact your

dealer for supply voltage verification and (if applicable) instruc-

tions. The required supply voltage is printed on the name plate.

For name plate location, please refer to the graphic found in the

Special Message Section of this manual.

4. DANGER-Grounding Instructions: This product must

be grounded and therefore has been equipped with a three pin

attachment plug. If this product should malfunction, the ground

pin provides a path of low resistance for electrical current,

reducing the risk of electrical shock. If your wall socket will not

accommodate this type plug, contact an electrician to have the

outlet replaced in accordance with local electrical codes. Do

NOT modify the plug or change the plug to a different type!

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone

could walk on, trip over, or roll anything over power or connect-

ing cords of any kind. The use of an extension cord is not

recommended! If you must use an extension cord, the minimum

wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller

the AWG number, the larger the current handling capacity. For

longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in locations

that do not interfere with proper ventilation. If instructions for

enclosed installations are not provided, it must be assumed that

unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not seriously contribute to their

operating temperature. Placement of this product close to heat

sources such as; radiators, heat registers etc., should be avoided.

8. This product was NOT designed for use in wet/damp

locations and should not be used near water or exposed to rain.

Examples of wet /damp locations are; near a swimming pool,

spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart ,rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10.The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused

for extended periods of time. Cords should also be disconnected

when there is a high probability of lightening and/or electrical

storm activity.

11.Care should be taken that objects do not fall and liquids

are not spilled into the enclosure through any openings that may

exist.

12.Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain; or

d. The product does not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13.This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be capable of

producing sound levels that could cause permanent hearing loss.

DO NOT operate for a long period of time at a high volume

level or at a level that is uncomfortable. If you experience any

hearing loss or ringing in the ears, you should consult an audi-

ologist.

IMPORTANT: The louder the sound, the shorter the time

period before damage occurs.

14.Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are

designed to be dealer assembled or installed. Please make sure

that benches are stable and any optional fixtures (where appli-

cable) are well secured BEFORE using. Benches supplied by

Yamaha are designed for seating only. No other uses are recom-

mended.

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

IMPORTANT SAFETY INSTRUCTIONS

92-469-3

PLEASE KEEP THIS MANUAL

Thank you for purchasing the YAMAHA DG60FX-112

Guitar Amplifier.

To fully understand the functions and to obtain maxi-

mum life of this device, please read this Owner’s Manual

carefully before using. Also, after reading this manual,

please keep it and the warranty in a safe place for future

reference.

Contents

Precautions ..................................................5

Nomenclature ...............................................6

■ Control Panel ................................................... 6

■ Rear Panel ....................................................... 8

■ Foot Switch Unit ............................................... 9

Connections ...............................................10

■ Connecting the Power.................................... 10

■ Connecting an Amp and Speaker System ..... 10

■ Connecting Headphones ................................11

■ Digital Output ..................................................11

■ Connecting an Expression (EXP) Pedal .........11

■ Connecting MIDI Devices ...............................11

Using the DG60FX-112 ..............................12

■ Produce Sound .............................................. 12

■ Try Changing the Settings ............................. 13

■ Try Selecting Another Patch .......................... 15

■ Create and Store a Patch .............................. 17

■ Convenient Functions .................................... 17

Effect Functions and Parameters .............19

External Control Settings ..........................21

Tuner Mode .................................................22

■ How to Enter the Tuner Mode ........................ 22

■ Tuning ............................................................ 22

■ Setting the Standard Pitch ............................. 22

Utility Mode.................................................23

■ About the Utility Mode .................................... 23

■ Foot Switch Functions.................................... 23

■ MIDI Functions ............................................... 24

■ External Control Settings ............................... 25

■ EXP Pedal Settings........................................ 26

■ Wah Pedal Settings ....................................... 27

■ The Speaker Simulator .................................. 27

Error Messages ..........................................28

Trouble Shooting........................................28

Specifications.............................................29

MIDI Implementation Chart .......................30

Owner’s Manual

About the Backup Battery

A backup battery (lithium battery) is used to keep internal data (settings) from being lost, even when

the power cord is unplugged. Internal data will be lost when battery power is depleted, so it is recom-

mended that data be stored to an external data recorder such as the Yamaha MIDI Data Filer MDF3

(→ page 24), or keep records of settings in memo form. The average battery life span is about 3

years. When replacement becomes necessary contact the music store where the unit was pur-

chased, or a qualified service representative, to perform the replacement.

• Do not attempt to replace the backup battery by yourself.

• Keep the backup battery out of reach of children.

•“E5” appears in the display when the battery becomes depleted. Internal data may be lost.

• Data may be lost if the unit is improperly handled or if repairs are performed.

Precautions

• Avoid using the DG60FX-112 in the following locations to prevent possible damage:

• In direct sunlight or next to heating equipment.

• In extremely cold or hot locations.

• Locations exposed to high humidity or excessive dust.

• Locations subject to strong shocks or vibration.

• Before making any connections, make sure that the power is switched OFF on the DG60FX-112

and any external devices.

• To protect speakers from possible damage, always set the OUTPUT knob to “0” before switching

the power ON/OFF.

• When connecting a speaker to this unit, make sure that the power is switched OFF first.

• Do not apply excessive force to the switches, knobs and controls.

• The DG60FX-112 is a precision device. Handle it with care and avoid dropping or jarring it.

• Operating temperatures will rise during use. Make sure the DG60FX-112 is used in a well-venti-

lated are.

• For safety, always remove the power plug from the AC wall outlet if there is any danger of light-

ning striking in your area.

• Keep the DG60FX-112 away from neon signs or fluorescent lighting to prevent noise pickup.

• To prevent damage and possibly electrical shock, never open the case and tamper with the

internal circuitry.

• Never use benzene, thinner or other volatile liquids for cleaning, as these chemicals may cause

damage or discoloration to the finish. Always use a dry, soft cloth to wipe off dust and dirt.

Nomenclature

■ Control Panel

q Input Jacks (INPUT HIGH, LOW)

These are the input jacks for the DG60FX-112. Con-

nect the guitar here. Use the jack labeled LOW for

high output guitars and the jack labeled HIGH for

low output guitars.

* Make sure the power is switched OFF before connecting a

guitar.

w Peak Indicator

Detects the input level. The indicator will light if the

signal exceeds the peak level.

e Amp Select Switch (LEAD1-CLEAN2)

Selects one of the eight preset guitar amplifier types.

In the Utility Mode it is used to select functions you

want to set such as Foot Switch or MIDI functions,

etc.

r Gain Contol (GAIN)

Adjusts the amount of distortion.

* No sound will be produced if this knob is set to “0”, even if

the Master Volume

t level is increased.

t Master Volume (MASTER)

Sets the absolute volume of the tone wet with the

Gain Volume and Tone Controls.

* The MASTER knob’s setting is saved in memory.

y Tone Controls

(TREBLE, MIDDLE, BASS, PRESENCE)

Controls the sound level of each tone.

u Output Level Control (OUTPUT)

Controls the output level of the LINE OUT jack,

PHONES jack and the speaker of the DG60FX-112.

* The OUTPUT knob’s setting is not saved in the memory.

i Speaker Simulator Button (SP. SIM)

Switches the Speaker Simulator ON (lamp lit)/OFF

(lamp off).

Press the [SP. SIM] and [UTILITY] buttons simulta-

neously to select the simulator type. (→ page 14)

o Up Button (UP)

!0 Down Button (DOWN)

Press to change the Patch Number by +1/-1. Hold

to change the Group Number by +1/-1. Simulta-

neously press the [UP] and [DOWN] buttons to

switch between the USER ↔ PRESET Areas.

Also, their flashing lamps are used to indicate the

relationship between the patch data value and the

knob’s position.

!1 Display

Displays memory numbers, parameter setting val-

ues, etc.

treq w

@4@0!7!5!2o !0 !1 !3

!6 !8 !9 @1 @2 @3 @5

Nomenclature

!2 Manual Button (MANUAL)

Independent of the selected patch’s settings, this

button changes the sound to the settings of the

knob’s current position.

The lamp will flash if the patch setting is changed.

Press the [MANUAL] and [UTILITY] buttons simul-

taneously to enter the External Control Setting Mode.

(→ page 21)

!3 Utility Button (UTILITY)

Enters the Utility Mode. (→ page 23) Press the

[UTILITY] and [STORE] buttons simultaneously to

enter the Tuner Mode. (→ page 22)

!4 Store Button (STORE)

Enters the Store Mode. (→ page 17)

!5 Compressor Button (COMP)

Switches the Compressor ON (lamp lit)/OFF (lamp

off).

!6 Compressor Knob (COMP)

Adjusts the depth of the compressor’s effect.

Turn to the right to increase the depth of the effect.

!7 Modulation Group Effect Buttons

(CHORUS/FLANGER/PHASER/ROTARY/

TREMOLO)

These buttons set the type of Modulation Effect to

be used. The selected effect’s lamp will light.

A secondary parameter for the effect can be set by

turning the SPEED or DEPTH knob while holding

the button of the currently selected effect.

!8 Speed Knob (SPEED)

Sets the Speed parameter and a secondary param-

eter of the Modulation Group’s Effects.

!9 Depth Knob (DEPTH)

Sets the Depth parameter and a secondary param-

eter of the Modulation Group’s Effects.

@0 Delay Group Effect Buttons

(DELAY/TAPE ECHO)

These buttons set the type of Delay Effect to be

used. The selected effect’s lamp will light.

@1 Time Knob (TIME)

Sets the Delay time.

@2 Feedback Knob (FEEDBACK)

Sets how many times the delay will repeat.

@3 Level Knob (LEVEL)

Sets the Delay’s volume level.

@4 Reverb Group Effect Buttons

(SPRING/HALL/PLATE)

These buttons set the type of Reverb Effect to be

used. The selected effect’s lamp will light.

@5 Reverb Knob (REVERB)

Sets the amount of Reverb that is added to the

sound.

Nomenclature

■ Rear Panel

@6 Power Switch (POWER)

Power switch for the main unit.

* To protect the speakers, set the OUTPUT knob u to “0”

before switching the power ON/OFF.

@7 Headphones Jack (PHONES)

Connect a pair of headphones (optional) to this jack

for private practice or practicing at night when you

don’t want to disturb others. (→ page 11).

* Sound output from the speaker will be terminated when a

pair of headphones is connected to this jack. The audio

signal from the LINE OUT jack

@8 and the DIGITAL OUT

jack

#3 will be delivered.

@8 Line Out Jacks (LINE OUT R, L/MONO)

These jacks deliver the stereo output of the line level

signal (-3dBm/2.3kΩ) that is taken from before the

OUTPUT knob u.

By connecting the R jack to an external amp and

speaker, the combination of the two will create a

stereo guitar amp (→ page 10).

* Use the L/MONO jack when connecting to a monaural de-

vice.

@9 POWER AMP IN Jack

The signal received by this jack is sent directly to

the internal power amp and on to the unit’s speaker.

This allows the main unit to be used as a slave am-

plifier or allow the connection of an external effector

between the LINE OUT Jack @8 and the POWER AMP

IN Jack (→ page 10).

* When a cable is connected to this jack, the sound produced

by the guitar connected to the INPUT jacks

q will not be

produced by the speaker.

* The PHONES jack

@7 does not reproduce the signal received

by the POWER AMP IN jack. The sound of the guitar con-

nected to the INPUT jacks

q can be heard in the headphones.

#0 Foot Switch Unit Terminal (FOOT SW)

Use the supplied special cable to connect the Foot

Switch Unit’s Terminal #7 to this jack. (→ page 10).

#1 MIDI OUT Jack

Jack used for transmitting MIDI data from the

DG60FX-112 such as control changes, program

changes, data in the DG60FX-112’s memory, etc.

(→ page 24).

#2 MIDI IN Jack

Jack used for receiving MIDI data from a MIDI de-

vice, such as a MIDI foot controller, that can be used

to control the volume, or each of the effects and

select patches in the DG60FX-112. (→ page 16).

Also, DG60FX-112 memory data saved to an exter-

nal MIDI device can be returned to the DG60FX-

112 via this jack. (→ page 25)

#3 Digital Out Jack (DIGITAL OUT)

Jack used for sending the output of the DG60FX-

112 as digital data.

Connect to a device equipped with a digital input

jack (COAXIAL) such as a digital mixer, etc. (→ page

11).

@6 @7 @8 @9 #0

#1 #2 #3

Nomenclature

●Top Panel ●Rear Panel

#4 Foot Switches 1, 2, 3

According to the settings in the Utility Mode (→ page

23), the switches can be used as for the following

functions.

• Selects a patch (1/2/3) from the currently selected bank.

• Switches the effect blocks ON/OFF (1: Modulation Block, 2:

Delay Block, 3: Reverb)

#5 Bank Switch (TAP/BANK/TUNER)

• Tap the switch: Sets the Delay Time according

to the tempo at which the switch is tapped. (→

page 20)

• Press the switch until the Foot Switches 1-3

and Bank Switch lamps and the display on

the main unit flashes.: Use the foot switches

1-3 to change the Area/Group/Bank. (→ page

16)

• Hold the switch until “tu” appears in the dis-

play. (The Foot Switch 1-3 and Bank Switch

lamps all go off.) : Enters the Tuner Mode. (→

page 22)

#6 EXP Pedal Jack (EXP. PEDAL)

Connect a foot controller (expression pedal) (op-

tional) such as the YAMAHA FC-7, etc. to this jack,

and control DG60FX-112 parameters or use the de-

vice as a wah pedal. (→ pages 21, 25)

■ Foot Switch Unit

#7 Unit Terminal

Use the supplied special cable to connect the

Foot Switch Unit to the FOOT SW jack #0 on the

rear panel of the main unit. (→ page 10)

Connections

Before making any connections to any of the DG60FX-112’s INPUT and/or OUTPUT jacks,

make sure that the power on the DG60FX-112 and all other devices is turned OFF to pre-

vent electrical shock or damage to the devices.

■ Connecting the Foot Switch Unit

Use the supplied special cable to connect the Foot

Switch Unit to the main unit of the DG60FX-112.

* Never use a cable other than the supplied special cable as it

may result in damage.

1. Connect one end of the special cable to the

FOOT SW terminal on the Rear Panel of the

DG60FX-112. Pay attention to the plug’s orien-

tation when inserting it into the terminal.

* The plugs at either end of the special cable are the same.

■

POWER AMP IN Jack, LINE OUT Jack

● An external effector can be placed (in a series

circuit) between the LINE OUT jack and POWER

AMP IN jack.

* If the external effector is a monaural input type, use the

DG60FX-112’s L/MONO LINE OUT jack when connecting

the effector.

Special Cable

● The DG60FX-112’s speaker reproduces the sig-

nal from the “L” LINE OUT jack. By connecting

an external power amp and speaker to the “R”

LINE OUT jack, you can use the external unit in

combination with the DG60FX-112 as a stereo

guitar amp.

* When connecting an external guitar amplifier, if the external

unit is equipped with an effects loop, we recommend con-

necting the DG60FX-112 to the external unit’s EFFECT

RETURN jack. If the unit is not equipped with an effects loop,

connect the DG60FX-112 to the external unit’s INPUT jack

and adjust the volume and tone controls on the external amp

as needed.

DG60FX-112

(L Side)

External Amp

(R Side)

LINE OUT

External Effector

2. In the same manner, connect the other end of

the special cable to the terminal on the Rear

Panel of the Foot Switch Unit.

■ Connecting Headphones

Connect a pair of headphones to the PHONES jack

(standard stereo) on the DG60FX-112 to play or

practice in private.

The volume of the headphones can be controlled

with the OUTPUT knob.

* When a pair of headphones is connected, output from the

speaker will be terminated however, output from the LINE

OUT jacks and the DIGITAL OUT jack will be delivered.

When using headphones, use at a comfort-

able volume so as not to cause shock to your

hearing.

■ Digital Output

The DG60FX-112 is equipped with a DIGITAL out-

put jack (COAXIAL), that can be connected to the

DIGITAL INPUT jack on a digital mixer, MD recorder,

etc.

* The output level of the DIGITAL OUT jack cannot be con-

trolled with the OUTPUT knob (fixed).

Connections

■ Connecting an Expression (EXP)

Pedal

A foot controller (expression pedal), such as the

YAMAHA FC-7, connected to the EXP. PEDAL jack

on the Foot Switch Unit of the DG60FX-112 allows

control of the DG60FX-112’s individual parameters

or use as a wah pedal. (See pages 21, 25)

■ Connecting MIDI Devices

Using the MIDI IN/OUT jacks allows the exchange

of MIDI information between the DG60FX-112 and

an external MIDI Device.

Data from the DG60FX-112 can be stored in MIDI

devices such as the YAMAHA MIDI Data Filer MDF3,

etc. also, data from the external device can be

loaded into the DG60FX-112.

Also, a MIDI foot controller, etc. can be used to se-

lect patches in the DG60FX-112, control individual

parameters, set individual effects, etc. Refer to the

[Utility Mode] (page 23) for more information on MIDI

functions.

MD recorder, etc.

Using the DG60FX-112

First, connect a guitar to the DG60FX-112 and try some sounds.

■ Produce Sound

1. Before connecting, turn off the power on the

DG60FX-112 and connect a guitar to either the

LOW or HIGH INPUT jack.

High output guitars should be connected to the

jack labeled LOW while low output guitars should

be connected to the jack labeled HIGH.

2. After rotating the OUTPUT knob to the “0” posi-

tion, turn the POWER switch (POWER) to ON

( ).

Turning the POWER switch ON when the OUTPUT

knob is turned up may result in damage to devices

such as amplifier, speaker, headphone, etc., or

cause unexpected accidents like damage to your

hearing due to a high volume setting.

3. A 3-digit number such as “011” will appear on

the display.

Note: When the patch’s number is shown on the

display the device is in a condition called the

PLAY MODE. When in the PLAY MODE, it is

possible to select a patch and use the knobs

or buttons to change settings to play.

For now use this patch to try and produce some

sound.

4. Play a chord on the guitar and rotate the OUT-

PUT knob to the right to control the volume.

The numbers (Group number: 0, Bank number:

1, Patch number: 1) refer to the patch that is

currently selected.

* If the peak indicator continuously lights while playing the

guitar, the level of the guitar’s input signal is too high. Either

use the INPUT jack labeled LOW or reduce the guitar’s out-

put (volume).

■ Try Changing the Settings

Use the knobs or buttons on the panel to create your own original tone.

Using the DG60FX-112

• Continue rotating the knob in the previously de-

scribed direction and the patch’s data value

shown in the display as well as the [UP]/[DOWN]

lamp will stop flashing and indicate the actual

value corresponding to the knob’s position.

* After you stop moving the knob, the value will be displayed

for about 2 more seconds after which it will return to the

normal display.

* Even if only one setting value is changed, the [MANUAL]

lamp will flash to indicate that the patch’s data has changed.

When settings for all knobs (with the exception of OUT-

PUT) have changed, the [MANUAL] lamp will light.

• Once the knob is in an editable condition (in

which the setting’s value can be changed), turn-

ing the knob will result in the value shown in the

display changing in regards to the knob’s posi-

tion and a relative change in the tone.

The previously described rules apply to all knobs

except the OUTPUT knob.

●Change the Effect Setting

Try switching the each of the effect blocks ON/OFF

or try changing the effect. Also, try using the knobs

for each of the effects to change the character of

the effect.

The DG60FX-112’s effects section is divided into

the following 4 blocks,

• Compressor (COMP)

• Modulation (CHORUS/FLANGER/PHASER/

ROTARY/TREMOLO)

• Delay (DELAY/TAPE ECHO)

• Reverb (SPRING/HALL/PLATE)

• Press the corresponding button to select the ef-

fect you want to use (the lamp will light). How-

ever, only one effect per block can be used at a

time. Also, if a button that is lit (ON) is pressed,

the light will go off and the effect in that block will

be switched (OFF).

All knobs can be used to set the parameters of

the effect selected in the block.

* Refer to [Effect Functions and Parameters] (page 19) for more

information on each effect’s function or knob’s setting.

* The operation of each knob follows the same rules as the pre-

amplifier section.

●Try creating your own sound

Knob positions do not represent the current patch’s

value settings so the knob must be aligned with its

setting value (editable condition) in order to make

changes to the value. For this reason, the following

rules apply when a knob is moved.

•

Rotate a knob, if the [UP] lamp flashes, rotate the

knob to the right (toward 10). If the [DOWN] lamp

flashes, rotate the knob to the left (toward 0).

At this time, that patch’s data value (the value

set in the patch of the knob you are turning) will

flash on the display.

* As long as the value is flashing on the display, the tone and

value will not change when the knob is rotated.

The OUTPUT knob and MASTER knob

Either knob can be used to change the volume.

However, the MASTER knob setting is included with

the patch data while the OUTPUT knob setting is

not. Use the MASTER knob to set the volume of

each patch and use the OUTPUT knob to set the

volume as heard from the speaker.

The AMP SELECT switch functions in the same

manner. When the knob is rotated, the patch’s

selected amp type will flash on the display. Ro-

tate the knob to the position of the amp type

indicated in the display and then select an amp

type you want to use.

Using the DG60FX-112

When another patch is selected, any set-

tings you have altered will revert to their

original settings.

If you want to save those settings, please

use the Store operation described on page

17.

●Set the Speaker Simulator

When listening through a pair of headphones, or

connected directly via a line to a mixer or recorder,

the speaker simulator can be used to add the “live”

characteristics of a speaker to the tone output of

the DG60FX-112.

* The speaker simulator does have an effect on the sound pro-

duced by the main speaker. When the main speaker is used,

we recommend that the speaker simulator be switched OFF.

Press the [SP. SIM] button to turn the Speaker Simu-

lator ON (the lamp will light). Press the button again

to turn the Speaker Simulator OFF (light is off).

Also, the DG60FX-112 is equipped with 16 types of

speaker simulations. Try to find a simulation you like.

1. Simultaneously press the [SP. SIM] button and

the [UTILITY] button.

After “SP.S” appears in the display, the currently

selected simulation type will be displayed. The

four types of simulation are as follows.

• A42 : American Style 12-inch x4

• b42 : British Style 12-inch x4

• m42 : Modern 12-inch x4

• Y42 : YAMAHA 12-inch x4

• H42 : Hybrid 12-inch x4

• A22 : American Style 12-inch x2

• b22 : British Style 12-inch x2

• m22 : Modern 12-inch x2

• Y22 : YAMAHA 12-inch x2

• H22 : Hybrid 12-inch x2

• A12 : American Style 12-inch x1

• m12 : Modern 12-inch x1

• Y12 : YAMAHA 12-inch x1

• H12 : Hybrid 12-inch x1

• 410 : 10-inch x4

• 210 : 10-inch x2

2. Use the [UP]/[DOWN] buttons to select the simu-

lator type.

3. Press the [UTILITY] button to return to the PLAY

mode.

* The speaker simulator’s setting is stored along with the patch

data. It is also possible to use Utility settings to turn the

speaker simulator ON or OFF independent of the patch data

settings (see page 27)

* If the MASTER volume or tone controls are set relatively high,

the sound may clip when the Speaker Simulator circuit is ac-

tivated. If so, slightly lower the MASTER volume level.

■ Try Selecting Another Patch

The DG60FX-112 holds a total of 180 patch pro-

grams (patch) in its internal memory.

The 180 patches are divided into two areas each

containing 10 groups, 3 banks and 3 patches.

• AREA

There are two areas, the USER AREA and the

PRESET AREA. When the Store operation is

used, data in the USER AREA (90 patches) can

be freely rewritten. You can change settings in

the PRESET AREA (90 patches) data but you

can not rewrite the contents to the PRESET

AREA memory.

When a PRESET AREA patch is selected, a dot

will appear to the lower right of the hundred’s

digit on the display (0.11-9.33) When the dot

is not lit (011-933), it indicates that a patch in

the USER AREA is selected.

* When the DG60FX-112 is shipped from the factory, the same

patch data as found in the PRESET AREA is used in the

USER AREA. Refer to the [Patch List] on the separate

“Patch List” sheet.

• GROUP

The 90 patches in each area are divided into 10

groups (0-9).

• BANK

Each group is divided into 3 banks (1-3).

• PATCH

Each bank contains 3 patches (1-3).

Try selecting some of the different patches and try

out some of the different sounds.

To select a different patch, use one of the three

methods described below.

●Using the [UP]/[DOWN] buttons on the

panel

• Each time the [UP] button is pressed, the next

greater patch number is selected.

011 → 012 → 013 → 021 → 022 →

023..033 → 111.....933 → 0.11 →

0.12.....9.33 → 011 (returns to the top)...

Every time the [DOWN] button is pressed, the

next lower patch number is selected.

• Press the [UP] button continuously increases the

group number by one (1).

011 → 111 → 211.....911 → 0.11 →

1.11 → 2.11.....9.11 → 011 (returns to

the top)...

Press the [DOWN] button continuously de-

creases the group number by one (1).

• Press the [UP] and [DOWN] button simulta-

neously to switch between the USER AREA ↔

PRESET AREA.

011 ↔ 0.11

Using the DG60FX-112

GROUP 0

BANK 1

PATCH 1

PATCH 2

PATCH 3

BANK 2

PATCH 1

PATCH 2

PATCH 3

BANK 3

PATCH 1

PATCH 2

PATCH 3

GROUP 1

GROUP 9

GROUP 0

BANK 1

PATCH 1

PATCH 2

PATCH 3

BANK 2

PATCH 1

PATCH 2

PATCH 3

BANK 3

PATCH 1

PATCH 2

PATCH 3

GROUP 1

GROUP 9

USER AREA PRESET AREA

• Patch Characteristics

●Using the Foot Switch and the Bank

Switch

• Press a foot switch (1-3) to select the corre-

sponding patch number 1-3 in the currently se-

lected group/bank.

* If the Foot Switch’s function is set to “EFF” in the Utility

mode, it will not be possible to select a patch using the

Foot Switch. (See page 23)

• Press and hold the BANK switch until the dis-

play and the foot switch lamp flashes then re-

move your foot. In this condition, the following

procedure can be used.

* Even if the Foot Switch function is set to “EFF” in the

Utility Mode, this mode can be entered by stepping on the

BANK switch.

1. Hold Foot Switch 1 for more than one second to

switch between the USER AREA ↔ PRESET

AREA. When the area is changed, the Foot

Switch’s lamps will flash.

2. Hold Foot Switch 2 for more than one second to

decrease the group number by a value of one.

When the Group number is changed, the Foot

Switch’s lamps will flash.

3. Hold Foot Switch 3 for more than one second to

increase the group number by a value of one.

When the Group number is changed, the Foot

Switch’s lamps will flash.

4. Press a Foot Switch (1-3) to select the corre-

sponding bank number (1-3). The three lamps

above the Bank Switch will indicate which bank

number is selected.

5. When a BANK is selected, the lamp in the dis-

play and foot switch lamp will flash quickly. Press

a Foot Switch (1-3) at this time to select the cor-

responding patch number (1-3).

* To cancel the selected patch, press the BANK switch. It will

return to the previous condition.

Using the DG60FX-112

●Using MIDI Control

MIDI program change data transmitted from an ex-

ternal MIDI device such as the YAMAHA MIDI Foot

Controller MFC10, etc. can be used to select patches

in the DG60FX-112.

1. Use a MIDI cable to connect the MIDI IN jack on

the DG60FX-112 to the MIDI OUT jack on an

external MIDI device.

* Make sure to use a MIDI cable that conforms to the MIDI

standard. Also, limit the length of the MIDI cable to 15

meters. Use of a long cable may result in trouble such as

inferior performance of the device, etc.

2. Match the DG60FX-112’s MIDI receive channel

with the MIDI transmit channel on the external

MIDI device.

→ page 24 [Set the MIDI Receive Channel]

3. Create a Program Change Table*. (Factory de-

fault → Program Change No : Patch No. = 1:011,

2:012…128:4.12)

→ page 24 [Create a Program Change Table]

* This operation is used to assign patch numbers to a corre-

sponding program change number received from an exter-

nal device. For example, when the program change num-

ber “1” is received, the DG60FX-112’s patch number

“113” is recalled.

4. When program change data is transmitted from

an external MIDI device, the patch is selected

that corresponds to the program change table

you created.

* Refer to the owner’s manual for your external MIDI device

for instructions on how to transmit program change data.

MIDI IN

MIDI

OUT

MFC10, etc

Using the DG60FX-112

■ Create and Store a Patch

Original settings can be stored in the USER AREA

(011-933). Try creating an original patch and then

store it.

●Storing Procedure

1. Press the [STORE] button.

When you enter the Store Mode, the display, the

[STORE] lamp and the foot switch lamp corre-

sponding to the patch number will flash.

2. Select the patch (group, bank, patch number) to

which you want to store the patch.

Use the same procedure as described in [Try

Selecting Another Patch] (page 15) to select a

patch. You can use the [UP]/[DOWN] buttons, the

foot switches and the BANK switch to select the

patch number. However, you cannot change the

AREA (it can only be assigned to the USER

AREA).

3. After select the patch you want to store your

patch in, hold the [STORE] button.

The store operation is complete when all lamps

light.

* Utility mode settings are not stored with patch data. As com-

mon settings for all patches, their contents are stored in the

DG60FX-112 memory.

* The OUTPUT knob’s setting is not stored with the patch data.

Use the MASTER knob to set differences in volume for situa-

tions like backing, soloing, etc.

* Data in the USER AREA (011-933) can be stored in an exter-

nal MIDI device. (→ page 24)

This procedure can be used to store original patches

and also used to rearrange the order of patches for

use during live performance.

■ Convenient Functions

Here are some convenient functions that you can

use with the DG60FX-112.

●Use Foot Switches 1-3 to Switch Ef-

fects ON/OFF

You can set Foot Switch 1 to act as an ON/OFF

switch for the modulation effect, Foot Switch 2 as

an ON/OFF switch for the delay effect, and Foot

Switch 3 as an ON/OFF switch for the reverb effect.

1. Press the [UTILITY] button and set the amp se-

lect switch to the LEAD 1 position.

After entering the Utility Mode, “F.S” will appear

on the display and then the currently selected

foot switch function will be displayed.

• PrG : Select a patch

• EFF : Switches the effect block ON/OFF

2. Use the [UP]/[DOWN] buttons to set the foot

switch function to “EFF”.

3. Press the [UTILITY] button to return to the Play

Mode.

4. Press Foot Switches 1-3 to switch the corre-

sponding effect block ON/OFF.

* To change the Bank, Group or Area, press and hold the BANK

switch until the display and the Foot Switch lamp flashes. (→

page 16)

Modulation

Effect

Delay

Effect

Reverb

Effect

Using the DG60FX-112

●

Using the DG60FX-112 Without Patches

The [MANUAL] button lets you control the DG60FX-

112 when patches are not used.

Press the [MANUAL] button to enter the Manual

Mode (the lamp lights). In this mode, all knobs and

effect buttons are set to their present condition.

In the Manual Mode, changes to any knob or button

can be performed directly.

To cancel the Manual Mode, simply recall a patch.

Press the footswitch (1-3) that corresponds to the

patch number shown on the display to return the

DG60FX-112 to the same condition previous to en-

tering the Manual Mode.

Also, the Manual Mode will be exited and the

[MANUAL] lamp will flash if the Modulation Effect's

secondary parameters are changed.

●Using a Foot Pedal (Controller)

Connecting an optional foot controller (expression

pedal) such as the YAMAHA FC-7, etc., to the EXP.

PEDAL jack on the Foot Switch Unit lets you control

DG60FX-112’s volume, tone or effect parameters

(setting values) and use the device as a Wah pedal.

→ page 21 [External Control Settings]

●Controlling the DG60FX-112 from an

External MIDI Device

Using a MIDI cable to connect the MIDI IN jack on

the DG60FX-112 to the MIDI OUT jack on an exter-

nal MIDI device lets you control DG60FX-112’s vol-

ume, tone and effect parameters (setting values)

and use the device as a Wah pedal.

→ page 21 [External Control Settings]

●Chromatic Auto Tuner Function

The Tuner Mode can be accessed while in the Play

Mode by simultaneously pressing the [UTILITY]

button and the [STORE] button or, holding the BANK

switch until “tu” appears in the display. The Tuner

Mode provides a chromatic tuner for tuning.

→ page 22 [Tuner Mode]

●Factory Default

To return the DG60FX-112 to its factory-preset con-

dition, hold the buttons [UP] and [MANUAL] and turn

the Power ON ( ). The DG60FX-112 will then be

reset to its factory defaults and all data in the USER

AREA will be rewritten with data for the patches listed

in the Patch List (on the separate “Patch List” sheet).

When the DG60FX-112 is reset to its fac-

tory default condition, all data stored in

memory is erased. We recommend that any

important data be stored in an external

MIDI device or that notes be taken of the

settings.

Compressor

●Comp (Compressor)

Controlling the input signal (peak) this effect keeps

the maximum level constrained to the level set with

the knob.

• COMP knob

Rotate the knob to the right to increase the depth

of the compression.

When set to “0.0” it will have no effect.

Modulation Effects

There are five modulation effects, CHORUS,

FLANGER, PHASER, ROTARY and TREMOLO.

• The two knobs controlling modulation param-

eters are double duty knobs. As is, they control

speed and depth of the selected effect but hold-

ing the currently selected effect's button while

turning the knob can access a second function

for each knob.

• Secondary function parameters are also stored

with the patch’s data. When a patch is selected,

the secondary parameter settings that are stored

in the patch’s data will be assigned to the patch.

• When a different modulation effect is selected

from the modulation effect block, the previous

effect's settings will be used for the SPEED and

DEPTH knob’s individual parameter values.

Secondary parameter values are set to the value

most recently used for the selected effect. (Sec-

ondary parameter values are always stored in

the unit with individual effects.)

• To return the secondary parameter’s setting to

its factory default value, hold that effect’s button

until the five modulation effect lamps are lit.

●CHORUS

This is a typical chorus effect.

• SPEED knob

Sets the speed at which the pitch will vibrate.

• DEPTH knob

Sets the depth at which the pitch will vibrate.

• SPEED knob + [CHORUS]

Sets the delay time.

• DEPTH knob + [CHORUS]

Sets the mix level of the chorus effect.

Effect Functions and Parameters

●FLANGER

Creates a sound resembling a jet.

• SPEED knob

Sets the speed at which the pitch will vibrate.

• DEPTH knob

Sets the depth at which the pitch will vibrate.

• SPEED knob + [FLANGER]

Sets the delay time.

• DEPTH knob + [FLANGER]

Sets the feedback level.

●PHASER

This changes the cyclical phase to give the sound a

wave like motion.

• SPEED knob

Sets the speed at which the phase changes.

• DEPTH knob

Sets the depth of the phase.

• SPEED knob + [PHASER]

Sets the feedback level.

• DEPTH knob + [PHASER]

Sets the mix level of the phase effect.

●ROTARY (Rotary Speaker)

This effect simulates a two-way rotary speaker.

• SPEED knob

Sets the rotation speed of the low frequency

speaker.

• DEPTH knob

Sets the rotation speed of the high frequency

speaker.

• SPEED knob + [ROTARY]

Sets the angle at which the left and right micro-

phones are set in relation to the speaker. A set-

ting of “0” will produce a monaural sound while

a setting of “10.0” will produce a microphone

placement of 180 degrees.

• DEPTH knob + [ROTARY]

Sets the volume balance between the high fre-

quency speaker and low frequency speaker.

●TREMOLO

This effect changes the volume cyclically.

• SPEED knob

Sets the speed at which the volume changes.

• DEPTH knob

Sets the range in which the volume changes.

Effect Functions and Parameters

• SPEED knob + [TREMOLO]

Sets the phase difference between the left and

right sounds. From 0 degrees to 360 degrees

(0.0-10.0). Set to “5” the knob works like a ste-

reo pan pot.

• DEPTH knob + [TREMOLO]

Sets the wave shape of the tremolo. A setting of

“0.0” produces a triangular wave. Rotate the knob

to the right to change the shape to a trapezoid

with its sharpness increasing the more the knob

is turned.

Delay Effects

There are two effects, DELAY and TAPE ECHO.

●DELAY

This is a digital delay effect. The sound played will

be repeated after a determined pause.

• TIME knob

Sets the delay time (from the time or the original

sound to the time of the delay).

When the delay effect is used, it is possible

to set the TIME parameter (delay time) by tap-

ping on the BANK switch. Tap a few times on

the BANK switch in the tempo you want to

set the delay to. The interval in which the

switch was tapped will be set in the TIME pa-

rameter.

• FEEDBACK knob

Sets the number of times the effect will repeat.

* Too high of a setting may result in an uncontrolled oscilla-

tion of sound. Please use caution.

• LEVEL knob

Controls the volume of the source signal into the

Delay circuit.

* If the same Delay setting is switched from a patch using a

LEVEL other than “0” to a patch using a LEVEL of “0”,

the remaining Delay will be leftover. Of course, the sound

of the new patch will not be affected by the delay.

●TAPE ECHO

A digital simulation that provides an realistic repro-

duction of the classic tape echo.

• TIME Knob

Sets the delay time (from the time of the original

sound to the time of the delay).

* Just as in the DELAY effect, tapping on the BANK switch

can set the TIME (Delay Time) parameter.

• FEEDBACK knob

Sets the number of times the effect will repeat.

* Too high of a setting may result in an uncontrolled oscilla-

tion of sound. Please use caution.

• LEVEL knob

Controls the volume of the source signal into the

Tape Echo circuit.

* If the same Tape Echo setting is switched from a patch us-

ing a LEVEL other than “0” to a patch using a LEVEL of

“0”, the remaining Tape Echo will be leftover. Of course,

the sound of the new patch will not be affected by the Tape

Echo.

Reverb Effects

There are three types of digital reverb, SPRING,

HALL and PLATE.

●SPRING (Spring Reverb)

This effect simulates the spring reverb of a vintage

guitar amp.

• REVERB knob

Controls the volume of the source signal into the

Reverb circuit.

●HALL (Hall Reverb)

This effect simulates the reverb of a hall.

• REVERB knob

Controls the volume of the source signal into the

Reverb circuit.

●PLATE (Plate Reverb)

This effect simulates the reverb of a metal plate.

• REVERB knob

Controls the volume of the source signal into the

Reverb circuit.

* If the same Reverb type is switched from a patch using a

LEVEL other than “0” to a patch using a LEVEL of “0”,

the remaining Reverb will be leftover. Of course, the sound

of the new patch will not be affected by the Reverb.

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